Igor Engraver Manual

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CHAPTER 10 More About Music Input and Editing 158 10.3.4 Tweaking Arpeggios Arpeggios can also be tweaked. When first applied (by making an entry selection and pressing B-Shift-A for Macintosh or Alt-Shift-A for Windows) an arpeggio will be attached to the notes of the entry selection (it will also play back correctly). When the arpeggio marking is clicked, small arrow-like triangles appear at the top and the bottom of the marking. If dragged, more or fewer notes will be included in the arpeggio (also cross staff). 10.3.5 Tweaking Page Numbers Many kinds of objects can be tweaked in groups if they are selected. However, page numbers do not have to be selected to be tweaked (since it may be a bit time-consuming to select objects on different pages). Instead, pressing the Command (A) key for Macintosh or Control for Windows while dragging one page number textbox tweaks all of the other identical page number textboxes as well (e.g., all left or right page numbers). 10.3.6 Nudging Instead of dragging objects, the arrow keys can be used at times, e.g., when moving notes or rests (this procedure is called “nudging”). As default, if the left or right arrow keys are used, the entry moves one line space (a “line space” is the distance between two horizontal lines of a staff) at a time. If the B key for Macintosh or Alt key for Windows is pressed while using the arrow keys, the entry moves only a tenth of a space at a time.
159 CHAPTER 10 More About Music Input and Editing 10.3.7 The Dragging Pane In the Dragging pane of the Template/Piece settings window, settings regarding tweaking and nudging can be altered. Grid size refers to the distance between the (invisible) horizontal and vertical lines of the “grid” that dragged objects will be attached to, in case Snap to grid is checked. Macintosh: If Snap to grid is checked and B is held down while dragging, the dragged object will not be attached to the grid. Likewise, if Snap to grid is unchecked and B is held down while dragging, the dragged object will be attached to the grid. Windows: If Snap to grid is checked and Alt is held down while dragging, the dragged object will not be attached to the grid. Likewise, if Snap to grid is unchecked and Alt is held down while dragging, the dragged object will be attached to the grid.
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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Page 114 and 115: CHAPTER 7 Input Mode Now that you a
Page 116 and 117: CHAPTER 7 Input Mode 112 the sectio
Page 118 and 119: CHAPTER 7 Input Mode 114 7.3.1 Movi
Page 120 and 121: CHAPTER 7 Input Mode 116 Key(s): Ac
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Page 124 and 125: CHAPTER 7 Input Mode 120 N Change n
Page 126 and 127: CHAPTER 7 Input Mode 122 7.3.4 Dyna
Page 128 and 129: CHAPTER 7 Input Mode 124 Finally, a
Page 130 and 131: CHAPTER 7 Input Mode 126 Trills and
Page 132 and 133: CHAPTER 7 Input Mode 128 Once inser
Page 134 and 135: CHAPTER 7 Input Mode 130 7.3.12 Bar
Page 136 and 137: CHAPTER 8 The Palettes In Igor Engr
Page 138 and 139: CHAPTER 8 The Palettes 134 The two
Page 140 and 141: CHAPTER 8 The Palettes 136 8.1.3 Dy
Page 142 and 143: CHAPTER 8 The Palettes 138 8.1.7 Th
Page 144 and 145: CHAPTER 8 The Palettes 140 (picture
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Page 150 and 151: CHAPTER 9 The Contextual Menus Rega
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Page 156 and 157: CHAPTER 10 More About Music Input a
Page 190 and 191: CHAPTER 11 Text Entry There are sev
Page 192 and 193: CHAPTER 11 Text Entry 188 A-ve Ma-r
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Page 196 and 197: CHAPTER 11 Text Entry 192 • In th
Page 198 and 199: CHAPTER 11 Text Entry 194 (As shown
Page 200 and 201: CHAPTER 11 Text Entry 196 11.2.1 Pa
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Page 204 and 205: CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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