Igor Engraver Manual

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APPENDIX A 346 MIDI Quantisation In the MIDI Quantisation pane, the MIDI quantisation settings can be altered. The different settings of the MIDI Quantisation pane are used in the following manner: Shortest quantised note value: This textbox determines the shortest note to recognise during quantisation. Shorter notes will either be considered as special entries (as specified in the MIDI input pane) or neglected. Duration raster: This textbox determines the duration raster value. Maximum tuplet nesting: This textbox determines the maximum tuplet nesting that Igor Engraver will search for. (Note that the higher the number, the longer it takes for Igor Engraver to quantise the piece and the more exact the MIDI input has to be.)
347 APPENDIX A Max tuplet: This textbox determines the maximum tuplet value to scan for during quantisation (“3”=a triplet, “5”= a quintuplet, “7”= a heptuplet, and so on). Grace notes shorter than: This textbox determines when notes are to be considered grace notes. Filter away notes, Shorter than: This textbox determines when notes are so short that they are to be neglected. Thus, a slip on a piano keyboard will not result in a strange looking layout. Filter away notes, Or softer than: This textbox determines when notes are so soft that they are to be neglected. Thus, a slip on a piano keyboard will not result in a strange looking layout. MIDI Output In the MIDI Output pane, the MIDI output settings can be altered.
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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Page 302 and 303: APPENDIX A 298 Break double barline
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Page 310 and 311: APPENDIX A 306 Allotment Table Defa
Page 312 and 313: APPENDIX A 308 Basic Spacing In the
Page 314 and 315: APPENDIX A 310 Staff & Leger Lines
Page 316 and 317: APPENDIX A 312 Space between accide
Page 318 and 319: APPENDIX A 314 The different settin
Page 320 and 321: APPENDIX A 316 Max after dampening:
Page 322 and 323: APPENDIX A 318 Beamed grace notes,
Page 324 and 325: APPENDIX A 320 Horizontal offset: T
Page 328 and 329: APPENDIX A 324 Lines In the Lines p
Page 330 and 331: APPENDIX A 326 Lyrics In the Lyrics
Page 332 and 333: APPENDIX A 328 Rhythmic grouping: I
Page 334 and 335: APPENDIX A 330 Initial vertical off
Page 338 and 339: APPENDIX A 334 Bar Numbers In the B
Page 340 and 341: APPENDIX A 336 Rehearsal Marks dire
Page 342 and 343: APPENDIX A 338 • The radius speci
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Page 346 and 347: APPENDIX A 342 Centered tab frets:
Page 348 and 349: APPENDIX A 344 MIDI Input In the MI
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Page 356 and 357: APPENDIX A 352 Measurements units:
Page 358 and 359: APPENDIX A 354 Brace together ident
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Page 362 and 363: APPENDIX A 358 Bar Numbers The diff
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Page 372 and 373: APPENDIX B Reference Chart On the n
Page 374 and 375: Trills, Tremolandos, and Tremolos A
Page 376 and 377: Igor Engraver Reference Chart Macin
Page 378: Stems and beams: CF Flip stem BF Fr
Page 381 and 382: 377 APPENDIX C Exact tempo indicati
Page 383 and 384: 379 APPENDIX C
Page 385 and 386: 381 APPENDIX D Questions I can’t
Page 387 and 388: 383 APPENDIX D Questions My Roland
Page 389 and 390: 385 APPENDIX D Questions I am exper
Page 391 and 392: 387 APPENDIX E
Page 393 and 394: 389 basic spacing 308-309 beam 315-
Page 395 and 396: 391 flipping slur Input mode 123, 1
Page 397 and 398: 393 key signature changing 75, 164,
Page 399 and 400: 395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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