Igor Engraver Manual

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390 diminuendo adding 51, 55, 64, 68, 122 double flat adding 116 adding in chord name 171 double hairpin Input mode 122 double sharp adding 116 adding in chord name 172 double-line caesura Input mode 127-128 downbow Input mode 127-128 dragging 159, 351-352 drumset notation 173-177 duplet Input mode 124 duration doubling and halving 236 Input mode 115-116 of tied notes 123 playback 256 quantisation 273 setting 54, 67, 148 step-time recording 265 dynamic marking adding 49, 55, 62, 68 deleting 116, 119 Input mode 122 dynamics 136, 321-322 MIDI import of 274 E e-commerce graphics showing and hiding 283 empty bar 332-333 en dehors 197 ending barline 77 English, instrument names in 295, 366 <strong>Engraver</strong> Font Set 299 enharmonic Input mode 116-121 entering lyrics 186-194 entering note Input mode 116-121 entry expression adding 197 Input mode 129 tool 140, 141, 194 entry selection applying to layer 153 creating cross-staff notes 161 creating tuplet 154 Input mode 111-112 scaling 236 transposing 235 EPS, Encapsulated PostScript 245-247, 385 exact tempo indication 377 example folder 20, 28 exporting MIDI file 271-275 extender 188-189, 326 extension line 126 adding 78, 79, 135 Input mode 129 trill 125, 126 extras folder 27 F fermata adding 52, 65 file sharing 39, 213 FileTyper 41 fingering guitar 200-211 guitar tools 207 Finnish, instrument names in 295, 366 Fixed no. of bars per system 360 flat adding 116 adding flat sign to instrument name 199 adding in chord name 171 flatten beam 118 flipping extension line 126
391 flipping slur Input mode 123, 124 flipping stem Input mode 116-121 flipping tie Input mode 123, 124 font 300-305 changing lyrics font 81 changing music font 177 default 382 exporting 247 initialising 381 installing 23 lyrics 305 missing 382 music 299 PostScript 247 text 129, 141, 171, 196, 199 TrueType 247 font menu 240 format layout 355-356 page 355 part 294 score 293 forte marking adding 51, 64 freezing/thawing stem direction Input mode 116-121 French beaming 162, 316 French, instrument names in 295, 366 fret number, font 339 fretting, automatic 341 function key using for music input 53, 66, 76, 116, 117 G garbage bin icon 45, 59 garbage collection 32 GC, garbage collection 32 general information 292-294 General MIDI 24, 224, 275 German, instrument names in 295, 366 gewöhnlich 197 glissando 330-331 adding 55, 68 Input mode 122-124 pitch bend range 30 playback of 86, 87, 349 text 87 tool 137 glue 81, 183 removing 182 Golden Age Music font 299 grace note 317-318 duration 256 filtering 270 identifying 269, 273 Input mode 124-125 playback 349, 364 real-time recording 347 size 317 slash 317 grid size 352 group beam 118, 121 instrument 45, 59, 224, 225, 253, 260 notes 118 grouping 297-298 bar, layout 360-361 grouping of text 171 groupings 253 guitar 337-339 fingering 200-211 fingering tools 207 string names 206 guitar diagram Input mode 128-129 guitar tool palette 207 guitar tools 207 guitar tuning 205 H hairpin Input mode 122
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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Page 346 and 347: APPENDIX A 342 Centered tab frets:
Page 348 and 349: APPENDIX A 344 MIDI Input In the MI
Page 350 and 351: APPENDIX A 346 MIDI Quantisation In
Page 352 and 353: APPENDIX A 348 The different settin
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Page 356 and 357: APPENDIX A 352 Measurements units:
Page 358 and 359: APPENDIX A 354 Brace together ident
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Page 372 and 373: APPENDIX B Reference Chart On the n
Page 374 and 375: Trills, Tremolandos, and Tremolos A
Page 376 and 377: Igor Engraver Reference Chart Macin
Page 378: Stems and beams: CF Flip stem BF Fr
Page 381 and 382: 377 APPENDIX C Exact tempo indicati
Page 383 and 384: 379 APPENDIX C
Page 385 and 386: 381 APPENDIX D Questions I can’t
Page 387 and 388: 383 APPENDIX D Questions My Roland
Page 389 and 390: 385 APPENDIX D Questions I am exper
Page 391 and 392: 387 APPENDIX E
Page 393: 389 basic spacing 308-309 beam 315-
Page 397 and 398: 393 key signature changing 75, 164,
Page 399 and 400: 395 ordering of instruments 95, 365
Page 401 and 402: 397 format, default 293 icon 45, 58
Page 403: 399 hiding 165 reservation of space
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