Igor Engraver Manual

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APPENDIX A 360 Bar Grouping In the Bar grouping pane, finally, the bar grouping settings of a layout can be altered. The different settings of the Bar grouping pane are used in the following manner: Fixed no. of bars per system: If checked, the layout uses a fixed number of bars per system, as defined in the Bars per system textbox. Multibar rests, Create multibar rests: If checked, <strong>Igor</strong> <strong>Engraver</strong> may create multibar rests. Multibar rests, Minimum length: This textbox determines the minimum length of a multibar rest. If set to 0, there is no lower limit of bars that should be included in a multibar rest.
361 APPENDIX A Multibar rests, Maximum length: This textbox determines the maximum length of a multibar rest. If set to 0, there is no upper limit of bars that should be included in a multibar rest. Multibar rests, Break every: This textbox determines how often multibar rests are to be divided. For instance, if the value of this textbox were set to 10, a forty-bar rest would be displayed as four ten-bar rests. Multibar rests, Starting at: This textbox determines the first bar that multibar rests can be applied to. The Musician Settings Window The Musician settings window is easiest accessed by dragging a musician icon to the settings icon in the Piece window. The Musician settings window is a single-pane window. The settings of this window override both the Piece settings and the Layout settings. The different settings of the Musician settings window are used in the following manner:
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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Page 316 and 317: APPENDIX A 312 Space between accide
Page 318 and 319: APPENDIX A 314 The different settin
Page 320 and 321: APPENDIX A 316 Max after dampening:
Page 322 and 323: APPENDIX A 318 Beamed grace notes,
Page 324 and 325: APPENDIX A 320 Horizontal offset: T
Page 328 and 329: APPENDIX A 324 Lines In the Lines p
Page 330 and 331: APPENDIX A 326 Lyrics In the Lyrics
Page 332 and 333: APPENDIX A 328 Rhythmic grouping: I
Page 334 and 335: APPENDIX A 330 Initial vertical off
Page 338 and 339: APPENDIX A 334 Bar Numbers In the B
Page 340 and 341: APPENDIX A 336 Rehearsal Marks dire
Page 342 and 343: APPENDIX A 338 • The radius speci
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Page 346 and 347: APPENDIX A 342 Centered tab frets:
Page 348 and 349: APPENDIX A 344 MIDI Input In the MI
Page 350 and 351: APPENDIX A 346 MIDI Quantisation In
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Page 356 and 357: APPENDIX A 352 Measurements units:
Page 358 and 359: APPENDIX A 354 Brace together ident
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Page 372 and 373: APPENDIX B Reference Chart On the n
Page 374 and 375: Trills, Tremolandos, and Tremolos A
Page 376 and 377: Igor Engraver Reference Chart Macin
Page 378: Stems and beams: CF Flip stem BF Fr
Page 381 and 382: 377 APPENDIX C Exact tempo indicati
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Page 385 and 386: 381 APPENDIX D Questions I can’t
Page 387 and 388: 383 APPENDIX D Questions My Roland
Page 389 and 390: 385 APPENDIX D Questions I am exper
Page 391 and 392: 387 APPENDIX E
Page 393 and 394: 389 basic spacing 308-309 beam 315-
Page 395 and 396: 391 flipping slur Input mode 123, 1
Page 397 and 398: 393 key signature changing 75, 164,
Page 399 and 400: 395 ordering of instruments 95, 365
Page 401 and 402: 397 format, default 293 icon 45, 58
Page 403: 399 hiding 165 reservation of space
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