Igor Engraver Manual

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CHAPTER 12 Guitar Fingering & Tablature 210 All the music input commands above are available, just as all music input commands in Igor, in the Input menu during music input mode. 12.2.5 Out-of-limit highlighting The above shows some of the highlights Igor will make to help warn you that something is wrong. You can ignore this if you want, since it prints ok (black, not red as it is on the screen an in the PDF version of the manual). Or use the context menu Override tab fret from the Tab fretting menu on a fret number, to change the fret number text. Usually the indications show that something is really wrong—from left to right above: • The first note can not be played on the second string (where it has been pinned) since it is too low pitched. Retune the guitar or pin the note to another string (or remove the string override altogether). Retune here means to use the context menu Adjust tab/string tuning on the tab staff to modify the range of the second string. • The second note can not be played on fret 19 since this guitar has been set up to have 18 frets. Retune or pin to another string. • You can not have a chord with seven notes on a six stringed guitar. Igor complains with an Overcrowd text instead of a fret number. • The second note of bar three can not be played since the E note sounds at the same time and since the G note can not be played on any other string than the E string. Igor complains that the note is too Low in pitch compared to the available strings. • Simple out of pitch—the note is too High in pitch. Two other highlights are possible:
211 CHAPTER 12 Guitar Fingering & Tablature • Miss which means that a note was neither too high nor too low in pitch but that it could not be placed on any string anyhow (this can only happen if the register of each string does not partly overlap the register of the previous and next string). • DulcMiss which can appear only if you work with non chromatic fret boards. These fret boards simply can not represent all pitches and these pitches are displayed as DulcMiss in the tab. 12.2.6 Subtle hints Here is some advice if you work a lot with tab: • You can add several tab staves to a single music staff. This can be useful if you want to experiment with several different ways of tuning your instrument (or even different number of strings). • Note that the string indications are fully automatic, but only if you have already set up a tab to your music staff. Never change the text of a string indication if you are working with tab—drag the fret numbers over the strings instead or use the keyboard short-cuts. • Igor understands a lot about tab, but how bendhats affect the fret number of a note is not included, which means that you will sometimes need to manually override fret numbers when bendhats are used.
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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Page 216 and 217: CHAPTER 13 The Menus 13.1 The File
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Page 246 and 247: CHAPTER 14 Printing and Exporting 1
Page 252 and 253: CHAPTER 15 Settings Windows and Hou
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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