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Focus On Lighting Photos Focus on the Fundamentals.pdf

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outine thinking, but know when<br />

to override <strong>the</strong> automati<strong>on</strong> to<br />

get a better picture. The fact that<br />

you are taking <strong>the</strong> time to read<br />

this book probably means that<br />

you fit nei<strong>the</strong>r of <strong>the</strong>se categories.<br />

Disadvantage 1. These triggers<br />

tend to be brand specific. If we<br />

want <strong>on</strong>e maker’s camera and<br />

ano<strong>the</strong>r maker’s flash, <strong>the</strong>y<br />

may speak different languages.<br />

The extra cost is wasted.<br />

Disadvantage 2. These often<br />

provide <strong>on</strong>ly short-range<br />

communicati<strong>on</strong>. Sometimes <strong>the</strong><br />

best of <strong>the</strong> dumb visible light<br />

triggers will work over greater<br />

range.<br />

Radio trigger<br />

These triggers require a transmitter<br />

<strong>on</strong> <strong>the</strong> camera and ano<strong>the</strong>r<br />

<strong>on</strong> <strong>the</strong> light. They allow remote<br />

c<strong>on</strong>trol of a specific brand<br />

of flash by ano<strong>the</strong>r maker’s<br />

camera. Some models of this<br />

equipment also allow remote<br />

c<strong>on</strong>trol not <strong>on</strong>ly of lights but<br />

also of a sec<strong>on</strong>d camera!<br />

Depending <strong>on</strong> <strong>the</strong> brand, <strong>the</strong>y<br />

often allow remote c<strong>on</strong>trol over<br />

much greater distance than o<strong>the</strong>r<br />

synch systems.<br />

Disadvantage. Cost.<br />

When <strong>on</strong>e of <strong>the</strong>se triggers is<br />

attached to <strong>the</strong> camera and<br />

ano<strong>the</strong>r to <strong>the</strong> flash, you will<br />

gain maximum c<strong>on</strong>trol. They work<br />

<strong>on</strong> different frequencies, and we<br />

can select <strong>the</strong> frequency we want<br />

<strong>the</strong> device to use, so different<br />

photographers’ lights d<strong>on</strong>’t trigger<br />

<strong>on</strong>e ano<strong>the</strong>r. Do some research,<br />

though, and find a<br />

frequency that fewer<br />

photographers are<br />

using.<br />

Tools: Now We Have Light, but How Do We Get It under C<strong>on</strong>trol? 31

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