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Focus On Lighting Photos Focus on the Fundamentals.pdf

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almost always surpasses <strong>the</strong><br />

quality of fixing it later.<br />

But what if <strong>the</strong> neutral gradient<br />

doesn’t transiti<strong>on</strong> exactly where<br />

we want it? What if we want <strong>the</strong><br />

darkness to go a little far<strong>the</strong>r<br />

or a little less into <strong>the</strong> scene?<br />

Suppose we have to point <strong>the</strong><br />

camera higher or lower to get<br />

that transiti<strong>on</strong> where we want it?<br />

Suppose we want a more abrupt<br />

or more gradual transiti<strong>on</strong> than<br />

<strong>the</strong> filter offers? The result can<br />

still be pretty good, but seldom<br />

76<br />

<str<strong>on</strong>g>Focus</str<strong>on</strong>g> <str<strong>on</strong>g>On</str<strong>on</strong>g> <str<strong>on</strong>g>Lighting</str<strong>on</strong>g> <str<strong>on</strong>g>Photos</str<strong>on</strong>g><br />

as good as what we might do<br />

with a c<strong>on</strong>trolled alpha channel<br />

in image editing software, where<br />

we can put <strong>the</strong> transiti<strong>on</strong> exactly<br />

where we want it and make that<br />

transiti<strong>on</strong> as gradual or as abrupt<br />

as we want.<br />

But that’s a topic for ano<strong>the</strong>r<br />

book. In a basic lighting book,<br />

we will not overburden you with<br />

technical detail. Still, we absolutely<br />

must point you in <strong>the</strong> directi<strong>on</strong><br />

you need to be facing when<br />

you are ready to go <strong>the</strong>re.<br />

D<strong>on</strong>’t buy every<br />

filter/gel. Just<br />

know <strong>the</strong>y’re<br />

available. Buy as<br />

needed.<br />

The color of light can be gratifying<br />

to play with and offers a fun<br />

way to start thinking about light.<br />

Still, often we can ignore it and<br />

take whatever color we get. As<br />

l<strong>on</strong>g as <strong>the</strong> daylight, <strong>the</strong> flash, or<br />

<strong>the</strong> tungsten is reas<strong>on</strong>ably close<br />

to “normal,” we may not even<br />

notice <strong>the</strong> color.<br />

What we must always c<strong>on</strong>sider,<br />

though, is highlight and shadow.<br />

Let’s explore that subject next.

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