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Focus On Lighting Photos Focus on the Fundamentals.pdf

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Modifier 1: A mirror<br />

Having <strong>the</strong> flash built into<br />

<strong>the</strong> camera certainly doesn’t<br />

mean we have to keep it <strong>the</strong>re.<br />

Even if <strong>the</strong> flash is built into<br />

<strong>the</strong> camera, we can move its<br />

effective locati<strong>on</strong>, and we can<br />

do that ourselves without a team<br />

of electr<strong>on</strong>ic and mechanical<br />

engineers. Here’s how.<br />

We need a mirror to move <strong>the</strong><br />

light to where we want it to be.<br />

We angle a mirror in fr<strong>on</strong>t of <strong>the</strong><br />

camera flash so <strong>the</strong> light bounces<br />

from this mirror to where we<br />

point it. This allows us to put <strong>the</strong><br />

light almost anywhere we want<br />

it. (In fact, we could put <strong>the</strong> light<br />

absolutely anywhere we want it,<br />

but that would require a series<br />

of mirrors, light bouncing from<br />

<strong>on</strong>e to ano<strong>the</strong>r. After reflecting<br />

from all of those mirrors, <strong>the</strong><br />

light would be about as bright<br />

as a candle in a coal mine! We<br />

wouldn’t try that.)<br />

What sort of mirror do we use?<br />

Anything we have handy, but<br />

here’s a good way to make<br />

a simple, lightweight, safe,<br />

unbreakable <strong>on</strong>e. First, get a<br />

sheet of silver Mylar film. (Mylar<br />

is a DuP<strong>on</strong>t brand name and <strong>the</strong><br />

product may be available under<br />

Silver reflector<br />

different names where you live.)<br />

Compared to o<strong>the</strong>r photographic<br />

equipment, it’s cheaper than dirt;<br />

buy a little more than you need.<br />

You’ll use it again.<br />

Now glue some of <strong>the</strong> Mylar to<br />

a thin, stiff board and cut it to<br />

approximately <strong>the</strong> area <strong>the</strong> flash<br />

will illuminate. At such a close<br />

distance, this will certainly be less<br />

than 3 by 5 inches and may be<br />

much smaller than that.<br />

Positi<strong>on</strong> <strong>the</strong> reflector in fr<strong>on</strong>t<br />

of your flash. How do you<br />

hold it <strong>the</strong>re? You can hold it<br />

in your hand or clamp it to a<br />

Silver reflector<br />

White reflector Black background<br />

light stand. Or you can attach<br />

it directly to your camera with<br />

a glob of what we call “blue<br />

glue,” which w<strong>on</strong>’t damage<br />

your camera. (Blue glue,<br />

originally designed to seal<br />

refrigerator gaskets, has been<br />

since marketed under many<br />

brand names as a way for<br />

parents to temporarily put<br />

up <strong>the</strong>ir children’s art without<br />

damaging <strong>the</strong> wall.) “Blue glue”<br />

is photographer slang for a<br />

product available under several<br />

brand names in many hardware<br />

and crafts-supply stores; your<br />

store clerk may have never<br />

There’s More Than <str<strong>on</strong>g>On</str<strong>on</strong>g>e Way to Get Things D<strong>on</strong>e<br />

7

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