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Focus On Lighting Photos Focus on the Fundamentals.pdf

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can do this picture, too. We’ll talk<br />

you through it in Chapter 1.<br />

Our goal here is to give you<br />

enough knowledge of lighting—<br />

whatever <strong>the</strong> source—that you<br />

can take great photos without a<br />

t<strong>on</strong> of gear or expensive strobes.<br />

We also want you to understand<br />

<strong>the</strong> lighting before you make<br />

any more significant equipment<br />

investment. If you decide you<br />

must have <strong>on</strong>e more light, not<br />

attached to <strong>the</strong> camera, get <strong>the</strong><br />

least intelligent, least expensive<br />

you can find. It will always be<br />

useful in <strong>the</strong> future when you<br />

need <strong>on</strong>e more light in a complex<br />

arrangement.<br />

Later, if you need a more<br />

expensive flash, or a whole studio<br />

filled with strobes, you will know<br />

better what works, spend your<br />

m<strong>on</strong>ey more wisely, and get a lot<br />

more from your investment.<br />

In <strong>the</strong> meantime, learn about<br />

light. Join a camera club, where<br />

<strong>the</strong>re is enthusiasm plus a<br />

great willingness to exchange<br />

informati<strong>on</strong>. Share what<br />

equipment is available. If each<br />

of you can afford to buy <strong>on</strong>ly<br />

<strong>on</strong>e cheap light, toge<strong>the</strong>r you<br />

can outclass many professi<strong>on</strong>al<br />

studios. We’ll also show you how<br />

to make all sorts of tools, which<br />

photographers need <strong>on</strong> occasi<strong>on</strong>.<br />

The camera and <strong>the</strong> little builtin<br />

flash or an off-camera flash<br />

often are not enough. Sometimes<br />

we need to make a little light<br />

bigger. Sometimes we need to<br />

restrict <strong>the</strong> spread of a light.<br />

There are tools to do this. Most<br />

can be homemade. Experiment.<br />

Make a homemade softbox,<br />

snoot, grid, and gobo. There<br />

are samples of all in <strong>the</strong> book,<br />

as well as excellent photos using<br />

<strong>the</strong>m. Tape a white sheet to a<br />

colored wall before investing in<br />

seamless paper. Learn what you<br />

like to work with—what helps<br />

you get <strong>the</strong> photos you want.<br />

If you find yourself wearing out<br />

your homemade versi<strong>on</strong>s, <strong>the</strong>n<br />

it’s time to upgrade. But while<br />

you’re learning, save your m<strong>on</strong>ey.<br />

Professi<strong>on</strong>al equipment is great—<br />

it’s made to hold up for a career.<br />

But it tends to be expensive. Resist<br />

<strong>the</strong> urge to run out and buy stuff.<br />

Ra<strong>the</strong>r like exercise equipment,<br />

for all too many photographers<br />

(professi<strong>on</strong>al and amateur),<br />

<strong>the</strong>se tools just ga<strong>the</strong>r dust all too<br />

often. Until you’re ready for <strong>the</strong><br />

investment, make your own tools<br />

or rent <strong>the</strong>m or borrow <strong>the</strong>m. In<br />

<strong>the</strong> l<strong>on</strong>g run, you’ll end up with<br />

equipment you actually use and<br />

not waste m<strong>on</strong>ey and stuff your<br />

basement with cool gear you<br />

d<strong>on</strong>’t use.<br />

Photography has always been<br />

exciting. Today, we d<strong>on</strong>’t have to<br />

wait for <strong>the</strong> film to be processed<br />

to know if we got <strong>the</strong> shot. With<br />

digital, we know immediately.<br />

It’s an ever-changing field.<br />

New technology. New software.<br />

Boy, it’s fun. However, with<br />

more knowledge and a few<br />

tools, you’re more likely to get<br />

<strong>the</strong> image you want and get<br />

it faster.<br />

Introducti<strong>on</strong>: <str<strong>on</strong>g>Lighting</str<strong>on</strong>g>? Why Bo<strong>the</strong>r? xv

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