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Focus On Lighting Photos Focus on the Fundamentals.pdf

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But what if we d<strong>on</strong>’t<br />

have a wall or a ceiling<br />

to use for bounce?<br />

Maybe we’re outdoors and <strong>the</strong>re<br />

is no wall or ceiling. Maybe we’re<br />

photographing <strong>the</strong> designer of a<br />

newly successful microprocessor<br />

in <strong>the</strong> newly built manufacturing<br />

facility where <strong>the</strong> ceiling is 14 feet<br />

high (and maybe painted black)<br />

and <strong>the</strong> nearest wall is 30 feet<br />

away. D<strong>on</strong>’t discount this possibility,<br />

even if you are <strong>the</strong> mailroom<br />

clerk. If you are a good amateur<br />

photographer, your employer<br />

may say, “Why bring in a $2,000<br />

professi<strong>on</strong>al when we have Sally<br />

right here?”<br />

This happens. In those cases we<br />

have to bring our own bounce<br />

reflector. There are many ways<br />

to do this, but <strong>the</strong> three comm<strong>on</strong><br />

<strong>on</strong>es are a big bounce card, an<br />

umbrella, and a collapsible ring<br />

reflector. By far, most photographers<br />

choose <strong>the</strong> umbrella. Still,<br />

we’ll talk about <strong>the</strong> bounce card<br />

first, partly because it resembles<br />

<strong>the</strong> walls and ceilings we’ve<br />

already discussed, but mostly<br />

because it is <strong>the</strong> cheapest.<br />

The big bounce card<br />

We want <strong>the</strong> biggest card we can<br />

carry. What “biggest” means to<br />

you will depend <strong>on</strong> whe<strong>the</strong>r you<br />

drive a truck, ride <strong>the</strong> subway,<br />

or do something in between.<br />

We’ll talk about a 4-by-8-foot<br />

card. Scale it up if you can carry<br />

it; scale it down to whatever<br />

size you can accommodate.<br />

Also c<strong>on</strong>sider what you want to<br />

photograph.<br />

For <strong>the</strong> first material, overwhelmingly,<br />

we recommend Fome-Cor.<br />

That’s <strong>the</strong> original name, but<br />

o<strong>the</strong>r manufacturers sell it under<br />

different names. Generically,<br />

it’s foam board: plastic foam<br />

sandwiched between two sheets<br />

of paper. Most makers sell two<br />

different degrees of hardness.<br />

The harder versi<strong>on</strong> is better for<br />

purposes like building tradeshow<br />

signage, but <strong>the</strong> less<br />

expensive softer versi<strong>on</strong> is good<br />

enough for a photographic<br />

reflector.<br />

For <strong>the</strong> sec<strong>on</strong>d material,<br />

we recommend silver Mylar<br />

(a DuP<strong>on</strong>t name). Cover <strong>on</strong>e<br />

side of <strong>the</strong> foam core board<br />

with this mirror plastic. We<br />

can buy it in two versi<strong>on</strong>s: with<br />

and without an adhesive back.<br />

The adhesive back versi<strong>on</strong><br />

costs more, but <strong>the</strong> ease of<br />

applicati<strong>on</strong> is well worth <strong>the</strong><br />

price. Whatever versi<strong>on</strong> you<br />

find, practice attaching a small<br />

piece smoothly to a board<br />

before you assemble <strong>the</strong><br />

big <strong>on</strong>e.<br />

Tools: Now We Have Light, but How Do We Get It under C<strong>on</strong>trol? 35

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