Focus On Lighting Photos Focus on the Fundamentals.pdf
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Round metal<br />
Just as with flat metal, we are<br />
going to need a large light<br />
source to handle round metal.<br />
Because it is round, <strong>the</strong> angles<br />
of reflecti<strong>on</strong> are increased. So<br />
We started with an offcamera<br />
flash with no<br />
diffusi<strong>on</strong> at camera right<br />
(main light) and deflected <strong>the</strong><br />
in-camera flash so n<strong>on</strong>e of<br />
its light struck <strong>the</strong> subject<br />
but merely triggered <strong>the</strong> offcamera<br />
flash. Result? Ugly<br />
shadows and metal.<br />
our placement of light needs<br />
to change. We’ll start with little<br />
lights and <strong>the</strong>n turn <strong>the</strong>m into<br />
larger lights, step by step. The<br />
difference in <strong>the</strong> light quality<br />
really shows up with a shiny,<br />
brushed-metal peppermill. It’s<br />
not a new <strong>on</strong>e, as you’ll see in<br />
<strong>the</strong> early shots. Although it’s<br />
clean, it’s clearly used. By <strong>the</strong><br />
time we get to using big lights,<br />
those flaws are g<strong>on</strong>e!<br />
We removed <strong>the</strong> board blocking<br />
<strong>the</strong> in-camera flash and allowed<br />
it to be a fill light. No neutral<br />
density material was used in<br />
fr<strong>on</strong>t of <strong>the</strong> fill light. The<br />
shadows improve, but <strong>the</strong><br />
metal is worse. We’ve now got<br />
a truly ugly highlight in <strong>the</strong><br />
middle of <strong>the</strong> peppermill.<br />
So, Where Do We Put This Light for Metal? 147