Igor Engraver Manual

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398 string circle 338 string indication 338 adding 201 string names, guitar 206 StuffIt Expander 25, 380 subscript 171 subtitle 291 subtitle text adding 73, 196 superscript 171 suppressing empty staves 254, 260 suppressing keys 163-164, 260 suppression 149, 254, 298, 353 Susato font 299 Swedish, instrument names in 295, 366 swing feeling 270, 348 syllable 326 sync point showing and hiding 232-233 synth folder 20, 27 Synth Matrix 20, 23, 24, 27, 223, 225, 383 synthesiser 20, 22, 23, 24, 27, 30, 31, 84, 220, 223, 224, 225, 383, 384 system adding dynamics to simultaneous entries 136 Input mode 130 moving 81, 150 selecting 142 showing and hiding 80 spacing 150, 180, 181 text, moving 141 tool 141, 142 width 231 system break adding 80, 149, 182 showing and hiding 233 system requirements 18, 22 system text 196 tool 140, 194, 196 systems no. of systems in page 150 T tablature 200-211, 341-343 adding 53, 66, 98, 149 bendhat 206 blue pins 202 guitar tool palette 207 guitar tuning 205 moving notes across strings 201 non chromatic fret boards 205 refret command 204 removing unnecessary pins (string overrides) 203 template folder 20, 28 musician setup 70 paper settings 95 piece 96 template settings 290-352 tempo altering tempo of Igor Reader file 284 default 348 exact tempo indication 377 playback 195, 196, 376 relative tempo indication 378 Tempo setting window 195 troubleshooting 384 tenuto 345 Input mode 116-121 recognition 268 text grouping 171 Input mode 129 text entry 186-199 text font 129, 141, 171, 196, 199, 300-305 textbox Input mode 129 tie 319-320 adding 51, 64 Input mode 122-124 tool 137 tweaking 157 time signature changing 74, 75, 138, 139, 164
399 hiding 165 reservation of space 164-165 tool 138 title 291, 293, 294 title page 56, 69, 102 title text adding 73, 196, 251 tool 132-143 Tools palette 132-143 transposing 235, 293, 364 by dragging 352 Igor Reader file 284 in C 252 Input mode 116-121 instrument 257 layout 353 score 252 transposing instrument definition 257 trash icon 45, 59 tremolando 329-330 Input mode 125-127 playback 349, 364 tremolo adding 134, 197 Input mode 125-127 playback 349, 364 slash thickness 324 triangle, adding in chord name 172 trill from above 256, 271 Input mode 125-127 playback 87, 88, 256, 349, 364 triplet 154 adding 52, 65 Input mode 124 tuplet 327-328 adding 52, 65, 154-155 bracket thickness 324 Input mode 124 tuplet nesting 269 tweaking 156-160 arpeggio 158 dragging 159 nudging 158 page number 158 slur 157 tie 157 U unconsolidated bar 48, 61, 74, 103 undo history 216-217 unparenthesising accidental Input mode 116-121 untweaking 148 upbow Input mode 127-128 V verse adding 187, 188, 191 numbering 192 verse number 326 hiding 79 vertical bar 254, 298 W watermark IGP file 281-283 watermark, IGP file 351 windows hierarchy 248 wings on repeat barline 319 Z zooming 106, 107, 133 area 106, 107 factor 107 Igor Reader 283 Magnifier tool 133 pop-up menu 48, 61, 106
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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Page 356 and 357: APPENDIX A 352 Measurements units:
Page 358 and 359: APPENDIX A 354 Brace together ident
Page 360 and 361: APPENDIX A 356 Instrument Names Pag
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Page 366 and 367: APPENDIX A 362 Name: Here, the name
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Page 370 and 371: APPENDIX A 366 one piece, it is eas
Page 372 and 373: APPENDIX B Reference Chart On the n
Page 374 and 375: Trills, Tremolandos, and Tremolos A
Page 376 and 377: Igor Engraver Reference Chart Macin
Page 378: Stems and beams: CF Flip stem BF Fr
Page 381 and 382: 377 APPENDIX C Exact tempo indicati
Page 383 and 384: 379 APPENDIX C
Page 385 and 386: 381 APPENDIX D Questions I can’t
Page 387 and 388: 383 APPENDIX D Questions My Roland
Page 389 and 390: 385 APPENDIX D Questions I am exper
Page 391 and 392: 387 APPENDIX E
Page 393 and 394: 389 basic spacing 308-309 beam 315-
Page 395 and 396: 391 flipping slur Input mode 123, 1
Page 397 and 398: 393 key signature changing 75, 164,
Page 399 and 400: 395 ordering of instruments 95, 365
Page 401: 397 format, default 293 icon 45, 58
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