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Focus On Lighting Photos Focus on the Fundamentals.pdf

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glass is generally c<strong>on</strong>sidered hard to<br />

shoot. How do you capture an image of<br />

something that is transparent?<br />

In truth, glass is more challenging than<br />

metal. Light travels through <strong>the</strong> glass<br />

and isn’t reflected back to <strong>the</strong> viewer<br />

(camera). At <strong>the</strong> same time, it will have<br />

unwanted reflecti<strong>on</strong>s of its surroundings.<br />

Like metal, most of <strong>the</strong> reflecti<strong>on</strong>s are<br />

indeed direct reflecti<strong>on</strong>s. However,<br />

with glass <strong>the</strong> reflecti<strong>on</strong>s can also be<br />

polarized. The photographer needs to<br />

pay attenti<strong>on</strong> to <strong>the</strong> edges, which will<br />

Chapter 8: So, Where Do We<br />

Put This Light for Glass?<br />

With practice, you can enjoy<br />

photographing glass!<br />

give <strong>the</strong> glass form. The rest is not of<br />

much c<strong>on</strong>cern.<br />

When <strong>the</strong> light strikes a visible edge<br />

of glass, it is not reflected back to <strong>the</strong><br />

viewer (camera). Hence, it disappears.<br />

We need large reflecti<strong>on</strong>s, distinct<br />

enough that <strong>the</strong> viewer can discern<br />

<strong>the</strong> shape of <strong>the</strong> glass clearly. For this<br />

to occur, we need <strong>the</strong> reflecti<strong>on</strong>s to be<br />

different from <strong>the</strong> background. The<br />

choices are dark-field or bright-field<br />

lighting.<br />

So, Where Do We Put This Light for Glass?<br />

151

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