- Page 1 and 2: Igor Engraver 1.6 Manual NoteHeads
- Page 3 and 4: Brief Table of Contents Thanks, Con
- Page 5 and 6: Detailed Table of Contents Thanks,
- Page 7 and 8: 5.1.3 Working With More Musicians .
- Page 9 and 10: 10.3.1 Normal Tweaking ............
- Page 11 and 12: 12.2.5 Out-of-limit highlighting ..
- Page 13 and 14: 15.2.1 Piece Setting the Template a
- Page 15 and 16: Basic Spacing .....................
- Page 17 and 18: Thanks, Congratulations, and Welcom
- Page 19: microtones accurately, and plays st
- Page 23 and 24: 19 CHAPTER 1 Installation and Setup
- Page 25 and 26: 21 CHAPTER 1 Installation and Setup
- Page 27 and 28: 23 CHAPTER 1 Installation and Setup
- Page 29 and 30: 25 CHAPTER 1 Installation and Setup
- Page 31 and 32: 27 CHAPTER 1 Installation and Setup
- Page 33 and 34: 29 CHAPTER 1 Installation and Setup
- Page 35 and 36: 31 CHAPTER 1 Installation and Setup
- Page 37 and 38: 33 CHAPTER 1 Installation and Setup
- Page 39 and 40: 35 CHAPTER 1 Installation and Setup
- Page 41 and 42: 37 CHAPTER 1 Installation and Setup
- Page 43 and 44: 39 CHAPTER 1 Installation and Setup
- Page 45 and 46: 41 CHAPTER 1 Installation and Setup
- Page 47 and 48: 43 CHAPTER 1 Installation and Setup
- Page 49 and 50: 45 CHAPTER 2 “espressivo” After
- Page 51 and 52: 47 CHAPTER 2 “espressivo” You h
- Page 53 and 54: 49 CHAPTER 2 “espressivo” Click
- Page 55 and 56: 51 CHAPTER 2 “espressivo” Perha
- Page 57 and 58: 53 CHAPTER 2 “espressivo” until
- Page 59 and 60: 55 CHAPTER 2 “espressivo” Key(s
- Page 61 and 62: 57 CHAPTER 2 “espressivo” music
- Page 63 and 64: 59 CHAPTER 2 “espressivo” icon,
- Page 65 and 66: 61 CHAPTER 2 “espressivo” Since
- Page 67 and 68: 63 CHAPTER 2 “espressivo” Now p
- Page 69 and 70: 65 CHAPTER 2 “espressivo” click
- Page 71 and 72:
67 CHAPTER 2 “espressivo” • I
- Page 73 and 74:
69 CHAPTER 2 “espressivo” them
- Page 75 and 76:
71 CHAPTER 2 “espressivo”
- Page 77 and 78:
73 CHAPTER 3 Purcell 3.1 The Creati
- Page 79 and 80:
75 CHAPTER 3 Purcell ing to the lef
- Page 81 and 82:
77 CHAPTER 3 Purcell To create the
- Page 83 and 84:
79 CHAPTER 3 Purcell Select all of
- Page 85 and 86:
81 CHAPTER 3 Purcell At the end of
- Page 87 and 88:
83 CHAPTER 3 Purcell
- Page 89 and 90:
85 CHAPTER 4 “impressivo” :). A
- Page 91 and 92:
87 CHAPTER 4 “impressivo” Engra
- Page 93 and 94:
89 CHAPTER 4 “impressivo” piece
- Page 95 and 96:
91 CHAPTER 5 The Piece Window and t
- Page 97 and 98:
93 CHAPTER 5 The Piece Window and t
- Page 99 and 100:
95 CHAPTER 5 The Piece Window and t
- Page 101 and 102:
97 CHAPTER 5 The Piece Window and t
- Page 103 and 104:
99 CHAPTER 5 The Piece Window and t
- Page 105 and 106:
101 CHAPTER 5 The Piece Window and
- Page 107 and 108:
