Igor Engraver Manual

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CHAPTER 7 Input Mode 124 Finally, an arpeggio marking is inserted by typing B-Shift-A for Macintosh or Alt-Shift-A for Windows. The arpeggio marking can later be dragged and tweaked in other ways. Macintosh: Action: Windows: T Add a tie T CT Flip a tie CT L Add a slur L CL Flip a slur CL BL Add a nested slur Ctrl Alt L BCL Get back to slur context CCtrl Alt L G Add glissando G BCA Add arpeggio C Alt A 7.3.6 Tuplets Working with tuplets in Igor Engraver will be explained in the next chapter. However, the keys used for entering tuplets are listed below. Note that the tuplet defaults can be altered by typing B-1 for Macintosh or Alt-1 for Windows or by selecting the Tuplets pane in the Piece settings window, and that arbitrary tuplets can be entered as well. A tuplet can be ended by pressing B-0 for Macintosh or Alt-0 for Windows. Macintosh: Action: Windows: B1 Enter arbitrary tuplet and change tuplet defaults Alt 1 B2 Enter duplet Alt 2 B3 Enter triplet Alt 3 B4 Enter quadruplet Alt 4 B5 Enter quintuplet Alt 5 … … B9 Enter nonuplet (novemol) Alt 9 B0 End tuplet Alt 0 7.3.7 Grace Notes Grace notes are easily inserted into Igor Engraver layouts by entering Grace notes mode. In this mode, all entries inserted will become grace notes. Adding
125 CHAPTER 7 Input Mode grace notes shortens the played duration of the previous entry: the tempo of the piece stays intact. As can be seen below, grace notes can be entered in groups as well. The size of the grace notes and the position of the slash that crosses the grace notes can be altered in the Grace Notes pane of the Piece settings window. Key(s): BG BCG Action: Enter/leave Grace note mode Toggle grace note slash 7.3.8 Trills, Tremolandos, and Tremolos Trills, tremolandos and tremolos can be applied in Input mode, but the trill extension lines have to be altered (by dragging the end of the line) after leaving Input mode. There are several commands for entering these objects, since there are many ways to play them back. Note that you can press B-T for Macintosh or Alt-T for Windows repeatedly to change tremolo type. Macintosh: Action: Windows: BR Create trill (from the Alt R selected entry) BCR Create a whole-tone trill C ALt R BCAR Create a semitone trill CCtrl R BM Create tremolando Alt M (from the selected entry) BT Set tremolo/change tremolo type Alt T
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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Page 108 and 109: CHAPTER 6 The Layout Window 104 6.1
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Page 114 and 115: CHAPTER 7 Input Mode Now that you a
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Page 130 and 131: CHAPTER 7 Input Mode 126 Trills and
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Page 134 and 135: CHAPTER 7 Input Mode 130 7.3.12 Bar
Page 136 and 137: CHAPTER 8 The Palettes In Igor Engr
Page 138 and 139: CHAPTER 8 The Palettes 134 The two
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Page 156 and 157: CHAPTER 10 More About Music Input a
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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