Igor Engraver Manual

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APPENDIX A 312 Space between accidental and note: In this textbox, the default space between an accidental and its note can be altered. Space between accidentals: In this textbox, the default space between two accidentals can be altered. Space between accidentals at same staff degree: In this textbox, the default space between two accidentals of the same staff degree can be altered. Notes In the Notes pane, settings for the use of notes can be altered. The different settings of the Notes pane are used in the following manner: Notehead size adjustment: If you wish, you can change the default size of the noteheads in this textbox.
313 APPENDIX A Cue note size: Cue notes, that is, notes that are played by another musician that serve as a cue for the current musician, can be set in another size than the current musician’s own notes. Breve shape: Here the shape of breve notes can be set to either square or round. Augmentation dots, note to dot distance: In this textbox, the default space between a note and its dot can be altered. Augmentation dots, dot to dot distance: In this textbox, the default space between two augmentation dots can be altered. Augmentation dots, Adjustment for dot on flagged upstem note: To avoid blurring, the augmentation dots on flagged upstem notes can be adjusted separately. The adjustment is done in this box. Stems In the Stems pane, the width and length of stems can be altered.
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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Page 266 and 267: CHAPTER 15 Settings Windows and Hou
Page 268 and 269: CHAPTER 16 MIDI and NIFF MIDI (Musi
Page 270 and 271: CHAPTER 16 MIDI and NIFF 266 The re
Page 272 and 273: CHAPTER 16 MIDI and NIFF 268 layout
Page 274 and 275: CHAPTER 16 MIDI and NIFF 270 Note v
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Page 284 and 285: CHAPTER 17 E-Commerce 17.1 The Igor
Page 286 and 287: CHAPTER 17 E-Commerce 282 If you mo
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Page 294 and 295: APPENDIX A Settings As mentioned ea
Page 296 and 297: APPENDIX A 292 Dedication: If the p
Page 298 and 299: APPENDIX A 294 cians included in th
Page 300 and 301: APPENDIX A 296 Score names, First s
Page 302 and 303: APPENDIX A 298 Break double barline
Page 304 and 305: APPENDIX A 300 Text Fonts 1 In the
Page 310 and 311: APPENDIX A 306 Allotment Table Defa
Page 312 and 313: APPENDIX A 308 Basic Spacing In the
Page 314 and 315: APPENDIX A 310 Staff & Leger Lines
Page 318 and 319: APPENDIX A 314 The different settin
Page 320 and 321: APPENDIX A 316 Max after dampening:
Page 322 and 323: APPENDIX A 318 Beamed grace notes,
Page 324 and 325: APPENDIX A 320 Horizontal offset: T
Page 328 and 329: APPENDIX A 324 Lines In the Lines p
Page 330 and 331: APPENDIX A 326 Lyrics In the Lyrics
Page 332 and 333: APPENDIX A 328 Rhythmic grouping: I
Page 334 and 335: APPENDIX A 330 Initial vertical off
Page 338 and 339: APPENDIX A 334 Bar Numbers In the B
Page 340 and 341: APPENDIX A 336 Rehearsal Marks dire
Page 342 and 343: APPENDIX A 338 • The radius speci
Page 344 and 345: APPENDIX A 340 Jazz Chords In the J
Page 346 and 347: APPENDIX A 342 Centered tab frets:
Page 348 and 349: APPENDIX A 344 MIDI Input In the MI
Page 350 and 351: APPENDIX A 346 MIDI Quantisation In
Page 354 and 355: APPENDIX A 350 Publishing Info In t
Page 356 and 357: APPENDIX A 352 Measurements units:
Page 358 and 359: APPENDIX A 354 Brace together ident
Page 360 and 361: APPENDIX A 356 Instrument Names Pag
Page 362 and 363: APPENDIX A 358 Bar Numbers The diff
Page 364 and 365: APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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