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Focus On Lighting Photos Focus on the Fundamentals.pdf

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What happens when we go in <strong>the</strong><br />

opposite directi<strong>on</strong>, use daylight,<br />

but set <strong>the</strong> camera to tungsten?<br />

We get blue pictures. In <strong>the</strong> photo<br />

<strong>on</strong> <strong>the</strong> left <strong>on</strong> page 70, we set <strong>the</strong><br />

camera to daylight and we get a<br />

In <strong>the</strong> warm photos <strong>on</strong> pages<br />

67 and 68, both cameras were<br />

set to daylight balance. Why<br />

is <strong>on</strong>e warmer than <strong>the</strong> o<strong>the</strong>r?<br />

Household bulbs warm with<br />

age. As a result, <strong>the</strong> lighting<br />

is sometimes pretty, but it’s<br />

seldom accurate. Photographers<br />

who need accurate tungsten<br />

(lower-budget video) always use<br />

<strong>the</strong> pricier quartzhalogen<br />

versi<strong>on</strong> with<br />

nearly c<strong>on</strong>stant color<br />

throughout <strong>the</strong> life<br />

of <strong>the</strong> lamp.<br />

realistic image of <strong>the</strong> black-andwhite<br />

painted wooden cat. But it’s<br />

a crazy cat. To emphasize that,<br />

we set <strong>the</strong> camera to its tungsten<br />

setting. The camera is expecting<br />

yellow light. It plans to neutralize<br />

that yellow into gray. However,<br />

our light isn’t yellow, so <strong>the</strong> camera<br />

“corrects” <strong>the</strong> image to blue.<br />

Generally this is not what we<br />

want, but it’s still worth playing<br />

with occasi<strong>on</strong>ally.<br />

The Color of Light<br />

69

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