Igor Engraver Manual

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CHAPTER 3 Purcell 82 changed. (Due to copyright issues, NoteHeads cannot distribute third-party fonts.) To suit your printer better, you can change the paper size and margins settings from the Layout settings which is found under the Layout menu.
83 CHAPTER 3 Purcell
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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Page 54 and 55: CHAPTER 2 “espressivo” 50 Now p
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Page 58 and 59: CHAPTER 2 “espressivo” 54 • I
Page 60 and 61: CHAPTER 2 “espressivo” 56 Now i
Page 62 and 63: CHAPTER 2 “espressivo” 58 2.4 T
Page 64 and 65: CHAPTER 2 “espressivo” 60 You h
Page 66 and 67: CHAPTER 2 “espressivo” 62 palet
Page 68 and 69: CHAPTER 2 “espressivo” 64 Perha
Page 70 and 71: CHAPTER 2 “espressivo” 66 until
Page 72 and 73: CHAPTER 2 “espressivo” 68 Key(s
Page 74 and 75: CHAPTER 2 “espressivo” 70 the f
Page 76 and 77: CHAPTER 3 Purcell In this tutorial,
Page 78 and 79: CHAPTER 3 Purcell 74 In the Default
Page 80 and 81: CHAPTER 3 Purcell 76 The first few
Page 82 and 83: CHAPTER 3 Purcell 78 3.4 Adding Lyr
Page 84 and 85: CHAPTER 3 Purcell 80 3.5 Cosmetics
Page 88 and 89: CHAPTER 4 “impressivo” Now that
Page 90 and 91: CHAPTER 4 “impressivo” 86 which
Page 92 and 93: CHAPTER 4 “impressivo” 88 Liste
Page 94 and 95: CHAPTER 5 The Piece Window and the
Page 96 and 97: 92 CHAPTER 5 The Piece Window and t
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Page 106 and 107: CHAPTER 6 The Layout Window In cont
Page 108 and 109: CHAPTER 6 The Layout Window 104 6.1
Page 110 and 111: CHAPTER 6 The Layout Window 106 6.3
Page 112 and 113: CHAPTER 6 The Layout Window 108 The
Page 114 and 115: CHAPTER 7 Input Mode Now that you a
Page 116 and 117: CHAPTER 7 Input Mode 112 the sectio
Page 118 and 119: CHAPTER 7 Input Mode 114 7.3.1 Movi
Page 120 and 121: CHAPTER 7 Input Mode 116 Key(s): Ac
Page 122 and 123: CHAPTER 7 Input Mode 118 Hiding one
Page 124 and 125: CHAPTER 7 Input Mode 120 N Change n
Page 126 and 127: CHAPTER 7 Input Mode 122 7.3.4 Dyna
Page 128 and 129: CHAPTER 7 Input Mode 124 Finally, a
Page 130 and 131: CHAPTER 7 Input Mode 126 Trills and
Page 132 and 133: CHAPTER 7 Input Mode 128 Once inser
Page 134 and 135: CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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