103 CHAPTER 6 The Layout Window A p
- Page 109 and 110:
105 CHAPTER 6 The Layout Window Not
- Page 111 and 112:
107 CHAPTER 6 The Layout Window are
- Page 113 and 114:
109 CHAPTER 6 The Layout Window
- Page 115 and 116:
111 CHAPTER 7 Input Mode 7.1 The In
- Page 117 and 118:
113 CHAPTER 7 Input Mode 7.3 The In
- Page 119 and 120:
115 CHAPTER 7 Input Mode Macintosh:
- Page 121 and 122:
117 CHAPTER 7 Input Mode There is a
- Page 123 and 124:
119 CHAPTER 7 Input Mode In the las
- Page 125 and 126:
121 CHAPTER 7 Input Mode BF B CB DB
- Page 127 and 128:
123 CHAPTER 7 Input Mode What is th
- Page 129 and 130:
125 CHAPTER 7 Input Mode grace note
- Page 131 and 132:
127 CHAPTER 7 Input Mode long notes
- Page 133 and 134:
129 CHAPTER 7 Input Mode is no chor
- Page 135 and 136:
131 CHAPTER 7 Input Mode
- Page 137 and 138:
133 CHAPTER 8 The Palettes 8.1.1 Th
- Page 139 and 140:
135 CHAPTER 8 The Palettes ments ca
- Page 141 and 142:
137 CHAPTER 8 The Palettes notehead
- Page 143 and 144:
139 CHAPTER 8 The Palettes the new
- Page 145 and 146:
141 CHAPTER 8 The Palettes • The
- Page 147 and 148:
143 CHAPTER 8 The Palettes 8.1.12 F
- Page 149 and 150:
145 CHAPTER 8 The Palettes options
- Page 151 and 152:
147 CHAPTER 9 The Contextual Menus
- Page 153 and 154:
149 CHAPTER 9 The Contextual Menus
- Page 155 and 156:
151 CHAPTER 9 The Contextual Menus
- Page 157 and 158:
153 CHAPTER 10 More About Music Inp
- Page 159 and 160:
155 CHAPTER 10 More About Music Inp
- Page 161 and 162:
157 CHAPTER 10 More About Music Inp
- Page 163 and 164:
159 CHAPTER 10 More About Music Inp
- Page 165 and 166:
161 CHAPTER 10 More About Music Inp
- Page 167 and 168:
163 CHAPTER 10 More About Music Inp
- Page 169 and 170:
165 CHAPTER 10 More About Music Inp
- Page 171 and 172:
167 CHAPTER 10 More About Music Inp
- Page 173 and 174:
169 CHAPTER 10 More About Music Inp
- Page 175 and 176:
171 CHAPTER 10 More About Music Inp
- Page 177 and 178:
173 CHAPTER 10 More About Music Inp
- Page 179 and 180:
175 CHAPTER 10 More About Music Inp
- Page 181 and 182:
177 CHAPTER 10 More About Music Inp
- Page 183 and 184:
179 CHAPTER 10 More About Music Inp
- Page 185 and 186:
181 CHAPTER 10 More About Music Inp
- Page 187 and 188:
183 CHAPTER 10 More About Music Inp
- Page 189 and 190:
185 CHAPTER 10 More About Music Inp
- Page 191 and 192:
187 CHAPTER 11 Text Entry appear be
- Page 193 and 194:
189 CHAPTER 11 Text Entry If you wa
- Page 195 and 196:
191 CHAPTER 11 Text Entry The text
- Page 197 and 198:
193 CHAPTER 11 Text Entry 11.1.3 Sh
- Page 199 and 200:
195 CHAPTER 11 Text Entry Make syst
- Page 201 and 202:
197 CHAPTER 11 Text Entry Layouts m
- Page 203 and 204:
199 CHAPTER 11 Text Entry 11.2.7 Sp
- Page 205 and 206:
