Focus On Lighting Photos Focus on the Fundamentals.pdf
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light may lead to psychological<br />
improvement am<strong>on</strong>g workers.)<br />
Key Light: Also known as <strong>the</strong><br />
main light, <strong>the</strong> brightest light<br />
used in making a photograph.<br />
Kicker: A light that strikes <strong>the</strong><br />
subject from <strong>the</strong> rear, but also<br />
slightly to <strong>the</strong> side.<br />
LED: Light-emitting diodes<br />
are extremely efficient lights,<br />
producing a great deal of light<br />
from very little electrical current.<br />
<str<strong>on</strong>g>On</str<strong>on</strong>g>ce practical <strong>on</strong>ly for very<br />
small lights such as calculator<br />
displays, <strong>the</strong>y are getting bigger,<br />
and large groupings of <strong>the</strong>m<br />
are now comm<strong>on</strong> for larger<br />
applicati<strong>on</strong>s such as automobile<br />
taillights. Some photographers<br />
are now experimenting with very<br />
large groupings for photographic<br />
lights. Likely to become a<br />
comm<strong>on</strong> photographic light<br />
source in <strong>the</strong> foreseeable future.<br />
Lens Hood: Also known as a<br />
lens shade. It is used <strong>on</strong> <strong>the</strong> end<br />
of a lens to block a light from<br />
outside <strong>the</strong> field of view from<br />
striking <strong>the</strong> lens to avoid camera<br />
flare and, to a lesser extent, lens<br />
flare.<br />
Light Modifiers: Barn doors,<br />
snoots, grids, bounce cards,<br />
umbrellas, softboxes, gobos: any<br />
of a variety of items that alter<br />
or amend <strong>the</strong> light source. Can<br />
diffuse <strong>the</strong> light or restrict it.<br />
Light Stands: Metal stands<br />
used to hold flash. Collapse<br />
for easy transport. Come in a<br />
variety of styles and sizes. For<br />
purely photographic purposes,<br />
<strong>the</strong> heavier, <strong>the</strong> better. Some<br />
of <strong>the</strong>se have dollies to make<br />
<strong>the</strong>m easy to roll around, and<br />
crank mechanisms for raising<br />
and lowering heavy lights. For<br />
easy travel, <strong>the</strong> lighter <strong>the</strong> better.<br />
Choose carefully, depending <strong>on</strong><br />
<strong>the</strong> features you need most. Most<br />
of us compromise between <strong>the</strong><br />
heaviest and <strong>the</strong> lightest.<br />
Line of Sight: Mainly c<strong>on</strong>cerned<br />
with whe<strong>the</strong>r a remote flash can<br />
“see” <strong>the</strong> light that triggers it.<br />
Optical triggers, using ei<strong>the</strong>r<br />
visible light or infrared, generally<br />
need to be visible to <strong>the</strong> camera<br />
to flash reliably, but not always.<br />
Sometimes <strong>the</strong> triggering light<br />
can bounce around corners<br />
and down hallways to put <strong>the</strong><br />
external flash in “line of sight” to<br />
<strong>the</strong> triggering light without being<br />
in line of sight with <strong>the</strong> camera.<br />
We can also use a synch cord<br />
between <strong>the</strong> light and <strong>the</strong> trigger<br />
to put a small, barely visible<br />
optical trigger in view of <strong>the</strong><br />
triggering light out of sight from<br />
<strong>the</strong> camera. A radio-c<strong>on</strong>trolled<br />
trigger offers maximum flexibility.<br />
The radio signal can sometimes<br />
travel right through barriers,<br />
which are opaque to visible and<br />
infrared light. “Line of sight”<br />
doesn’t always corresp<strong>on</strong>d with<br />
what our eyes can see.<br />
Low Key: Images with dark<br />
backgrounds. In portraiture,<br />
<strong>the</strong> people wear dark-colored<br />
clothing.<br />
Main Light: Also known as<br />
<strong>the</strong> key light. Almost always<br />
<strong>the</strong> single brightest light in a<br />
photograph.<br />
Masking Tape: Every<strong>on</strong>e<br />
knows about this thin, easy-totear<br />
paper tape, but we need<br />
to remind you that it is also an<br />
important photographic tool.<br />
Not very str<strong>on</strong>g, but adequate<br />
for many purposes, and less<br />
expensive than ei<strong>the</strong>r duct tape<br />
or gaffer tape. Also not very<br />
heat resistant and likely to leave<br />
an ugly residue <strong>on</strong> very hot<br />
lights. No inherent harm <strong>the</strong>re,<br />
but switch to gaffer tape if <strong>the</strong><br />
appearance of your equipment is<br />
important to your clients.<br />
Mylar: A thin, durable DuP<strong>on</strong>t<br />
plastic. Comm<strong>on</strong>ly used in tape,<br />
metallic sheets, and many o<strong>the</strong>r<br />
products. Photographers often<br />
use it as a silver, sometimes gold,<br />
Glossary 191