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Focus On Lighting Photos Focus on the Fundamentals.pdf

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protecti<strong>on</strong> and rigidity. Cuts<br />

easily. Available in white, used<br />

frequently as a reflector, and<br />

black, used as a gobo.<br />

Fome-Cor: Trade name for<br />

foam board.<br />

Framed Diffusers: Items that<br />

will spread and enlarge light.<br />

Made with diffusi<strong>on</strong> material<br />

attached to a frame of wood<br />

or plastic plumbing pipe.<br />

Both are rigid; plastic pipe<br />

allows disassembly for greater<br />

portability in video, where<br />

c<strong>on</strong>tinuous sources are<br />

required.<br />

Gaffer Tape: Str<strong>on</strong>g cloth<br />

pressure-sensitive tape. It offers<br />

excellent adhesi<strong>on</strong> and removes<br />

more cleanly than duct tape.<br />

Gel: A thin colored transparent<br />

sheet used over a flash. Usually<br />

used for both color correcti<strong>on</strong><br />

and dramatic color shifting, we<br />

also use pure white for diffusi<strong>on</strong>,<br />

transparent gray for neutral<br />

density.<br />

Gobo: A piece of board that<br />

blocks light from striking <strong>the</strong> lens<br />

or restricts light from striking an<br />

item in a photograph.<br />

Grid: An assembly of short,<br />

small hexag<strong>on</strong>al or cylindrical<br />

black tubes that cover <strong>the</strong> fr<strong>on</strong>t<br />

of a light source to restrict <strong>the</strong><br />

spread of light.<br />

Guide Number: The guide<br />

number divided by <strong>the</strong> distance to<br />

<strong>the</strong> subject tells us <strong>the</strong> aperture.<br />

We have to determine <strong>the</strong><br />

guide number for each flash.<br />

Almost obsolete because of <strong>the</strong><br />

intelligence of today’s camera<br />

and flash, it may still be worth<br />

learning about; it’s extremely<br />

accurate when <strong>the</strong> intelligent<br />

misjudges.<br />

Hair Light: A light used to<br />

brighten <strong>the</strong> hair. May be a<br />

silver reflector, but more often<br />

it is a flash used in c<strong>on</strong>juncti<strong>on</strong><br />

with a softbox, grid, or umbrella.<br />

Hatchet <str<strong>on</strong>g>Lighting</str<strong>on</strong>g>: <str<strong>on</strong>g>Lighting</str<strong>on</strong>g><br />

style where <strong>the</strong> light source<br />

comes from <strong>the</strong> side of a subject.<br />

Also called split lighting. Can<br />

accentuate skin texture, but<br />

can also produce dramatic<br />

images.<br />

Haze: Caused by dirty air and<br />

ultraviolet light. It obscures<br />

detail in <strong>the</strong> distance of a scene.<br />

Depending <strong>on</strong> <strong>the</strong> scene, this<br />

can be a good or bad thing: it<br />

obscures detail but increases <strong>the</strong><br />

sense of distance.<br />

HDRI: See High Dynamic Range<br />

Imaging.<br />

High Dynamic Range<br />

Imaging: Known as HRD or<br />

HDRI, involves taking a series of<br />

images from <strong>the</strong> same viewpoint<br />

with different exposures, which<br />

we combine into a single image.<br />

Useful when faced with a scene<br />

that has a bigger range of light<br />

levels than <strong>the</strong> camera can<br />

accommodate without losing<br />

detail in ei<strong>the</strong>r <strong>the</strong> highlight,<br />

shadow, or both.<br />

High Key: Images with light<br />

backgrounds. In portraiture, <strong>the</strong><br />

people usually wear light-colored<br />

clothing.<br />

Histogram: A bar chart<br />

showing <strong>the</strong> range of t<strong>on</strong>es in<br />

an image, with <strong>the</strong> dark t<strong>on</strong>es<br />

<strong>on</strong> <strong>the</strong> left and <strong>the</strong> light t<strong>on</strong>es<br />

<strong>on</strong> <strong>the</strong> right. The height of each<br />

bar represents how much of<br />

that t<strong>on</strong>e is in <strong>the</strong> image. (In an<br />

unmanipulated image, <strong>the</strong> bars<br />

are so close toge<strong>the</strong>r that <strong>the</strong>y<br />

appear to be c<strong>on</strong>tinuous.) A look<br />

at <strong>the</strong> histogram helps to adjust<br />

exposure. Many histograms show<br />

t<strong>on</strong>al values from <strong>the</strong> darkest to<br />

<strong>the</strong> lightest areas, but not always.<br />

A dark scene has most of <strong>the</strong><br />

bars <strong>on</strong> <strong>the</strong> left of <strong>the</strong> graph,<br />

whereas a light scene has most of<br />

<strong>the</strong> bars <strong>on</strong> <strong>the</strong> right. This gives<br />

us <strong>the</strong> opportunity to manipulate<br />

exposure for better image quality.<br />

Glossary 189

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