Focus On Lighting Photos Focus on the Fundamentals.pdf

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penetrate.) But what if we don’t have a wireless radio control to fire the flash? After all, these can be pretty expensive. We could use a synch cord attached to both the flash and the camera. Don’t have a synch cord? Go back and use that little mirror to direct the built-in flash to the off-camera flash like we did at the beginning of the book. If we wanted more control over when the picture would be taken, we could have used a long cable release instead of the self-timer. In this case, because getting the right expression or movement wasn’t critical, the self-timer was just fine. So now, we can both take the photograph and watch the sunset—all at the same time. Taken at a different time of day, the sun would act more like a hair light. In this photo, a silhouette is all that is needed. No fill flash is necessary. More frequently, we do want some more information. Using the same approach but earlier in the day, we’d be inclined to use this backlighting more as a hair light. With the subjects facing the camera, we’re more likely to want to get some additional light into the faces so we can actually see who they are. Using the in-camera flash as a fill light outside may be the most important value of this little light. It works very well. However, with Use a lens hood, especially when outdoors. It helps to avoid flare. Sunlight 99
a little more work, we can make the image more interesting. Again, by using a light directly in front of the subject, we get flat lighting. Works fine in a pinch, but for a more refined image, we’d prefer to add an off-camera flash and possibly a reflector. In the top photo, we have an example of the sun creating backlighting. It just doesn’t happen to be outdoors. The light came from two windows, both behind and to the left of the cat. These windows were on two sides of the corner of the room. With the help of the white bedspread we got some fill light going on, but the face was still a little darker than we’d like. This particular cat wasn’t crazy about the flash, so for the bottom photo we opted for a simple white fill card merely leaned against the dresser. Note the increased light in the face and the additional brightness in the eyes. The cat was not stressed and we were happy. The photo on the following page is an example of shooting a beautiful subject in a beautiful place. The only problem was that the light actually was bit flat. So how might one remedy this problem? 100 <strong>Focus</strong> <strong>On</strong> <strong>Lighting</strong> <strong>Photos</strong>
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Focus On</
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Focus On</
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Dedication To Polly Frye, who tirel
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Contents 127 The wrinkle 128 Eyegla
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oating publications including Chesa
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Robin Reid: Trained as a classical
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learn to work with simple, dumb lig
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Chapter 1: There’s More Than <str
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Built-in flash Shot with built-in f
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Modifier 1: A mirror Having the fla
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Modifier 2: A big white reflector I
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Other modifiers: Fill light, hair l
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Same principle: We can control the
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how many pictures shouLd i shoot? G
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Later, turn on all the automation y
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can also get anything in between: a
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24 Focus O
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We all want the most intelligent ca
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28 the sake of rapid, accurate move
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30 can be to buy one expensive trig
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The size of the light The size of t
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We need to know about this defect t
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36 Focus O
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needs to consider buying one of wha
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Softbox Softboxes are boxes with di
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Diffusion The other way to make a l
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For this book, the translucent whit
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gobo to block some of that light. (
Page 63 and 64: 48 Focus O
Page 65 and 66: A commercially produced wooden cook
Page 67 and 68: any glue—all of which we already
Page 69 and 70: 54 We can use the grid for many pur
Page 71 and 72: 56 A grid solves the problem: We ha
Page 73 and 74: Lens filters Most lens filters chan
Page 76 and 77: in Our daily lives, we go through v
Page 78 and 79: The colors of sunrise and sunset ca
Page 80 and 81: Early evening. The sun is lower in
Page 82 and 83: space. The sunlit side will be both
Page 84 and 85: What happens when we go in the oppo
Page 86 and 87: setting in this open shade lighting
Page 88 and 89: Using gels for dramatic color In th
Page 90 and 91: The photo above was done by placing
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Page 95 and 96: Small lights make hard shadows. Fur
Page 97 and 98: Compare the gourd on page 81 with t
Page 99 and 100: We could solve the exposure problem
Page 101 and 102: Why does the same light look so dif
Page 103 and 104: We had to shoot the cover shot of t
Page 106 and 107: sunlight is great, and not just bec
Page 108 and 109: looks like a painting. We were too
Page 110 and 111: convert the image to black and whit
Page 112 and 113: Amending or mixing light So what do
Page 116 and 117: The sky was gray. In this case, the
Page 118 and 119: Distance and haze Haze happens for
Page 120: The photo above was taken in early
Page 123 and 124: Regardless of which lighting style
Page 125 and 126: postproduction work to deepen the s
Page 127 and 128: Broad lighting Broad lighting is pr
Page 129 and 130: like to place it so that it lights
Page 131 and 132: Rim lighting/kicker Rim lighting is
Page 133 and 134: Butterfly/Beauty lighting Butterfly
Page 135 and 136: Low key versus high key lighting Bo
Page 137 and 138: We blocked the popup flash so none
Page 139 and 140: 124 Focus
Page 141 and 142: 126 Light meters Do we need light m
Page 143 and 144: Eyeglasses and lighting: Can they g
Page 145 and 146: In the photo on page 128, we’ve g
Page 149 and 150: When photographing large groups, wh
Page 151 and 152: way they can get an image of the da
Page 153 and 154: est-behaved pets rarely sit as stil
Page 157 and 158: Direct reflection means that the li
Page 159 and 160: Flat metal The image below was lit
Page 161 and 162: we went ahead and put back the refl
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glass is generally considered hard
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Position the camera so the viewfind
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we could have hung them with string
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A glass half full Interesting thing
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Bottle lit with off-camera flash th
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it reflected in the bottle. In this
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166 Focus
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A homemade flash trigger. We make o
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These photos are of a pianist known
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This picture uses two external flas
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the principles Of light remain the
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it is silly to spend hours to perfe
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all likelihood do some selective re
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Glossary this is an introductory bo
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photographer’s perspective from b
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Dodge: To lighten a portion of an i
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Had we had camera histogram display
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mirror reflector, often attached to
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minds, return to the original file,
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Index Page numbers followed by f in
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Lens hood, 99 Light amending or mix
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Sun light, (Continued) sunrise and
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