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Focus On Lighting Photos Focus on the Fundamentals.pdf

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Okay, We Want to shoot a picture of<br />

something that isn’t holding still. Sometimes<br />

we want to freeze everything. To<br />

do that, we can just use a really fast<br />

shutter speed. We have to compensate<br />

for <strong>the</strong> faster shutter speed ei<strong>the</strong>r by<br />

opening up our f-stop or by increasing<br />

our ISO. Often, though, we want to<br />

capture some (or a lot!) of that moti<strong>on</strong>.<br />

A bit of moti<strong>on</strong><br />

In <strong>the</strong> image at left <strong>on</strong> page 166 is a clearcut<br />

example of <strong>the</strong> sec<strong>on</strong>d case. Who would<br />

ever want to photograph fireworks without<br />

moti<strong>on</strong>? The <strong>on</strong>ly piece of equipment we need<br />

bey<strong>on</strong>d <strong>the</strong> camera is a tripod. (Okay, some<br />

Chapter 9: Moti<strong>on</strong><br />

photographers are better than o<strong>the</strong>rs at leaning<br />

<strong>on</strong> something static and holding acceptably<br />

still, but “acceptably” is subjective—better<br />

photographers are tougher judges <strong>on</strong> what is<br />

acceptable.) The <strong>on</strong>ly light was provided by <strong>the</strong><br />

fireworks and <strong>the</strong> jetty lights. There is no <strong>on</strong>e<br />

right exposure setting for this type of image.<br />

You’ll have to experiment with <strong>the</strong> shutter<br />

speed and <strong>the</strong> f-stop to get <strong>the</strong> exposure right<br />

and freeze <strong>the</strong> fireworks as much as suits you.<br />

In <strong>the</strong> photo of <strong>the</strong> dancer (page 166),<br />

we have a dancer jumping. In this case,<br />

<strong>the</strong> photographer used white seamless as<br />

a background. A flash was camera right.<br />

No reflector or additi<strong>on</strong>al light was used.<br />

Despite all <strong>the</strong> times we usually try to lighten,<br />

soften, or minimize a shadow, sometimes it<br />

can be an active part of <strong>the</strong> image.<br />

Moti<strong>on</strong><br />

165

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