Focus On Lighting Photos Focus on the Fundamentals.pdf
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Butterfly/Beauty lighting<br />
Butterfly lighting is where <strong>the</strong>re is<br />
<strong>on</strong>e light placed directly in fr<strong>on</strong>t<br />
of and a bit above <strong>the</strong> subject<br />
at an angle to create a shadow<br />
under <strong>the</strong> nose that is shaped<br />
like a butterfly. Depending <strong>on</strong> <strong>the</strong><br />
facial structure, we often want<br />
a bit of fill, which could be <strong>the</strong><br />
built-in flash, but a bit of foam<br />
board offers more choices as to<br />
what gets filled. In <strong>the</strong> photo at<br />
right, we used a flash with an<br />
umbrella as <strong>the</strong> sole light source.<br />
(We added <strong>the</strong> dark vignette in<br />
postproducti<strong>on</strong>.)<br />
Beauty lighting uses a larger light<br />
and a reflector or sec<strong>on</strong>d light is<br />
placed below. The goal in beauty<br />
lighting is to make most of <strong>the</strong><br />
shadows disappear.<br />
Beauty lighting is frequently used<br />
in, guess what, ads showing<br />
flawless skin for beauty products.<br />
The light is such that shadows are<br />
pretty much filled with light, leaving<br />
almost no wrinkles! <str<strong>on</strong>g>On</str<strong>on</strong>g> <strong>the</strong><br />
following page, for <strong>the</strong> image <strong>on</strong><br />
<strong>the</strong> right, we used an off-camera<br />
flash in a softbox placed above <strong>the</strong><br />
camera facing <strong>the</strong> sitter. A silver<br />
118<br />
<str<strong>on</strong>g>Focus</str<strong>on</strong>g> <str<strong>on</strong>g>On</str<strong>on</strong>g> <str<strong>on</strong>g>Lighting</str<strong>on</strong>g> <str<strong>on</strong>g>Photos</str<strong>on</strong>g><br />
reflector was placed just out of <strong>the</strong><br />
camera’s view, angled to reflect<br />
<strong>the</strong> flash above. We could have<br />
used a sec<strong>on</strong>d flash below, but for<br />
most of this book, we’re assuming<br />
you d<strong>on</strong>’t have two off-camera<br />
flashes. If we had used a sec<strong>on</strong>d<br />
flash, we would have used it with<br />
ei<strong>the</strong>r a softbox or an umbrella.<br />
You can see <strong>the</strong> difference <strong>the</strong> fill<br />
card makes by comparing it with<br />
<strong>the</strong> image <strong>on</strong> <strong>the</strong> left.