201 CHAPTER 12 Guitar Fingering & T
- Page 207 and 208:
203 CHAPTER 12 Guitar Fingering & T
- Page 209 and 210:
205 CHAPTER 12 Guitar Fingering & T
- Page 211 and 212:
207 CHAPTER 12 Guitar Fingering & T
- Page 213 and 214:
209 CHAPTER 12 Guitar Fingering & T
- Page 215 and 216:
211 CHAPTER 12 Guitar Fingering & T
- Page 217 and 218:
213 CHAPTER 13 The Menus 13.1.1 Sav
- Page 219 and 220:
215 CHAPTER 13 The Menus get help,
- Page 221 and 222:
217 CHAPTER 13 The Menus to redo fr
- Page 223 and 224:
219 CHAPTER 13 The Menus 13.2.4 Set
- Page 225 and 226:
221 CHAPTER 13 The Menus MIDI keybo
- Page 227 and 228:
223 CHAPTER 13 The Menus Re-read Sy
- Page 229 and 230:
225 CHAPTER 13 The Menus one synthe
- Page 231 and 232:
227 CHAPTER 13 The Menus dependent
- Page 233 and 234:
229 CHAPTER 13 The Menus If one of
- Page 235 and 236:
231 CHAPTER 13 The Menus Show/Hide
- Page 237 and 238:
233 CHAPTER 13 The Menus Show/Hide
- Page 239 and 240:
235 CHAPTER 13 The Menus 13.3.5 Fin
- Page 241 and 242:
237 CHAPTER 13 The Menus overflows
- Page 243 and 244:
239 CHAPTER 13 The Menus 13.4.3 Ope
- Page 245 and 246:
241 CHAPTER 13 The Menus
- Page 247 and 248:
243 CHAPTER 14 Printing and Exporti
- Page 249 and 250:
245 CHAPTER 14 Printing and Exporti
- Page 251 and 252:
247 CHAPTER 14 Printing and Exporti
- Page 253 and 254:
249 CHAPTER 15 Settings Windows and
- Page 255 and 256:
251 CHAPTER 15 Settings Windows and
- Page 257 and 258:
253 CHAPTER 15 Settings Windows and
- Page 259 and 260:
255 CHAPTER 15 Settings Windows and
- Page 261 and 262:
257 CHAPTER 15 Settings Windows and
- Page 263 and 264:
259 CHAPTER 15 Settings Windows and
- Page 265 and 266:
261 CHAPTER 15 Settings Windows and
- Page 267 and 268:
263 CHAPTER 15 Settings Windows and
- Page 269 and 270:
265 CHAPTER 16 MIDI and NIFF 16.1.1
- Page 271 and 272:
267 CHAPTER 16 MIDI and NIFF 16.2.1
- Page 273 and 274:
269 CHAPTER 16 MIDI and NIFF well c
- Page 275 and 276:
271 CHAPTER 16 MIDI and NIFF Trills
- Page 277 and 278:
273 CHAPTER 16 MIDI and NIFF The Sh
- Page 279 and 280:
275 CHAPTER 16 MIDI and NIFF Also,
- Page 281 and 282:
277 CHAPTER 16 MIDI and NIFF Clicki
- Page 283 and 284:
279 CHAPTER 16 MIDI and NIFF
- Page 285 and 286:
281 CHAPTER 17 E-Commerce 17.2 Bann
- Page 287 and 288:
283 CHAPTER 17 E-Commerce 17.2.3 Sh
- Page 289 and 290:
285 CHAPTER 17 E-Commerce 17.3.3 Th
- Page 291 and 292:
287 CHAPTER 17 E-Commerce set in th
- Page 293 and 294:
289 CHAPTER 17 E-Commerce
- Page 295 and 296:
291 APPENDIX A Piece Information In
- Page 297 and 298:
293 APPENDIX A The different settin
- Page 299 and 300:
295 APPENDIX A Instrument Names In
- Page 301 and 302:
297 APPENDIX A Groupings The Groupi
- Page 303 and 304:
299 APPENDIX A Music Font In the Mu
