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Focus On Lighting Photos Focus on the Fundamentals.pdf

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Split lighting<br />

Split or hatchet lighting involves<br />

lighting from <strong>the</strong> side of <strong>the</strong><br />

subject <strong>on</strong>ly. In <strong>the</strong> photo below,<br />

we did <strong>the</strong> same lighting setup<br />

as we did for <strong>the</strong> Sikh in profile<br />

in Chapter 1, using just our little<br />

silver reflector to bounce <strong>the</strong> light<br />

from our in-camera flash to our<br />

large white board. The difference<br />

here is that <strong>the</strong> subject is facing<br />

<strong>the</strong> camera directly. We wanted<br />

as little light to hit <strong>the</strong> shadow<br />

side as possible. If we are shooting<br />

in a really large room or<br />

a room with black walls, it will<br />

be easier to keep <strong>the</strong> shadow<br />

side dark. In this case, we hung<br />

black velvet very close to <strong>the</strong><br />

subject <strong>on</strong> <strong>the</strong> opposite side of<br />

<strong>the</strong> board to limit <strong>the</strong> light being<br />

bounced back from elsewhere<br />

in <strong>the</strong> room. If shooting in a<br />

smaller room with light walls,<br />

we’ll get automatic fill from those<br />

walls and we might have to do<br />

So, Where Do We Put This Light for Portraits? 109

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