Focus On Lighting Photos Focus on the Fundamentals.pdf
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protecti<strong>on</strong> and rigidity. Cuts<br />
easily. Available in white, used<br />
frequently as a reflector, and<br />
black, used as a gobo.<br />
Fome-Cor: Trade name for<br />
foam board.<br />
Framed Diffusers: Items that<br />
will spread and enlarge light.<br />
Made with diffusi<strong>on</strong> material<br />
attached to a frame of wood<br />
or plastic plumbing pipe.<br />
Both are rigid; plastic pipe<br />
allows disassembly for greater<br />
portability in video, where<br />
c<strong>on</strong>tinuous sources are<br />
required.<br />
Gaffer Tape: Str<strong>on</strong>g cloth<br />
pressure-sensitive tape. It offers<br />
excellent adhesi<strong>on</strong> and removes<br />
more cleanly than duct tape.<br />
Gel: A thin colored transparent<br />
sheet used over a flash. Usually<br />
used for both color correcti<strong>on</strong><br />
and dramatic color shifting, we<br />
also use pure white for diffusi<strong>on</strong>,<br />
transparent gray for neutral<br />
density.<br />
Gobo: A piece of board that<br />
blocks light from striking <strong>the</strong> lens<br />
or restricts light from striking an<br />
item in a photograph.<br />
Grid: An assembly of short,<br />
small hexag<strong>on</strong>al or cylindrical<br />
black tubes that cover <strong>the</strong> fr<strong>on</strong>t<br />
of a light source to restrict <strong>the</strong><br />
spread of light.<br />
Guide Number: The guide<br />
number divided by <strong>the</strong> distance to<br />
<strong>the</strong> subject tells us <strong>the</strong> aperture.<br />
We have to determine <strong>the</strong><br />
guide number for each flash.<br />
Almost obsolete because of <strong>the</strong><br />
intelligence of today’s camera<br />
and flash, it may still be worth<br />
learning about; it’s extremely<br />
accurate when <strong>the</strong> intelligent<br />
misjudges.<br />
Hair Light: A light used to<br />
brighten <strong>the</strong> hair. May be a<br />
silver reflector, but more often<br />
it is a flash used in c<strong>on</strong>juncti<strong>on</strong><br />
with a softbox, grid, or umbrella.<br />
Hatchet <str<strong>on</strong>g>Lighting</str<strong>on</strong>g>: <str<strong>on</strong>g>Lighting</str<strong>on</strong>g><br />
style where <strong>the</strong> light source<br />
comes from <strong>the</strong> side of a subject.<br />
Also called split lighting. Can<br />
accentuate skin texture, but<br />
can also produce dramatic<br />
images.<br />
Haze: Caused by dirty air and<br />
ultraviolet light. It obscures<br />
detail in <strong>the</strong> distance of a scene.<br />
Depending <strong>on</strong> <strong>the</strong> scene, this<br />
can be a good or bad thing: it<br />
obscures detail but increases <strong>the</strong><br />
sense of distance.<br />
HDRI: See High Dynamic Range<br />
Imaging.<br />
High Dynamic Range<br />
Imaging: Known as HRD or<br />
HDRI, involves taking a series of<br />
images from <strong>the</strong> same viewpoint<br />
with different exposures, which<br />
we combine into a single image.<br />
Useful when faced with a scene<br />
that has a bigger range of light<br />
levels than <strong>the</strong> camera can<br />
accommodate without losing<br />
detail in ei<strong>the</strong>r <strong>the</strong> highlight,<br />
shadow, or both.<br />
High Key: Images with light<br />
backgrounds. In portraiture, <strong>the</strong><br />
people usually wear light-colored<br />
clothing.<br />
Histogram: A bar chart<br />
showing <strong>the</strong> range of t<strong>on</strong>es in<br />
an image, with <strong>the</strong> dark t<strong>on</strong>es<br />
<strong>on</strong> <strong>the</strong> left and <strong>the</strong> light t<strong>on</strong>es<br />
<strong>on</strong> <strong>the</strong> right. The height of each<br />
bar represents how much of<br />
that t<strong>on</strong>e is in <strong>the</strong> image. (In an<br />
unmanipulated image, <strong>the</strong> bars<br />
are so close toge<strong>the</strong>r that <strong>the</strong>y<br />
appear to be c<strong>on</strong>tinuous.) A look<br />
at <strong>the</strong> histogram helps to adjust<br />
exposure. Many histograms show<br />
t<strong>on</strong>al values from <strong>the</strong> darkest to<br />
<strong>the</strong> lightest areas, but not always.<br />
A dark scene has most of <strong>the</strong><br />
bars <strong>on</strong> <strong>the</strong> left of <strong>the</strong> graph,<br />
whereas a light scene has most of<br />
<strong>the</strong> bars <strong>on</strong> <strong>the</strong> right. This gives<br />
us <strong>the</strong> opportunity to manipulate<br />
exposure for better image quality.<br />
Glossary 189