- Page 305 and 306:
301 APPENDIX A Instrument names: Pr
- Page 307 and 308:
303 APPENDIX A Tuplets: Pressing th
- Page 309 and 310:
305 APPENDIX A Lyrics: Pressing the
- Page 311 and 312:
307 APPENDIX A The different settin
- Page 313 and 314:
309 APPENDIX A Last entry width sca
- Page 315 and 316:
311 APPENDIX A Accidentals In the A
- Page 317 and 318:
313 APPENDIX A Cue note size: Cue n
- Page 319 and 320:
315 APPENDIX A Beams In the Beams p
- Page 321 and 322:
317 APPENDIX A Grace Notes In the G
- Page 323 and 324:
319 APPENDIX A Double barline spaci
- Page 325 and 326:
321 APPENDIX A The different settin
- Page 327 and 328:
323 APPENDIX A Avoid staff lines If
- Page 329 and 330:
325 APPENDIX A Brackets & Braces In
- Page 331 and 332:
327 APPENDIX A Tuplets In the Tuple
- Page 333 and 334:
329 APPENDIX A Tremolandos & Arpegg
- Page 335 and 336:
331 APPENDIX A Ottava Passages Dist
- Page 337 and 338:
333 APPENDIX A The different settin
- Page 339 and 340:
335 APPENDIX A Scores, Justificatio
- Page 341 and 342:
337 APPENDIX A Vertical offset: Thi
- Page 343 and 344:
339 APPENDIX A Guitar 2 The differe
- Page 345 and 346:
341 APPENDIX A Tablature 1 In the T
- Page 347 and 348:
343 APPENDIX A The different settin
- Page 349 and 350:
345 APPENDIX A Automatic clef chang
- Page 351 and 352:
347 APPENDIX A Max tuplet: This tex
- Page 353 and 354:
349 APPENDIX A Velocity random: Thi
- Page 355 and 356:
351 APPENDIX A ISMN #: In this fiel
- Page 357 and 358:
353 APPENDIX A Basics In the Basics
- Page 359 and 360:
355 APPENDIX A Format In the Format
- Page 361 and 362:
357 APPENDIX A will be used. If ‘
- Page 363 and 364:
359 APPENDIX A Number bars automati
- Page 365 and 366:
361 APPENDIX A Multibar rests, Maxi
- Page 367 and 368:
363 APPENDIX A Settings In the Sett
- Page 369 and 370:
365 APPENDIX A Names In the Names p
- Page 371 and 372:
367 APPENDIX A
- Page 373 and 374:
Igor Engraver Reference Chart Windo
- Page 375 and 376:
Stems and beams: CCtrl Alt I Freeze
- Page 377 and 378:
Trills, Tremolandos, and Tremolos B
- Page 380 and 381:
APPENDIX C Tempo Indications In Igo
- Page 382 and 383:
APPENDIX C 378 Relative tempo indic
- Page 384 and 385:
APPENDIX D Troubleshooting Igor Eng
- Page 386 and 387:
APPENDIX D 382 Questions Editing in
- Page 388 and 389:
APPENDIX D 384 Questions I think th
- Page 390 and 391:
APPENDIX E Acknowledgements Peter B
- Page 392 and 393:
388 Index Numerics 8va (15ma) 168-1
- Page 394 and 395:
390 diminuendo adding 51, 55, 64, 6
- Page 396 and 397:
392 line thickness 324 Harmon mute
- Page 398 and 399:
394 Piece settings 268-270 mid-staf
- Page 400 and 401:
396 portato 345 recognition 268 pos
- Page 402 and 403:
398 string circle 338 string indica