Igor Engraver Manual

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CHAPTER 6 The Layout Window 106 6.3 Viewing bar will be left empty, and the music of the fifth bar will (consequently) appear two bars after the first one. Further note that music can be copied between layouts and also between pieces. Finally, the speed of the exceution of the cut, copy, and paste commands is highly depending on the amount of RAM you have assigned to <strong>Igor</strong> <strong>Engraver</strong> - the more RAM, the faster the process. The scrollbar works as in most computer programs, although one feature is noteworthy: when you drag the thumbnail of the scrollbar you see the layout move accordingly. Thus, you are always able to see the part of the music you are scrolling through – no guessing is required. In the figure below, you can see a portion of a score layout, the scrollbars, the zooming area, the page viewer area and a page divider. By changing the size of the view, you may see several pages at a time. This is useful for getting an overall view of the piece. Naturally, you can also zoom in on details of the music, for precise editing of all kinds of objects. The zooming factor may be set to any whole number between 5 per cent and 3200 per cent of the actual layout. Setting the zooming factor can be done by clicking the zooming
107 CHAPTER 6 The Layout Window area and choosing one of the alternatives in the window that appears (the window is shown in the figure below). Zooming can also be executed from the Scale submenu of the Edit menu (or by using the shortcuts shown): Lastly, there are some shortcuts worth mentioning: B-clicking for Macintosh or Alt-clicking for Windows the zoom area sets the zooming factor to 100%. Control-clicking for Macintosh or Right-clicking for Windows brings up the zooming factor window. These shortcuts are shown if the balloon help is used and the input caret is pointing to the zoom area.
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
Page 60 and 61: CHAPTER 2 “espressivo” 56 Now i
Page 62 and 63: CHAPTER 2 “espressivo” 58 2.4 T
Page 64 and 65: CHAPTER 2 “espressivo” 60 You h
Page 66 and 67: CHAPTER 2 “espressivo” 62 palet
Page 68 and 69: CHAPTER 2 “espressivo” 64 Perha
Page 70 and 71: CHAPTER 2 “espressivo” 66 until
Page 72 and 73: CHAPTER 2 “espressivo” 68 Key(s
Page 74 and 75: CHAPTER 2 “espressivo” 70 the f
Page 76 and 77: CHAPTER 3 Purcell In this tutorial,
Page 78 and 79: CHAPTER 3 Purcell 74 In the Default
Page 80 and 81: CHAPTER 3 Purcell 76 The first few
Page 82 and 83: CHAPTER 3 Purcell 78 3.4 Adding Lyr
Page 84 and 85: CHAPTER 3 Purcell 80 3.5 Cosmetics
Page 86 and 87: CHAPTER 3 Purcell 82 changed. (Due
Page 88 and 89: CHAPTER 4 “impressivo” Now that
Page 90 and 91: CHAPTER 4 “impressivo” 86 which
Page 92 and 93: CHAPTER 4 “impressivo” 88 Liste
Page 94 and 95: CHAPTER 5 The Piece Window and the
Page 96 and 97: 92 CHAPTER 5 The Piece Window and t
Page 102 and 103: 98 CHAPTER 5 The Piece Window and t
Page 106 and 107: CHAPTER 6 The Layout Window In cont
Page 108 and 109: CHAPTER 6 The Layout Window 104 6.1
Page 112 and 113: CHAPTER 6 The Layout Window 108 The
Page 114 and 115: CHAPTER 7 Input Mode Now that you a
Page 116 and 117: CHAPTER 7 Input Mode 112 the sectio
Page 118 and 119: CHAPTER 7 Input Mode 114 7.3.1 Movi
Page 120 and 121: CHAPTER 7 Input Mode 116 Key(s): Ac
Page 122 and 123: CHAPTER 7 Input Mode 118 Hiding one
Page 124 and 125: CHAPTER 7 Input Mode 120 N Change n
Page 126 and 127: CHAPTER 7 Input Mode 122 7.3.4 Dyna
Page 128 and 129: CHAPTER 7 Input Mode 124 Finally, a
Page 130 and 131: CHAPTER 7 Input Mode 126 Trills and
Page 132 and 133: CHAPTER 7 Input Mode 128 Once inser
Page 134 and 135: CHAPTER 7 Input Mode 130 7.3.12 Bar
Page 136 and 137: CHAPTER 8 The Palettes In Igor Engr
Page 138 and 139: CHAPTER 8 The Palettes 134 The two
Page 140 and 141: CHAPTER 8 The Palettes 136 8.1.3 Dy
Page 142 and 143: CHAPTER 8 The Palettes 138 8.1.7 Th
Page 144 and 145: CHAPTER 8 The Palettes 140 (picture
Page 146 and 147: CHAPTER 8 The Palettes 142 By dragg
Page 148 and 149: CHAPTER 8 The Palettes 144 8.2 The
Page 150 and 151: CHAPTER 9 The Contextual Menus Rega
Page 152 and 153: CHAPTER 9 The Contextual Menus 148
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Page 156 and 157: CHAPTER 10 More About Music Input a
Page 158 and 159: CHAPTER 10 More About Music Input a
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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Igor Engraver Manual

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