Igor Engraver Manual

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<strong>Igor</strong> <strong>Engraver</strong> Reference Chart Macintosh Moving and Selecting Moving: U T AU AT V W BV BW AV AW Selecting: BU BT CU CT BCU BCT CAU CAT Move input caret to right Move input caret to left Move input caret to next bar Move the input caret to the beginning of the bar or to the previous bar Move cursor or note selection diatonic step up Move cursor or note selection diatonic step down Go to the staff above Go to the staff below Cross-staff beam up Cross-staff beam down Select the next entry Select the previous entry Extend/shrink the selection with next entry/chord Extend/shrink selection with previous entry/chord Extend/shrink the selection with next entry Extend/shrink the selection with previous entry Extend/shrink the selection with a bar’s next entries Extend/shrink the selection with a bar’s previous entries Choosing layer: DV Increment layer DW Decrement layer D1 Set layer 1 … … D9 Set layer 9 Durations 0 Set duration to 1/128 1 Set duration to 1/64 2 Set duration to 1/32 3 Set duration to 1/16 4 Set duration to 1/8 5 Set duration to 1/4 6 Set duration to 1/2 7 Set duration to 1/1 8 Set duration to 2/1 9 Set duration to 4/1 Dynamics P, F, M, R, S, Z Add dynamic markings C Add a crescendo hairpin D Add a decrescendo hairpin B< Add a double hairpin DBP etc. Add entered dynamic marking(s) to all staves of the system DBCP etc. Add entered dynamic marking(s) to all staves of the instrument group Barlines and bar numbers I CN DCN Ties, Slurs, and Glissandos T CT L CL BL BCL G BCA Change barline Force bar number (all layouts) Force bar number (current layout) Add a tie Flip a tie Add a slur Flip a slur Add a nested slur Get back to slur context Add glissando Add arpeggio
Trills, Tremolandos, and Tremolos BR BCR BCAR BM BT Grace Notes BG BCG Attachments Tuplets Create trill (from the selected entry) Create a whole-tone trill Create a semitone trill Create tremolando (from the selected entry) Set tremolo/change tremolo type Enter/leave Grace note mode Toggle grace note slash BP Bartók pizzicato * Pedal up D Pedal down BS Set plus (stopped note or left-hand pizzicato) BH Set natural harmonic B, Set comma caesura CB, Set double-line caesura BCU Set upbow BCD Set downbow B1 B2 B3 B4 … B9 B0 Enter arbitrary tuplet and change tuplet defaults Enter duplet Enter triplet Enter quadruplet … Enter nonuplet (novemol) End tuplet Lyrics: Space _ BSpace Textboxes: : DBCAR Entries: Enter CEnter Space AEnter BEnter Backspace N F1 … F7 F8 F9 F10 CF1 … CF7 O F H BCH Move to next entry Add an extension line Add non-breaking space Create an entry-associated textbox (entry expressions) Toggle rehearsal mark Enter a note Add a note to the entry Enter a rest Enter a raised note Enter a lowered note Remove entry or dynamic Change notehead Add a c … Add a h/B Add a c of the next octave and leave the cursor in that octave Move cursor octave down Move cursor octave up Add a c of the current octave to an existing note … Add a h/B of the current octave to an existing note Mirroring on or off Repeat last entry Hide selected entry locally Hide selected entry globally Chords & Guitar Diagrams A Add chord analysis CA Add guitar diagram Text, Notes, Rests, and Chords Lyrics: CSpace Enter lyrics mode - Add hyphen Augmentation dots: , Add first augmentation dot or remove all dots A, Add one augmentation dot to the entry
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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Page 332 and 333: APPENDIX A 328 Rhythmic grouping: I
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Page 346 and 347: APPENDIX A 342 Centered tab frets:
Page 348 and 349: APPENDIX A 344 MIDI Input In the MI
Page 350 and 351: APPENDIX A 346 MIDI Quantisation In
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Page 356 and 357: APPENDIX A 352 Measurements units:
Page 358 and 359: APPENDIX A 354 Brace together ident
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Page 372 and 373: APPENDIX B Reference Chart On the n
Page 374 and 375: Trills, Tremolandos, and Tremolos A
Page 378: Stems and beams: CF Flip stem BF Fr
Page 381 and 382: 377 APPENDIX C Exact tempo indicati
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Page 385 and 386: 381 APPENDIX D Questions I can’t
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Page 389 and 390: 385 APPENDIX D Questions I am exper
Page 391 and 392: 387 APPENDIX E
Page 393 and 394: 389 basic spacing 308-309 beam 315-
Page 395 and 396: 391 flipping slur Input mode 123, 1
Page 397 and 398: 393 key signature changing 75, 164,
Page 399 and 400: 395 ordering of instruments 95, 365
Page 401 and 402: 397 format, default 293 icon 45, 58
Page 403: 399 hiding 165 reservation of space
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