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Focus On Lighting Photos Focus on the Fundamentals.pdf

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10<br />

Most modern flashes are shaped<br />

like boxes. In a diagram, it can be<br />

difficult to see how <strong>the</strong> reflecti<strong>on</strong><br />

happens. Still, internally, <strong>the</strong>ir<br />

reflectors very closely resemble <strong>the</strong><br />

old-time parabolic reflector.<br />

So if <strong>the</strong> shape of <strong>the</strong><br />

flash in <strong>the</strong> diagram doesn’t<br />

look like yours, d<strong>on</strong>’t<br />

worry; <strong>the</strong> same thing is<br />

happening.<br />

What is ISO?<br />

The Internati<strong>on</strong>al Standards<br />

Associati<strong>on</strong> agrees <strong>on</strong> ways of<br />

measuring all sorts of things,<br />

including photographic exposure.<br />

The higher <strong>the</strong> ISO to which we<br />

set <strong>the</strong> camera (or of <strong>the</strong><br />

film we buy) <strong>the</strong> less light<br />

required. Still, lower ISO<br />

gives us higher quality.<br />

<str<strong>on</strong>g>Focus</str<strong>on</strong>g> <str<strong>on</strong>g>On</str<strong>on</strong>g> <str<strong>on</strong>g>Lighting</str<strong>on</strong>g> <str<strong>on</strong>g>Photos</str<strong>on</strong>g><br />

Why use a white reflector? Why<br />

not ano<strong>the</strong>r silver <strong>on</strong>e, like <strong>the</strong><br />

<strong>on</strong>e we are using for <strong>the</strong> flash?<br />

Silver would be brighter, and<br />

we could use a lower ISO or a<br />

smaller aperture.<br />

All true, but a silver reflector will<br />

reflect <strong>the</strong> light like a mirror.<br />

It will look similar to whatever<br />

<strong>the</strong> original light source is. That<br />

means that a big silver reflector<br />

behaves exactly like a small <strong>on</strong>e,<br />

and we d<strong>on</strong>’t want that. We want<br />

a fairly large light source because<br />

it is softer. We’ll talk more about<br />

what that means in <strong>the</strong> next<br />

chapter, but for now all we need<br />

to know is that softer light is<br />

generally better for portraiture<br />

and that <strong>the</strong> bigger <strong>the</strong> light is,<br />

<strong>the</strong> softer it is.

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