Igor Engraver Manual

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CHAPTER 1 Installation and Setup 32 Are you going to use a software synthesiser or a software sampler for output? If so, and if it is not displayed in the Studio Setup window, you probably need to include it in the IAC driver. Be sure that the name of the device is correctly written in the IAC driver window (double-click the IAC driver icon to open this window). Refer to the device’s manual to find out what to write. Note that there must not be an infinity sign in front of the name. Before you close your Studio Setup window, be sure to test the different devices. To do this, select the Test studio command from the Studio menu and click on the device icons. If they produce sound, your setup is working well. 1.9.5 Opening Igor Engraver For the First Time Now it is time to open Igor Engraver for the first time. Double-click the Igor Engraver icon. A window appears in which you will be asked to authorise your copy of Igor Engraver. How to purchase Igor Engraver is explained in section 1.11 “Purchasing Igor Engraver” on page 33 on. If you want to try it out instead, click that option. 1.10 Optimising Performance (Macintosh) If you work on a slow computer or if you work with large-sized scores, you may need to speed things up. Below you will find some performance optimising tips (in no particular order of importance). Regardless of how your system works, you may find some of these tips to be more helpful than others. • Set the colour depth in MacOS (this can be done in the Apple menu’s Control Panels submenu) and in Igor Engraver (this can be done in the Edit menu’s submenu named Graphics) to 256 colours. • Increase available memory: The window where you can change the memory size is opened when selecting the Igor Engraver icon (clicking once) and then pressing A-I. This tip is especially fruitful if you see the letter combination “GC” (Garbage Collection) often when working with Igor Engraver. • Set Virtual memory to Off in the Apple menu’s submenu Control Panels. • Work with fewer piece windows and layout windows open at one time. • Use as few created layouts as possible. For instance, it may be a good idea to first create the score layouts and then, when you have entered all music, create the part layouts, or vice versa.
33 CHAPTER 1 Installation and Setup • In the Layouts menu, Set Anti-aliasing to Off. This will make redrawing approximately twice as fast. • Since Igor Engraver redraws every page that is visible on the screen every time you make changes to a layout, it may be wise to only have one page visible at a time. • Set manual breaks every now and then in long pieces. Since manual breaks are very definite they cut down the number of bars that Igor Engraver has to process. (See “Spacing of Bars Between Systems” on page 181 for more information). • Set Disable automatic spacing in the contextual menu. (See “Spacing of Bars Between Systems” on page 181 for more information). • Set Courtesy accidentals to None. This is done in the Accidentals pane in the Template/Piece settings window. • Add more RAM to your computer – it’s generally the best investment you can do when it comes to computer speed. 1.11 Purchasing Igor Engraver To purchase Igor Engraver, double-click the Igor Engraver icon and follow the instructions below. Under Windows, a window appears in which you have two options: Press the Try It! button to try out the software or Next to purchase the software.
Page 1 and 2: Igor Engraver 1.6 Manual NoteHeads
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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