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Focus On Lighting Photos Focus on the Fundamentals.pdf

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The first step is to figure out<br />

where <strong>the</strong> family of angles is.<br />

Because direct reflecti<strong>on</strong> <strong>on</strong>ly<br />

occurs within a small family of<br />

angles, <strong>the</strong> choice of where to put<br />

<strong>the</strong> light is limited. This actually<br />

makes it easier for <strong>the</strong> photographer<br />

to get it right quickly. The<br />

placement of <strong>the</strong> light and <strong>the</strong><br />

camera in relati<strong>on</strong> to <strong>the</strong> metal is<br />

automatically limited. If you want<br />

a specific camera viewpoint, <strong>the</strong>n<br />

as you’ll see, <strong>the</strong> light placement<br />

is fairly predetermined.<br />

Start by placing your diffusi<strong>on</strong><br />

material behind <strong>the</strong> subject. Point<br />

a simple test light (it could be a<br />

flashlight) at <strong>the</strong> metal from <strong>the</strong><br />

camera positi<strong>on</strong>. You’d like <strong>the</strong><br />

light source to be narrow enough<br />

to illuminate <strong>the</strong> metal and not<br />

<strong>the</strong> surrounding elements. Point<br />

it to <strong>the</strong> porti<strong>on</strong> of <strong>the</strong> metal that<br />

you want to light and note where<br />

<strong>the</strong> light is bounced back to your<br />

diffusi<strong>on</strong> material. If your light<br />

source is small, you may need to<br />

point to <strong>the</strong> top part first; note<br />

where it reflects back <strong>on</strong>to <strong>the</strong><br />

diffusi<strong>on</strong> material. Then move<br />

to <strong>the</strong> bottom and do <strong>the</strong> same.<br />

Assuming you want bright metal,<br />

your main light will have to be<br />

placed so it completely fills this<br />

family of angles. If it doesn’t, you<br />

will ei<strong>the</strong>r get dark or uneven<br />

lighting. If you are aiming for<br />

dark metal, your light has to be<br />

placed outside of <strong>the</strong> family of<br />

angles. Simple as that.<br />

D<strong>on</strong>’t fear metal!<br />

It’s actually pretty<br />

straightforward.<br />

So, Where Do We Put This Light for Metal? 143

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