Igor Engraver Manual

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CHAPTER 3 Purcell In this tutorial, you will learn how to copy and enter a real piece, namely Thou Knowest, Lord, the Secrets by the British composer Henry Purcell (1659-1695). The piece is found in the Examples folder in the <strong>Igor</strong> <strong>Engraver</strong> folder. It will take you about one hour and a half to work through the tutorial. Below are several good reasons to do it anyway: • You will have a look at the Piece settings window • You will speed up music entry • You will be comfortable using the function keys • You will learn how to add more bars • You will get acquainted with the mirroring concept • You will learn how to add and edit lyrics • You will learn how to add barlines • You will learn how to work with manual system breaks • You will learn how to space the staves • Finally, you will learn how to set the page margins to get good looking results. And remember: the more you use the manual now, the more time you will spare in the long run. (This tutorial assumes you have worked through chapter 2.) Open and print the Thou Knowest, Lord example, which is found in the Examples folder (this is the piece you are going to copy). After printing, close and do not save.
73 CHAPTER 3 Purcell 3.1 The Creation First, create a new piece. Open the Piece settings window by choosing the Settings for ‘Never saved’ command from the Edit menu (note that the new piece’s window must be active in order to open the Piece settings window). In the Piece information pane (the one that is displayed below) textual information such as the name of the composer can be found. (In case the pop-up menu in the top right corner of the window does not read “Piece Information”, press the pop-up menu, scroll and choose “Piece Information” from the menu that appears.) In the Title text box, write “THOU KNOWEST, LORD, THE SECRETS”. In the Subtitle textbox, write “Second Setting (The Book of Common Prayer)”. In the Composer textbox, write “Henry Purcell (1659-1695)”. In the Copyist textbox, write your own name. If you need an additional line of text, press B-Return for Macintosh and enter your text. From that pop-up menu, scroll down and select MIDI Output. The MIDI Output pane appears.
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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Page 60 and 61: CHAPTER 2 “espressivo” 56 Now i
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Page 66 and 67: CHAPTER 2 “espressivo” 62 palet
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Page 72 and 73: CHAPTER 2 “espressivo” 68 Key(s
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Page 78 and 79: CHAPTER 3 Purcell 74 In the Default
Page 80 and 81: CHAPTER 3 Purcell 76 The first few
Page 82 and 83: CHAPTER 3 Purcell 78 3.4 Adding Lyr
Page 84 and 85: CHAPTER 3 Purcell 80 3.5 Cosmetics
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Page 88 and 89: CHAPTER 4 “impressivo” Now that
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Page 92 and 93: CHAPTER 4 “impressivo” 88 Liste
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Page 106 and 107: CHAPTER 6 The Layout Window In cont
Page 108 and 109: CHAPTER 6 The Layout Window 104 6.1
Page 110 and 111: CHAPTER 6 The Layout Window 106 6.3
Page 112 and 113: CHAPTER 6 The Layout Window 108 The
Page 114 and 115: CHAPTER 7 Input Mode Now that you a
Page 116 and 117: CHAPTER 7 Input Mode 112 the sectio
Page 118 and 119: CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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