Focus On Lighting Photos Focus on the Fundamentals.pdf
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can do this picture, too. We’ll talk<br />
you through it in Chapter 1.<br />
Our goal here is to give you<br />
enough knowledge of lighting—<br />
whatever <strong>the</strong> source—that you<br />
can take great photos without a<br />
t<strong>on</strong> of gear or expensive strobes.<br />
We also want you to understand<br />
<strong>the</strong> lighting before you make<br />
any more significant equipment<br />
investment. If you decide you<br />
must have <strong>on</strong>e more light, not<br />
attached to <strong>the</strong> camera, get <strong>the</strong><br />
least intelligent, least expensive<br />
you can find. It will always be<br />
useful in <strong>the</strong> future when you<br />
need <strong>on</strong>e more light in a complex<br />
arrangement.<br />
Later, if you need a more<br />
expensive flash, or a whole studio<br />
filled with strobes, you will know<br />
better what works, spend your<br />
m<strong>on</strong>ey more wisely, and get a lot<br />
more from your investment.<br />
In <strong>the</strong> meantime, learn about<br />
light. Join a camera club, where<br />
<strong>the</strong>re is enthusiasm plus a<br />
great willingness to exchange<br />
informati<strong>on</strong>. Share what<br />
equipment is available. If each<br />
of you can afford to buy <strong>on</strong>ly<br />
<strong>on</strong>e cheap light, toge<strong>the</strong>r you<br />
can outclass many professi<strong>on</strong>al<br />
studios. We’ll also show you how<br />
to make all sorts of tools, which<br />
photographers need <strong>on</strong> occasi<strong>on</strong>.<br />
The camera and <strong>the</strong> little builtin<br />
flash or an off-camera flash<br />
often are not enough. Sometimes<br />
we need to make a little light<br />
bigger. Sometimes we need to<br />
restrict <strong>the</strong> spread of a light.<br />
There are tools to do this. Most<br />
can be homemade. Experiment.<br />
Make a homemade softbox,<br />
snoot, grid, and gobo. There<br />
are samples of all in <strong>the</strong> book,<br />
as well as excellent photos using<br />
<strong>the</strong>m. Tape a white sheet to a<br />
colored wall before investing in<br />
seamless paper. Learn what you<br />
like to work with—what helps<br />
you get <strong>the</strong> photos you want.<br />
If you find yourself wearing out<br />
your homemade versi<strong>on</strong>s, <strong>the</strong>n<br />
it’s time to upgrade. But while<br />
you’re learning, save your m<strong>on</strong>ey.<br />
Professi<strong>on</strong>al equipment is great—<br />
it’s made to hold up for a career.<br />
But it tends to be expensive. Resist<br />
<strong>the</strong> urge to run out and buy stuff.<br />
Ra<strong>the</strong>r like exercise equipment,<br />
for all too many photographers<br />
(professi<strong>on</strong>al and amateur),<br />
<strong>the</strong>se tools just ga<strong>the</strong>r dust all too<br />
often. Until you’re ready for <strong>the</strong><br />
investment, make your own tools<br />
or rent <strong>the</strong>m or borrow <strong>the</strong>m. In<br />
<strong>the</strong> l<strong>on</strong>g run, you’ll end up with<br />
equipment you actually use and<br />
not waste m<strong>on</strong>ey and stuff your<br />
basement with cool gear you<br />
d<strong>on</strong>’t use.<br />
Photography has always been<br />
exciting. Today, we d<strong>on</strong>’t have to<br />
wait for <strong>the</strong> film to be processed<br />
to know if we got <strong>the</strong> shot. With<br />
digital, we know immediately.<br />
It’s an ever-changing field.<br />
New technology. New software.<br />
Boy, it’s fun. However, with<br />
more knowledge and a few<br />
tools, you’re more likely to get<br />
<strong>the</strong> image you want and get<br />
it faster.<br />
Introducti<strong>on</strong>: <str<strong>on</strong>g>Lighting</str<strong>on</strong>g>? Why Bo<strong>the</strong>r? xv