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Focus On Lighting Photos Focus on the Fundamentals.pdf

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How to trigger flash<br />

If <strong>the</strong> flash is not mounted <strong>on</strong> <strong>the</strong><br />

camera, we need a way to trigger<br />

it remotely. O<strong>the</strong>r than <strong>the</strong> hit-ormiss<br />

method of having an assistant<br />

fire <strong>the</strong> flash as we shoot,<br />

<strong>the</strong>re are several good ways to<br />

do this. The best way depends <strong>on</strong><br />

what we are shooting and where<br />

and, always, budget. Ideally,<br />

balancing real need and real<br />

m<strong>on</strong>ey, we each decide what’s<br />

best for us.<br />

Synch cord<br />

This is certainly <strong>the</strong> least expensive<br />

and often <strong>the</strong> most reliable<br />

tool for <strong>the</strong> job. In most cases,<br />

<strong>the</strong>re’s an electrical c<strong>on</strong>nector<br />

<strong>on</strong> <strong>the</strong> camera and ano<strong>the</strong>r <strong>on</strong>e<br />

<strong>on</strong> <strong>the</strong> flash intended for this use.<br />

Exactly how those c<strong>on</strong>nectors are<br />

shaped varies, though, and we<br />

have to get <strong>the</strong> right cord to mate<br />

with <strong>the</strong> camera and <strong>the</strong> flash at<br />

each end.<br />

L<strong>on</strong>g synch cords may be expensive.<br />

If we want <strong>the</strong> flash to be a<br />

greater distance from <strong>the</strong> camera,<br />

<strong>on</strong>e of <strong>the</strong> more “expensive”<br />

synch methods may actually<br />

cost less than <strong>the</strong> “cheap” synch<br />

cord. Still, we d<strong>on</strong>’t always<br />

need a synch cord to cover <strong>the</strong><br />

whole distance. We can use a<br />

short synch cord where <strong>on</strong>e end<br />

matches <strong>the</strong> camera and <strong>the</strong><br />

o<strong>the</strong>r fits an ordinary household<br />

extensi<strong>on</strong> cord. At <strong>the</strong> o<strong>the</strong>r<br />

end, we have ano<strong>the</strong>r synch<br />

cord that mates <strong>the</strong> household<br />

cord to <strong>the</strong> flash. This gives us<br />

l<strong>on</strong>ger-distance triggering for<br />

fairly low cost. Until very recent<br />

times, almost all photographers<br />

used synch cords at least much<br />

of <strong>the</strong> time. They have two big<br />

disadvantages, though:<br />

Disadvantage 1. We can<br />

safely use a synch cord to<br />

trigger <strong>on</strong>ly <strong>on</strong>e remote flash.<br />

Mechanical cameras had<br />

very lightweight electrical<br />

switches, able to survive <strong>on</strong>ly<br />

very low electrical current, for<br />

Tools: Now We Have Light, but How Do We Get It under C<strong>on</strong>trol? 27

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