Focus On Lighting Photos Focus on the Fundamentals.pdf

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But what if we don’t have a wall or a ceiling to use for bounce? Maybe we’re outdoors and there is no wall or ceiling. Maybe we’re photographing the designer of a newly successful microprocessor in the newly built manufacturing facility where the ceiling is 14 feet high (and maybe painted black) and the nearest wall is 30 feet away. Don’t discount this possibility, even if you are the mailroom clerk. If you are a good amateur photographer, your employer may say, “Why bring in a $2,000 professional when we have Sally right here?” This happens. In those cases we have to bring our own bounce reflector. There are many ways to do this, but the three common ones are a big bounce card, an umbrella, and a collapsible ring reflector. By far, most photographers choose the umbrella. Still, we’ll talk about the bounce card first, partly because it resembles the walls and ceilings we’ve already discussed, but mostly because it is the cheapest. The big bounce card We want the biggest card we can carry. What “biggest” means to you will depend on whether you drive a truck, ride the subway, or do something in between. We’ll talk about a 4-by-8-foot card. Scale it up if you can carry it; scale it down to whatever size you can accommodate. Also consider what you want to photograph. For the first material, overwhelmingly, we recommend Fome-Cor. That’s the original name, but other manufacturers sell it under different names. Generically, it’s foam board: plastic foam sandwiched between two sheets of paper. Most makers sell two different degrees of hardness. The harder version is better for purposes like building tradeshow signage, but the less expensive softer version is good enough for a photographic reflector. For the second material, we recommend silver Mylar (a DuPont name). Cover one side of the foam core board with this mirror plastic. We can buy it in two versions: with and without an adhesive back. The adhesive back version costs more, but the ease of application is well worth the price. Whatever version you find, practice attaching a small piece smoothly to a board before you assemble the big one. Tools: Now We Have Light, but How Do We Get It under Control? 35
36 <strong>Focus</strong> <strong>On</strong> <strong>Lighting</strong> <strong>Photos</strong> We can lean foam board against something (a chair, a wall, a ladder, a book) and clamp it to an angle iron or light stand in order to place it where we want it. By scoring it, it folds for easier transport. With Mylar on one side, we get two reflectors in one. Of all the tools, this is one of the cheapest and it’s incredibly useful.
Page 2 and 3: Focus On</
Page 4 and 5: Focus On</
Page 6: Dedication To Polly Frye, who tirel
Page 9 and 10: Contents 127 The wrinkle 128 Eyegla
Page 11 and 12: oating publications including Chesa
Page 13 and 14: Robin Reid: Trained as a classical
Page 15 and 16: learn to work with simple, dumb lig
Page 18 and 19: Chapter 1: There’s More Than <str
Page 20 and 21: Built-in flash Shot with built-in f
Page 22 and 23: Modifier 1: A mirror Having the fla
Page 24 and 25: Modifier 2: A big white reflector I
Page 26 and 27: Other modifiers: Fill light, hair l
Page 28 and 29: Same principle: We can control the
Page 30 and 31: how many pictures shouLd i shoot? G
Page 32 and 33: Later, turn on all the automation y
Page 34 and 35: can also get anything in between: a
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Page 39 and 40: 24 Focus O
Page 41 and 42: We all want the most intelligent ca
Page 43 and 44: 28 the sake of rapid, accurate move
Page 45 and 46: 30 can be to buy one expensive trig
Page 47 and 48: The size of the light The size of t
Page 49: We need to know about this defect t
Page 53 and 54: needs to consider buying one of wha
Page 55 and 56: Softbox Softboxes are boxes with di
Page 57 and 58: Diffusion The other way to make a l
Page 59 and 60: For this book, the translucent whit
Page 61 and 62: gobo to block some of that light. (
Page 63 and 64: 48 Focus O
Page 65 and 66: A commercially produced wooden cook
Page 67 and 68: any glue—all of which we already
Page 69 and 70: 54 We can use the grid for many pur
Page 71 and 72: 56 A grid solves the problem: We ha
Page 73 and 74: Lens filters Most lens filters chan
Page 76 and 77: in Our daily lives, we go through v
Page 78 and 79: The colors of sunrise and sunset ca
Page 80 and 81: Early evening. The sun is lower in
Page 82 and 83: space. The sunlit side will be both
Page 84 and 85: What happens when we go in the oppo
Page 86 and 87: setting in this open shade lighting
Page 88 and 89: Using gels for dramatic color In th
Page 90 and 91: The photo above was done by placing
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Page 95 and 96: Small lights make hard shadows. Fur
Page 97 and 98: Compare the gourd on page 81 with t
Page 99 and 100: We could solve the exposure problem
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Why does the same light look so dif
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We had to shoot the cover shot of t
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sunlight is great, and not just bec
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looks like a painting. We were too
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convert the image to black and whit
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Amending or mixing light So what do
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penetrate.) But what if we don’t
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The sky was gray. In this case, the
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Distance and haze Haze happens for
Page 120:
The photo above was taken in early
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Regardless of which lighting style
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postproduction work to deepen the s
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Broad lighting Broad lighting is pr
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like to place it so that it lights
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Rim lighting/kicker Rim lighting is
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Butterfly/Beauty lighting Butterfly
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Low key versus high key lighting Bo
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We blocked the popup flash so none
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124 Focus
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126 Light meters Do we need light m
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Eyeglasses and lighting: Can they g
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In the photo on page 128, we’ve g
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132 Focus
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When photographing large groups, wh
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way they can get an image of the da
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est-behaved pets rarely sit as stil
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140 Focus
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Direct reflection means that the li
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Flat metal The image below was lit
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we went ahead and put back the refl
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148 Focus
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glass is generally considered hard
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Position the camera so the viewfind
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we could have hung them with string
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A glass half full Interesting thing
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Bottle lit with off-camera flash th
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it reflected in the bottle. In this
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166 Focus
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A homemade flash trigger. We make o
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These photos are of a pianist known
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This picture uses two external flas
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the principles Of light remain the
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it is silly to spend hours to perfe
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all likelihood do some selective re
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Glossary this is an introductory bo
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photographer’s perspective from b
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Dodge: To lighten a portion of an i
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Had we had camera histogram display
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mirror reflector, often attached to
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minds, return to the original file,
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Index Page numbers followed by f in
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Lens hood, 99 Light amending or mix
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Sun light, (Continued) sunrise and
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