Focus On Lighting Photos Focus on the Fundamentals.pdf

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overhead lighting was done with a snoot, but it wasn’t. The flash was combined with a silver umbrella. As you can see in the photo on the facing page, which is the image as shot, without the edge burning, the light was not nearly so concentrated. Ah, cats. Delightful little buggers. Handsome, sleek, mysterious, but not known for their cooperation. Working in a studio, you want to try to confine the space available to them. As we indicated earlier, they are much easier to photograph in their own environment. Either way, the lighting approach is the same, except that if you are in the home, you can make use of existing light (assuming your studio doesn’t have a lot of natural light streaming in). If you missed it, return to Chapter 5 for an example of using just daylight and a fill card to photograph a cat. If you’re asked to photograph a snake, ask the owner not to feed it just before the sitting. It will just sleep. Tame goats are hard to find. Ferrets are great fun, but, boy, are they fast. So are mice. You’ll need a lot of patience with these guys. So, Where Do We Put This Light for Portraits? 139
140 <strong>Focus</strong> <strong>On</strong> <strong>Lighting</strong> <strong>Photos</strong>
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Focus On</
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Focus On</
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Dedication To Polly Frye, who tirel
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Contents 127 The wrinkle 128 Eyegla
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oating publications including Chesa
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Robin Reid: Trained as a classical
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learn to work with simple, dumb lig
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Chapter 1: There’s More Than <str
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Built-in flash Shot with built-in f
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Modifier 1: A mirror Having the fla
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Modifier 2: A big white reflector I
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Other modifiers: Fill light, hair l
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Same principle: We can control the
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how many pictures shouLd i shoot? G
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Later, turn on all the automation y
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can also get anything in between: a
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24 Focus O
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We all want the most intelligent ca
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28 the sake of rapid, accurate move
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30 can be to buy one expensive trig
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The size of the light The size of t
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We need to know about this defect t
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36 Focus O
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needs to consider buying one of wha
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Softbox Softboxes are boxes with di
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Diffusion The other way to make a l
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For this book, the translucent whit
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gobo to block some of that light. (
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48 Focus O
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A commercially produced wooden cook
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any glue—all of which we already
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54 We can use the grid for many pur
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56 A grid solves the problem: We ha
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Lens filters Most lens filters chan
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in Our daily lives, we go through v
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The colors of sunrise and sunset ca
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Early evening. The sun is lower in
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space. The sunlit side will be both
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What happens when we go in the oppo
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setting in this open shade lighting
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Using gels for dramatic color In th
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The photo above was done by placing
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Small lights make hard shadows. Fur
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Compare the gourd on page 81 with t
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We could solve the exposure problem
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Why does the same light look so dif
Page 103 and 104: We had to shoot the cover shot of t
Page 106 and 107: sunlight is great, and not just bec
Page 108 and 109: looks like a painting. We were too
Page 110 and 111: convert the image to black and whit
Page 112 and 113: Amending or mixing light So what do
Page 114 and 115: penetrate.) But what if we don’t
Page 116 and 117: The sky was gray. In this case, the
Page 118 and 119: Distance and haze Haze happens for
Page 120: The photo above was taken in early
Page 123 and 124: Regardless of which lighting style
Page 125 and 126: postproduction work to deepen the s
Page 127 and 128: Broad lighting Broad lighting is pr
Page 129 and 130: like to place it so that it lights
Page 131 and 132: Rim lighting/kicker Rim lighting is
Page 133 and 134: Butterfly/Beauty lighting Butterfly
Page 135 and 136: Low key versus high key lighting Bo
Page 137 and 138: We blocked the popup flash so none
Page 139 and 140: 124 Focus
Page 141 and 142: 126 Light meters Do we need light m
Page 143 and 144: Eyeglasses and lighting: Can they g
Page 145 and 146: In the photo on page 128, we’ve g
Page 149 and 150: When photographing large groups, wh
Page 151 and 152: way they can get an image of the da
Page 153: est-behaved pets rarely sit as stil
Page 157 and 158: Direct reflection means that the li
Page 159 and 160: Flat metal The image below was lit
Page 161 and 162: we went ahead and put back the refl
Page 166 and 167: glass is generally considered hard
Page 168 and 169: Position the camera so the viewfind
Page 170 and 171: we could have hung them with string
Page 172 and 173: A glass half full Interesting thing
Page 174 and 175: Bottle lit with off-camera flash th
Page 176 and 177: it reflected in the bottle. In this
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Page 183 and 184: A homemade flash trigger. We make o
Page 185 and 186: These photos are of a pianist known
Page 187 and 188: This picture uses two external flas
Page 190 and 191: the principles Of light remain the
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Page 199 and 200: Glossary this is an introductory bo
Page 201 and 202: photographer’s perspective from b
Page 203 and 204: Dodge: To lighten a portion of an i
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Had we had camera histogram display
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mirror reflector, often attached to
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minds, return to the original file,
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Index Page numbers followed by f in
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Lens hood, 99 Light amending or mix
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Sun light, (Continued) sunrise and
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