Igor Engraver Manual

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CHAPTER 1 Installation and Setup 20 Finally, you will be able to choose where you want to put the program files. When you have unpacked the Installer file, you will get a dialogue telling the installation was successful. Restart your computer to be able to work with Igor Engraver. After startup, you will find a folder named Igor Engraver in the folder you have specified. You will also get an installation log – a text document that has detailed information about the installation process. 1.3.3 The Included Files and Folders In the Igor Engraver folder you will find several files and folders, namely: • Igor Engraver – This is the application. Double-click to open the program (but not yet!). • READ ME – This is a text document telling you about new features that are not covered in the Igor Engraver Manual, and other highly important issues. If you run into a problem and you cannot find a solution in the Igor Engraver Manual – turn to the READ ME-document. We strongly suggest you to read through the READ ME-document before continuing the installation process. • Igor Engraver Manual – this is the manual. In order to read the Igor Engraver Manual you will need Acrobat Reader (more about this later). If you have chosen to download the manual as a separate document, it will not appear in your Igor Engraver folder. • Patches – The Patches folder is used for patches that can be downloaded from within the program as long as you are online. These patches will expand Igor Engraver’s features. • Resources – This folder contains font data files needed by Igor Engraver. • Synths – In this folder, text documents called “Synth Matrix documents” are found. These documents tell your synthesisers how to respond to incoming MIDI events such as note on or note off. Currently there is only one matrix for the Windows platform, the General MIDI matrix. • Plug-ins – This folder is used for plug-ins that you may want to buy at a later stage. • Templates – In this folder, you will find templates for use with Igor Engraver. • Examples – The Examples folder contains Igor Engraver example files, some of which are used in the Igor Engraver Manual.
21 CHAPTER 1 Installation and Setup Observe that the content in these folders can vary slightly. 1.3.4 Opening Igor Engraver For the First Time Now it is time to open Igor Engraver for the first time. Double-click the Igor Engraver icon. A window appears in which you have two options: Press the Try It! button to try out the software or Next to purchase the software. How to purchase Igor Engraver is explained in section 1.11 “Purchasing Igor Engraver” on page 33 on. 1.3.5 Setting up your Synthesisers Setting up your synthesisers so that they can be used with Igor Engraver is easy under Windows, and is explained in detail in 13.2.6 “MIDI – Windows” on page 220. More information on MIDI is found in the MIDI chapter. 1.4 Optimising Performance (Windows) If you work on a slow computer or if you work with large-sized scores, you may need to speed things up. Below you will find some performance optimising tips (in no particular order of importance). Regardless of how your system works, you may find some of these tips to be more helpful than others. • Set the colour depth both for your monitor and for Igor Engraver (this can be done in the Edit menu’s submenu named Graphics) to 256 colours. • Work with fewer piece windows and layout windows open at one time. • Use as few created layouts as possible. For instance, it may be a good idea to first create the score layouts and then, when you have entered all music, create the part layouts, or vice versa. • In the Layouts menu, Set Anti-aliasing to Off. This will make redrawing approximately twice as fast. • Since Igor Engraver redraws every page that is visible on the screen every time you make changes to a layout, it may be wise to only have one page visible at a time. • Set manual breaks every now and then in long pieces. Since manual breaks are very definite they cut down the number of bars that Igor Engraver has to process. (See “Spacing of Bars Between Systems” on page 181 for more information). • Set Disable automatic spacing in the contextual menu. (See “Spacing of Bars Between Systems” on page 181 for more information).
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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