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Proceedings of the Linnean Society of London - University Library

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6o PEOCEEDIXGS OF THE<br />

fi'iend. He published <strong>the</strong> ' llortus Cliffortianus ' in 1737, and in<br />

<strong>the</strong> same year <strong>the</strong> ' Flora Lapponica.' The frontispiece to this<br />

work, dedicated to Clifford, represents a Lapland landscape with<br />

Linne in <strong>the</strong> foreground, having on his knees <strong>the</strong> " drum," which<br />

appears in <strong>the</strong> full-length picture. This frontispiece was drawn bv<br />

H<strong>of</strong>fman, who in <strong>the</strong> same year painted <strong>the</strong> portrait <strong>of</strong> Linne<br />

for Clifford. This fine painting has remained in his family until<br />

this time, though no longer at Hartekamp. In 1891 Mr. Cliiford<br />

was living at JNieuwetsluys, and when I visited him <strong>the</strong>re he was<br />

most helpful. The painting has been very carefully conseiwed and<br />

is in extremely good condition. He gave me leave to have a<br />

pliotograph taken from it. He traced his family back to <strong>the</strong> days<br />

<strong>of</strong> William <strong>the</strong> Conqueror, and showed me an interesting record<br />

<strong>of</strong> <strong>the</strong> family history, turning to <strong>the</strong> pages which contained contempoi-ary<br />

notes about Linne while he was at Hartekamp.<br />

The original portrait has never been reproduced. Linne is<br />

standing with his face turned somewhat to <strong>the</strong> left, in his Lapland<br />

dross, with his gloves and various implements hanging from an<br />

ornamented lea<strong>the</strong>rn girdle. His right hand holds a plant <strong>of</strong><br />

Linncea in flower but without a label, and his left hand supports a<br />

large oval object which has puzzled many, but in <strong>the</strong> frontispiece<br />

to <strong>the</strong> ' Flora Lapponica ' this is shown in two separate portions<br />

which have spread out on <strong>the</strong>m small objects : it is apparently<br />

a press for drying plants. Around <strong>the</strong> sides <strong>of</strong> this press are<br />

written <strong>the</strong> words :— " Carolus Linnaeus e Lapponia Eedux.<br />

.^tat. 30. Anno 1737. Mart. H<strong>of</strong>fman fecit 1737." There is<br />

nothing on <strong>the</strong> canvas besides <strong>the</strong> portrait <strong>of</strong> Linn£eus.<br />

A replica or a copy <strong>of</strong> this portrait, painted in 1739, came into<br />

<strong>the</strong> possession <strong>of</strong> Dr. Eobert Thornton toAvards <strong>the</strong> end <strong>of</strong> <strong>the</strong><br />

eighteenth century. This is known only from <strong>the</strong> mezzotint<br />

engraving by H. Kingsbury, Avhich was "published April G, 1795,<br />

by H. Kingsbury, No. 4 Wan-en Street, Fitzroy Square." In<br />

1804 Dr. Thornton had an exhibition <strong>of</strong> his botanical paintings at<br />

49 New Bond Street, and <strong>the</strong> printed catalogue states that this<br />

painting is " A whole length <strong>of</strong> Linnaeus aged only thirty-two, in<br />

his Lapland Dress. 'Qj H<strong>of</strong>fman. An Original Picture. This<br />

was painted for Gronovius in Holland and is <strong>the</strong> onl}^ original<br />

Picture <strong>of</strong> Linnaeus in England." Linne was indebted for much<br />

friendly help to Grronovius ; at his suggestion Boerhaave introduced<br />

Linne to Clifford, and at <strong>the</strong> expense <strong>of</strong> Grronovius <strong>the</strong><br />

first edition <strong>of</strong> <strong>the</strong> ' Systeraa Naturoe' was published at Leydea<br />

in 1735. It is very likely that he would desire to possess <strong>the</strong><br />

portrait <strong>of</strong> a friend he valued so highly.<br />

In 1811 Thornton got permission from Parliament to dispose <strong>of</strong><br />

his paintings by a lottery, but this was unsuccessful. Thornton<br />

lived for twenty-six years after this, having died at his residence<br />

in Howland Street, Fitzroy Square, on June 22nd, 1837. I have<br />

failed to discover what has become <strong>of</strong> this or any <strong>of</strong> <strong>the</strong> o<strong>the</strong>r<br />

botanical paintings that belonged to Thornton. The only help

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