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Focus On Lighting Photos Focus on the Fundamentals.pdf

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light may lead to psychological<br />

improvement am<strong>on</strong>g workers.)<br />

Key Light: Also known as <strong>the</strong><br />

main light, <strong>the</strong> brightest light<br />

used in making a photograph.<br />

Kicker: A light that strikes <strong>the</strong><br />

subject from <strong>the</strong> rear, but also<br />

slightly to <strong>the</strong> side.<br />

LED: Light-emitting diodes<br />

are extremely efficient lights,<br />

producing a great deal of light<br />

from very little electrical current.<br />

<str<strong>on</strong>g>On</str<strong>on</strong>g>ce practical <strong>on</strong>ly for very<br />

small lights such as calculator<br />

displays, <strong>the</strong>y are getting bigger,<br />

and large groupings of <strong>the</strong>m<br />

are now comm<strong>on</strong> for larger<br />

applicati<strong>on</strong>s such as automobile<br />

taillights. Some photographers<br />

are now experimenting with very<br />

large groupings for photographic<br />

lights. Likely to become a<br />

comm<strong>on</strong> photographic light<br />

source in <strong>the</strong> foreseeable future.<br />

Lens Hood: Also known as a<br />

lens shade. It is used <strong>on</strong> <strong>the</strong> end<br />

of a lens to block a light from<br />

outside <strong>the</strong> field of view from<br />

striking <strong>the</strong> lens to avoid camera<br />

flare and, to a lesser extent, lens<br />

flare.<br />

Light Modifiers: Barn doors,<br />

snoots, grids, bounce cards,<br />

umbrellas, softboxes, gobos: any<br />

of a variety of items that alter<br />

or amend <strong>the</strong> light source. Can<br />

diffuse <strong>the</strong> light or restrict it.<br />

Light Stands: Metal stands<br />

used to hold flash. Collapse<br />

for easy transport. Come in a<br />

variety of styles and sizes. For<br />

purely photographic purposes,<br />

<strong>the</strong> heavier, <strong>the</strong> better. Some<br />

of <strong>the</strong>se have dollies to make<br />

<strong>the</strong>m easy to roll around, and<br />

crank mechanisms for raising<br />

and lowering heavy lights. For<br />

easy travel, <strong>the</strong> lighter <strong>the</strong> better.<br />

Choose carefully, depending <strong>on</strong><br />

<strong>the</strong> features you need most. Most<br />

of us compromise between <strong>the</strong><br />

heaviest and <strong>the</strong> lightest.<br />

Line of Sight: Mainly c<strong>on</strong>cerned<br />

with whe<strong>the</strong>r a remote flash can<br />

“see” <strong>the</strong> light that triggers it.<br />

Optical triggers, using ei<strong>the</strong>r<br />

visible light or infrared, generally<br />

need to be visible to <strong>the</strong> camera<br />

to flash reliably, but not always.<br />

Sometimes <strong>the</strong> triggering light<br />

can bounce around corners<br />

and down hallways to put <strong>the</strong><br />

external flash in “line of sight” to<br />

<strong>the</strong> triggering light without being<br />

in line of sight with <strong>the</strong> camera.<br />

We can also use a synch cord<br />

between <strong>the</strong> light and <strong>the</strong> trigger<br />

to put a small, barely visible<br />

optical trigger in view of <strong>the</strong><br />

triggering light out of sight from<br />

<strong>the</strong> camera. A radio-c<strong>on</strong>trolled<br />

trigger offers maximum flexibility.<br />

The radio signal can sometimes<br />

travel right through barriers,<br />

which are opaque to visible and<br />

infrared light. “Line of sight”<br />

doesn’t always corresp<strong>on</strong>d with<br />

what our eyes can see.<br />

Low Key: Images with dark<br />

backgrounds. In portraiture,<br />

<strong>the</strong> people wear dark-colored<br />

clothing.<br />

Main Light: Also known as<br />

<strong>the</strong> key light. Almost always<br />

<strong>the</strong> single brightest light in a<br />

photograph.<br />

Masking Tape: Every<strong>on</strong>e<br />

knows about this thin, easy-totear<br />

paper tape, but we need<br />

to remind you that it is also an<br />

important photographic tool.<br />

Not very str<strong>on</strong>g, but adequate<br />

for many purposes, and less<br />

expensive than ei<strong>the</strong>r duct tape<br />

or gaffer tape. Also not very<br />

heat resistant and likely to leave<br />

an ugly residue <strong>on</strong> very hot<br />

lights. No inherent harm <strong>the</strong>re,<br />

but switch to gaffer tape if <strong>the</strong><br />

appearance of your equipment is<br />

important to your clients.<br />

Mylar: A thin, durable DuP<strong>on</strong>t<br />

plastic. Comm<strong>on</strong>ly used in tape,<br />

metallic sheets, and many o<strong>the</strong>r<br />

products. Photographers often<br />

use it as a silver, sometimes gold,<br />

Glossary 191

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