Igor Engraver Manual

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392 line thickness 324 Harmon mute 197 harmonic, natural 127 harp diagram changing note name 252 tool 139 help balloon 107, 240, 249, 274 help menu 240 hiding 53, 66 accidental 148 clef change 164-165 e-commerce graphics 283 Input mode 116-121 key signature 164-165 lyrics 194 musician rows 94 objects 147 page margin 231-232 palettes 238 staves 254 syllable 194 sync point 232-233 system break 233 verse number 79 history 216-217 house look 89, 261-262 humanisation factor 255, 270 humanised playback 86, 348 hyphen 78 Input mode 129 I ID, instrument 365 Igor Engraver Classic font 299 Igor Engraver Plate font 299 igr, extension 40 importing MIDI file 271-275 in C 252, 293 inégale 348 inertia 364 information general 292-294 piece 291-292 input caret 111 Input mode 110-130 finding keyboard commands 201 Input mode commands 113-130 instrument adding 59 adding tab 98 changing 99 copying 96 definition 90 dragging 93 ordering 95 replacing 70, 99 settings 97 instrument ID 365 Instrument library 45, 59, 88, 90, 93, 97, 99, 100, 238, 259, 382 window 44-47, 58-60, 90-100 instrument name 89, 295-296, 365-366 layout 356-357 part 296 score 296 instrument settings 362-366 Instrument settings window 259-260 instrument-specific characteristics 87 integrity 226 invisibles 230 Italian, instrument names in 295 J jazz chord 340 Jazz font 299 jazz formatted chords 170-173 joining beam segments Input mode 116-121 justification 196 submenu 194 JV/XV-series, Roland 24, 27, 31, 84, 383 K key 305-306 key bindings 228
393 key signature changing 75, 164, 165 reservation of space 164-165 tool 138 transposed part 257 transposing 236 window 138 L language 295 instrument names 89, 248 note names 252 layer 115, 152-154 Input mode 114-115 mirroring 117 layout format 355-356 layout settings 352-361 Layout settings window 256-259 Lee Music font 299 legato 123, 197 leger line 310 showing and hiding 148 lengthen stem Input mode 116-121 line 310 thickness 324 line space definition 158 lyricist name 291 lyrics 326 adding 78-80, 186-194 adding verse 191 copying 78 editing 78, 149, 190 enter lyrics mode 55, 68 font 305 Input mode 129 moving 141 numbering 192, 326 shifting to left or right 193-194 M MacOS 22, 32, 381, 384 Maestro font 299 Magnifier tool 133 marcatissimo 345 Input mode 116-121 recognition 268 marcato 274, 345 Input mode 116-121 recognition 268 Matrix, Synth 20, 23, 24, 27, 223, 225, 383 measurement 352 melisma 78, 79, 188-189 metre 305-306 changing time signature 74 complex 306 settings 89, 255 microtonality quarter-tone 52, 53, 65, 66, 121 sixth-tone 121 MIDI 264-276 General MIDI 24, 224, 275 input device 221, 223 OMS 22, 23, 25, 28, 223 playback 382 playback tempo 73 real-time recording 265-266 recording, real-time 265-266 recording, step-time 53, 67, 117, 265 sending MIDI message 222, 225 step-time recording 53, 67, 117, 265 submenu 220-223, 223-225 MIDI channel 31 MIDI device 382 configuring 30, 383 finding 29 need for 22 MIDI file exporting 213, 271-275 importing 213, 271-275 MIDI input 344-345 Piece settings 267 MIDI output 255-256, 347-349 Piece settings 270-271 MIDI quantisation 266, 346-347
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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Page 348 and 349: APPENDIX A 344 MIDI Input In the MI
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Page 352 and 353: APPENDIX A 348 The different settin
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Page 356 and 357: APPENDIX A 352 Measurements units:
Page 358 and 359: APPENDIX A 354 Brace together ident
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Page 366 and 367: APPENDIX A 362 Name: Here, the name
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Page 370 and 371: APPENDIX A 366 one piece, it is eas
Page 372 and 373: APPENDIX B Reference Chart On the n
Page 374 and 375: Trills, Tremolandos, and Tremolos A
Page 376 and 377: Igor Engraver Reference Chart Macin
Page 378: Stems and beams: CF Flip stem BF Fr
Page 381 and 382: 377 APPENDIX C Exact tempo indicati
Page 383 and 384: 379 APPENDIX C
Page 385 and 386: 381 APPENDIX D Questions I can’t
Page 387 and 388: 383 APPENDIX D Questions My Roland
Page 389 and 390: 385 APPENDIX D Questions I am exper
Page 391 and 392: 387 APPENDIX E
Page 393 and 394: 389 basic spacing 308-309 beam 315-
Page 395: 391 flipping slur Input mode 123, 1
Page 399 and 400: 395 ordering of instruments 95, 365
Page 401 and 402: 397 format, default 293 icon 45, 58
Page 403: 399 hiding 165 reservation of space
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