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Focus On Lighting Photos Focus on the Fundamentals.pdf

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Having <strong>the</strong> foam board white <strong>on</strong><br />

<strong>on</strong>e side and silver <strong>on</strong> <strong>the</strong> o<strong>the</strong>r<br />

allows us to switch it back and<br />

forth. Sometimes we want <strong>the</strong><br />

silver side, sometimes <strong>the</strong> white<br />

side. As we menti<strong>on</strong>ed earlier,<br />

that’s not <strong>the</strong> <strong>on</strong>ly advantage of<br />

<strong>the</strong> Mylar, though. The Mylar is<br />

extremely tough stuff. Score <strong>the</strong><br />

board with a razor blade or a<br />

sharp knife <strong>on</strong> <strong>the</strong> white side.<br />

Make <strong>the</strong> score exactly in <strong>the</strong><br />

center and use a metal straightedge<br />

to guide <strong>the</strong> cut. Then bend<br />

<strong>the</strong> board in half.<br />

Now we can store <strong>the</strong> reflector<br />

in half <strong>the</strong> space and carry<br />

it in a vehicle half as big. The<br />

silver Mylar that holds <strong>the</strong> board<br />

toge<strong>the</strong>r will bend and unbend<br />

essentially forever. We suspect<br />

that archeologists unearthing our<br />

civilizati<strong>on</strong> centuries from now<br />

will find photographers’ bounce<br />

cards, dirty but intact.<br />

The umbrella<br />

The big bounce card, al<strong>on</strong>g with<br />

a few smaller <strong>on</strong>es, is <strong>the</strong> most<br />

useful and cheapest reflector a<br />

photographer can have, but it<br />

certainly is not always <strong>the</strong> most<br />

practical to store or to carry.<br />

If we can spend a little more<br />

m<strong>on</strong>ey, we certainly also want an<br />

umbrella.<br />

We d<strong>on</strong>’t think any<strong>on</strong>e knows<br />

which photographer first thought<br />

of this idea. Almost certainly<br />

he used an ordinary white<br />

umbrella designed to keep rain<br />

off peoples’ heads, plus some<br />

sort of jerry-rigged arrangement<br />

of clamps and tape to hold <strong>the</strong><br />

umbrella, <strong>the</strong> light, and a light<br />

stand toge<strong>the</strong>r. Today we have<br />

several umbrella designs made<br />

specifically for photography.<br />

A well-equipped professi<strong>on</strong>al<br />

photographer will have at least<br />

<strong>on</strong>e of each design, possibly in<br />

several sizes. A serious amateur<br />

Tools: Now We Have Light, but How Do We Get It under C<strong>on</strong>trol? 37

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