Focus On Lighting Photos Focus on the Fundamentals.pdf

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Modifier 1: A mirror Having the flash built into the camera certainly doesn’t mean we have to keep it there. Even if the flash is built into the camera, we can move its effective location, and we can do that ourselves without a team of electronic and mechanical engineers. Here’s how. We need a mirror to move the light to where we want it to be. We angle a mirror in front of the camera flash so the light bounces from this mirror to where we point it. This allows us to put the light almost anywhere we want it. (In fact, we could put the light absolutely anywhere we want it, but that would require a series of mirrors, light bouncing from one to another. After reflecting from all of those mirrors, the light would be about as bright as a candle in a coal mine! We wouldn’t try that.) What sort of mirror do we use? Anything we have handy, but here’s a good way to make a simple, lightweight, safe, unbreakable one. First, get a sheet of silver Mylar film. (Mylar is a DuPont brand name and the product may be available under Silver reflector different names where you live.) Compared to other photographic equipment, it’s cheaper than dirt; buy a little more than you need. You’ll use it again. Now glue some of the Mylar to a thin, stiff board and cut it to approximately the area the flash will illuminate. At such a close distance, this will certainly be less than 3 by 5 inches and may be much smaller than that. Position the reflector in front of your flash. How do you hold it there? You can hold it in your hand or clamp it to a Silver reflector White reflector Black background light stand. Or you can attach it directly to your camera with a glob of what we call “blue glue,” which won’t damage your camera. (Blue glue, originally designed to seal refrigerator gaskets, has been since marketed under many brand names as a way for parents to temporarily put up their children’s art without damaging the wall.) “Blue glue” is photographer slang for a product available under several brand names in many hardware and crafts-supply stores; your store clerk may have never There’s More Than <strong>On</strong>e Way to Get Things Done 7
heard the term, so you may have to describe it or show the picture in this book to find it. So now we’ve redirected our flash off into space. Our subject now gets no light at all. How do we get that light back? 8 <strong>Focus</strong> <strong>On</strong> <strong>Lighting</strong> <strong>Photos</strong> Blue Glue
Page 2 and 3: Focus On</
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Page 6: Dedication To Polly Frye, who tirel
Page 9 and 10: Contents 127 The wrinkle 128 Eyegla
Page 11 and 12: oating publications including Chesa
Page 13 and 14: Robin Reid: Trained as a classical
Page 15 and 16: learn to work with simple, dumb lig
Page 18 and 19: Chapter 1: There’s More Than <str
Page 20 and 21: Built-in flash Shot with built-in f
Page 24 and 25: Modifier 2: A big white reflector I
Page 26 and 27: Other modifiers: Fill light, hair l
Page 28 and 29: Same principle: We can control the
Page 30 and 31: how many pictures shouLd i shoot? G
Page 32 and 33: Later, turn on all the automation y
Page 34 and 35: can also get anything in between: a
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Page 39 and 40: 24 Focus O
Page 41 and 42: We all want the most intelligent ca
Page 43 and 44: 28 the sake of rapid, accurate move
Page 45 and 46: 30 can be to buy one expensive trig
Page 47 and 48: The size of the light The size of t
Page 49 and 50: We need to know about this defect t
Page 53 and 54: needs to consider buying one of wha
Page 55 and 56: Softbox Softboxes are boxes with di
Page 57 and 58: Diffusion The other way to make a l
Page 59 and 60: For this book, the translucent whit
Page 61 and 62: gobo to block some of that light. (
Page 65 and 66: A commercially produced wooden cook
Page 67 and 68: any glue—all of which we already
Page 69 and 70: 54 We can use the grid for many pur
Page 71 and 72: 56 A grid solves the problem: We ha
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Lens filters Most lens filters chan
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in Our daily lives, we go through v
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The colors of sunrise and sunset ca
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Early evening. The sun is lower in
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space. The sunlit side will be both
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What happens when we go in the oppo
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setting in this open shade lighting
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Using gels for dramatic color In th
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The photo above was done by placing
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Small lights make hard shadows. Fur
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Compare the gourd on page 81 with t
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We could solve the exposure problem
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Why does the same light look so dif
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We had to shoot the cover shot of t
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sunlight is great, and not just bec
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looks like a painting. We were too
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convert the image to black and whit
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Amending or mixing light So what do
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penetrate.) But what if we don’t
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The sky was gray. In this case, the
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Distance and haze Haze happens for
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The photo above was taken in early
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Regardless of which lighting style
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postproduction work to deepen the s
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Broad lighting Broad lighting is pr
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like to place it so that it lights
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Rim lighting/kicker Rim lighting is
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Butterfly/Beauty lighting Butterfly
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Low key versus high key lighting Bo
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We blocked the popup flash so none
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124 Focus
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126 Light meters Do we need light m
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Eyeglasses and lighting: Can they g
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In the photo on page 128, we’ve g
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132 Focus
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When photographing large groups, wh
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way they can get an image of the da
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est-behaved pets rarely sit as stil
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140 Focus
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Direct reflection means that the li
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Flat metal The image below was lit
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we went ahead and put back the refl
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148 Focus
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glass is generally considered hard
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Position the camera so the viewfind
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we could have hung them with string
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A glass half full Interesting thing
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Bottle lit with off-camera flash th
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it reflected in the bottle. In this
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166 Focus
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A homemade flash trigger. We make o
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These photos are of a pianist known
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This picture uses two external flas
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the principles Of light remain the
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it is silly to spend hours to perfe
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all likelihood do some selective re
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Glossary this is an introductory bo
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photographer’s perspective from b
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Dodge: To lighten a portion of an i
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Had we had camera histogram display
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mirror reflector, often attached to
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minds, return to the original file,
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Index Page numbers followed by f in
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Lens hood, 99 Light amending or mix
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Sun light, (Continued) sunrise and
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