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Our thanks tO <strong>the</strong> c<strong>on</strong>tributors<br />

who generously made images<br />

available for us to use in this<br />

book. As you’ll see, some are<br />

professi<strong>on</strong>als, but o<strong>the</strong>rs are<br />

novices or hobbyists. It doesn’t<br />

really matter which is which.<br />

Both of <strong>the</strong> authors, Robin and<br />

Fil, made some fairly decent<br />

images as amateurs and <strong>the</strong>n<br />

went <strong>on</strong> to make a (hopefully<br />

very) few terrible <strong>on</strong>es as professi<strong>on</strong>als.<br />

We are all still learning.<br />

We must help each o<strong>the</strong>r.<br />

Thanks, too, to Wein and<br />

PocketWizard, for allowing <strong>the</strong><br />

use of images of <strong>the</strong>ir products,<br />

and to our various models:<br />

Mandeep, Karina, Joshua, Nancy,<br />

Maggie, San, Cathie, Maggie,<br />

Wendell, Stephanie, Katie,<br />

Joanne, Jan, Jas<strong>on</strong>, and Robert.<br />

A bit about our photographic<br />

c<strong>on</strong>tributors:<br />

Chris Brearley: I have no<br />

biography. I’m just a QA test<br />

engineer who enjoys taking<br />

photos. Although I tend to prefer<br />

staying in <strong>the</strong> studio, I’m trying<br />

to get out more and see what is<br />

around me. Page 166, fireworks.<br />

Alesa Dam: Born in 1971,<br />

Belgium, I have been intrigued by<br />

photography since my childhood.<br />

As a child I owned a Kodak<br />

Disc film camera. My fa<strong>the</strong>r was<br />

interested in photography himself<br />

and had some books about <strong>the</strong><br />

subject <strong>on</strong> <strong>the</strong> bookshelf. Love,<br />

study, and my first job got in<br />

<strong>the</strong> way of this hobby in my late<br />

teens and twenties. I regained<br />

interest in photography when<br />

we switched from disposable<br />

film cameras to our first, and<br />

<strong>on</strong>ly, digital point-and-shoot<br />

back in 2001. My first DSLR,<br />

bought sec<strong>on</strong>dhand in 2009,<br />

opened up a new world full of<br />

creativity. Being more involved in<br />

photography for <strong>on</strong>ly 2 years, I’m<br />

not really clear yet what directi<strong>on</strong><br />

it’s taking me, but it seems my<br />

preferred subjects include l<strong>on</strong>gexposure<br />

night photography,<br />

abstracts, and studio portraiture.<br />

Page 174, LEDs.<br />

Joel DeYoung: Based in<br />

Holland, Michigan, I began my<br />

Acknowledgments<br />

photographic journey in 2006<br />

and found that <strong>the</strong> challenges<br />

of photography fit well with my<br />

inquisitive pers<strong>on</strong>ality, my love of<br />

nature, and my need for artistic<br />

expressi<strong>on</strong>. Through photography,<br />

I have been able to experience<br />

and explore <strong>the</strong> world in new<br />

and w<strong>on</strong>derful ways, finding and<br />

photographing details in nature<br />

that most people overlook. From<br />

<strong>the</strong> grand landscape to <strong>the</strong> tiniest<br />

insect, I have found that <strong>the</strong> world<br />

is full of beauty when you take<br />

<strong>the</strong> time to notice. C<strong>on</strong>tact me at<br />

joel@joeldeyoungphotography<br />

.com. Page 96, boy’s head shot.<br />

John Hartman: John Hartman<br />

is a professi<strong>on</strong>al photographer<br />

who has d<strong>on</strong>e fine art and<br />

commercial work for more<br />

than 25 years. He works from<br />

a studio in Alexandria, Virginia,<br />

and produces assignment and<br />

stock imagery that is published<br />

in magazines every m<strong>on</strong>th. John<br />

is <strong>the</strong> s<strong>on</strong> of Henry Hartman, a<br />

nati<strong>on</strong>ally known illustrator and<br />

fine artist. His l<strong>on</strong>g-standing<br />

interest in nautical subjects has<br />

led to collaborati<strong>on</strong>s with various<br />

Acknowledgments ix

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