Igor Engraver Manual

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CHAPTER 10 More About Music Input and Editing 164 musician has its box unchecked, whereas the second musician has the box checked. 10.9 Reservation of Space and Turning Off Announcements Clef changes, time signature changes, and key signature changes normally get a suitable amount of space when they appear in the layouts. On some occasions though, you may want the layout to look as if there has not been any change at all. In that case, hiding the clef etcetera is not enough – you also need to get rid of the extra space. This can be done using the Don’t reserve room for XXX from the Contexual menu, which appears if you Control or Right-click one of those objects:
165 CHAPTER 10 More About Music Input and Editing In the figure below, the time signature becomes hidden and the music respaces. If the hidden time signature is Control or Right-clicked, it becomes possible to reserve room for it again. If there is a clef change, a time signature change, or a key signature change in the beginning of a system, <strong>Igor</strong> <strong>Engraver</strong> automatically adds an announcement in the previous system. This announcement can be removed, by choosing Turn off announcement of XXX in the contextual menu. This announcement can be put back in the layout by choosing Turn on announcement of XXX when Control or Right-clicking the “real” time signature. 10.10 Repeat Sections and Repeat Barlines Playable repeat sections can be added to a layout by using the contextual menu. First, insert a repeat barline (by using the Barline tool or by pressing I in Input mode). Then Control or Right-click the bar in which you want the repeat section
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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Page 126 and 127: CHAPTER 7 Input Mode 122 7.3.4 Dyna
Page 128 and 129: CHAPTER 7 Input Mode 124 Finally, a
Page 130 and 131: CHAPTER 7 Input Mode 126 Trills and
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Page 134 and 135: CHAPTER 7 Input Mode 130 7.3.12 Bar
Page 136 and 137: CHAPTER 8 The Palettes In Igor Engr
Page 138 and 139: CHAPTER 8 The Palettes 134 The two
Page 140 and 141: CHAPTER 8 The Palettes 136 8.1.3 Dy
Page 142 and 143: CHAPTER 8 The Palettes 138 8.1.7 Th
Page 144 and 145: CHAPTER 8 The Palettes 140 (picture
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Page 148 and 149: CHAPTER 8 The Palettes 144 8.2 The
Page 150 and 151: CHAPTER 9 The Contextual Menus Rega
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Page 156 and 157: CHAPTER 10 More About Music Input a
Page 190 and 191: CHAPTER 11 Text Entry There are sev
Page 192 and 193: CHAPTER 11 Text Entry 188 A-ve Ma-r
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Page 196 and 197: CHAPTER 11 Text Entry 192 • In th
Page 198 and 199: CHAPTER 11 Text Entry 194 (As shown
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Page 204 and 205: CHAPTER 12 Guitar Fingering & Tabla
Page 216 and 217: CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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