Focus On Lighting Photos Focus on the Fundamentals.pdf

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neutral density material and popup, 124 popup flash, blocking, 122 undiffused, 152 <strong>On</strong>e-flash setup, 13 Open shade, 94 P Photographic boom, 59, 114, 155 Photographic store, 23 Photography adults, 121–122 architecture, 104–105 butterflies, 94, 95f children, 95 flowers, 101 glass, 151 groups, 131–134, 132–133f metal, 141 motion, 165 pets, 135–139 portraiture, 107 postproduction work, 117 Photography tools, 24 bounce, 32 bounce card, 35, 37 circular reflector, 39, 39f clamps, 59 diffusion material, 44 flash trigger, 27–31 foam board, 36f gels, 42 need for, 57 off-camera flash, 25 softboxes, 40, 40f stand, 59 <strong>Photos</strong>hop, 180 Polarizing filter, 58, see also Lens filters Portrait photographers, 15 Portraiture, 107 camera heights, 120 catchlight, 121 Postproduction, 117, 138, 176 lighting, 176–177 softwares, 177 Profile lighting, 3 diffusion material, 19 face and light, 19–20 flash, 16–17 light addition, 16 light modifiers, 6 model, 3 paper and light, 20 position, 3 size and picture quality, 18 size control, 13 Q Quartz-halogen lights, 68, 166 R Radio trigger, 31, 31f, see also Trigger, flash advantage, 31 disadvantage, 31 Reflection, 86 Reflector, 149, see also Bounce circular, 39, 39f shade background, 97 umbrella, 38, 38f Refraction, 64 warm tones by, 64f Rembrandt lighting, 111 Rim lighting, 116 Roscoe sample pack, 42–43, 42f S Shadow, 79, see also Light and shadow face shape, 121 hard-edged, 79, 81 sharp edge, 80 soft-edged, 81f within subject, 83 Short lighting, 111 Silver reflector, 10, see also White reflector Sitter wear solid colors, 120 Slimming effect, 133 Snoot, 57, see also Grids homemade, 57 Soft shadow, 80 Softboxes, 40 homemade, 13, 14f medium manufactured, 40f small manufactured, 41f Split lighting, 109–110 Stage-right, 4 Star effect, 105 Still life, 25 Strobist gel collection, 72 Strobist pack, 43–44 Studio portrait, 107 Sun light, 12, 79, 91, see also Main light advantage, 17 advantages, 91 air pollution impact on, 64 color, 64 color adjustment, 62 dappled light, 93 disadvantages, 91 early afternoon light, 63f early evening, 65f early morning, 64f Index 199
Sun light, (Continued) sunrise and sunset colors, 63 sunset, 66f white building, 67 Synch cord, 27, see also Trigger, flash disadvantages, 27–28 T Test light, 143 Texture, 83 black subject, 85f, 86f reflection, 86 smaller light, 84 sunlight and household lamps, 83 white lace, 83f, 84f Transition lenses, 130 Translucent, 19 Transparent, 19 Trigger, flash, see also Flash homemade, 168 200 Index inexpensive, 28f infrared, 30, 30f light-sensitive, 28 manually trigger, 170 radio, 31, 31f sensitive, 29f synch cord, 27 Tripod, 108, 165 Tungsten light, 67f, 68, 167, 175 CTB, 74 CTO, 73 daylight vs., 69 vs.daylight white balance, 67f vs.household lamp, 68f temperature, 61, 62 U Ultraviolet, 58 Umbrella, 35, 37, see also Bounce black-backed, 38f, 39 as diffuser, 46–47 as reflector, 38 silver, 38 white, 38, 38f UV filter, 58, 103 V Vignette images, 14 W White board, 149 White foam board alternative, 14 White reflector, 8, 10 White shower curtain, 19, 42, see also Diffusion material White translucent white filter, 44 Wireless flash trigger alternative, 14 Wireless radio control, 98 Wrinkle, 127 soft focus filters, 127
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Focus On</
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Focus On</
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Dedication To Polly Frye, who tirel
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Contents 127 The wrinkle 128 Eyegla
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oating publications including Chesa
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Robin Reid: Trained as a classical
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learn to work with simple, dumb lig
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Chapter 1: There’s More Than <str
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Built-in flash Shot with built-in f
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Modifier 1: A mirror Having the fla
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Modifier 2: A big white reflector I
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Other modifiers: Fill light, hair l
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Same principle: We can control the
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how many pictures shouLd i shoot? G
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Later, turn on all the automation y
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can also get anything in between: a
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24 Focus O
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We all want the most intelligent ca
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28 the sake of rapid, accurate move
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30 can be to buy one expensive trig
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The size of the light The size of t
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We need to know about this defect t
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36 Focus O
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needs to consider buying one of wha
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Softbox Softboxes are boxes with di
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Diffusion The other way to make a l
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For this book, the translucent whit
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gobo to block some of that light. (
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48 Focus O
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A commercially produced wooden cook
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any glue—all of which we already
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54 We can use the grid for many pur
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56 A grid solves the problem: We ha
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Lens filters Most lens filters chan
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in Our daily lives, we go through v
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The colors of sunrise and sunset ca
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Early evening. The sun is lower in
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space. The sunlit side will be both
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What happens when we go in the oppo
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setting in this open shade lighting
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Using gels for dramatic color In th
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The photo above was done by placing
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Small lights make hard shadows. Fur
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Compare the gourd on page 81 with t
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We could solve the exposure problem
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Why does the same light look so dif
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We had to shoot the cover shot of t
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sunlight is great, and not just bec
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looks like a painting. We were too
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convert the image to black and whit
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Amending or mixing light So what do
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penetrate.) But what if we don’t
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The sky was gray. In this case, the
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Distance and haze Haze happens for
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The photo above was taken in early
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Regardless of which lighting style
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postproduction work to deepen the s
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Broad lighting Broad lighting is pr
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like to place it so that it lights
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Rim lighting/kicker Rim lighting is
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Butterfly/Beauty lighting Butterfly
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Low key versus high key lighting Bo
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We blocked the popup flash so none
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124 Focus
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126 Light meters Do we need light m
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Eyeglasses and lighting: Can they g
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In the photo on page 128, we’ve g
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132 Focus
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When photographing large groups, wh
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way they can get an image of the da
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est-behaved pets rarely sit as stil
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140 Focus
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Direct reflection means that the li
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Flat metal The image below was lit
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we went ahead and put back the refl
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Page 166 and 167: glass is generally considered hard
Page 168 and 169: Position the camera so the viewfind
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Page 172 and 173: A glass half full Interesting thing
Page 174 and 175: Bottle lit with off-camera flash th
Page 176 and 177: it reflected in the bottle. In this
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Page 181 and 182: 166 Focus
Page 183 and 184: A homemade flash trigger. We make o
Page 185 and 186: These photos are of a pianist known
Page 187 and 188: This picture uses two external flas
Page 190 and 191: the principles Of light remain the
Page 192 and 193: it is silly to spend hours to perfe
Page 194 and 195: all likelihood do some selective re
Page 199 and 200: Glossary this is an introductory bo
Page 201 and 202: photographer’s perspective from b
Page 203 and 204: Dodge: To lighten a portion of an i
Page 205 and 206: Had we had camera histogram display
Page 207 and 208: mirror reflector, often attached to
Page 209 and 210: minds, return to the original file,
Page 211 and 212: Index Page numbers followed by f in
Page 213: Lens hood, 99 Light amending or mix
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