Igor Engraver Manual

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CHAPTER 16 MIDI and NIFF 272 In the Musician textbox, you can change the track’s name to something else. If Igor Engraver is able to recognise an instrument name, it proposes that name in the Instrument textbox; otherwise you must define it yourself. Note that the instrument you specify in this textbox must be spelled exactly the same way as the instrument’s name in the Instrument library window. The Staff option lets you set the number of staves that will be used for the musician in question. Depending on whether you want one or two staves, you will have different options in the pop-up menu below. Beneath the pop-up menu there is text giving additional information about the settings. If there is no MIDI information in one of the recognised MIDI tracks, Igor Engraver will suggest that the track should be removed. When all of the tracks have got corresponding Instrument names, press Apply. If one of the instruments specified cannot be used, its textbox will be cleared. When all of the tracks have got instrument names, the MIDI file can be imported (provided you do not want to change the settings of the other panes). When the file is imported you will find musicians named after the specific instruments. However, there will not be any layouts created for you; instead, you may decide yourself what layouts you need, and then create them in the usual manner.
273 CHAPTER 16 MIDI and NIFF The Shorten Pane The Shorten pane lets you filter away notes that are shorter or softer than a specified number and determine which notes should be considered grace notes. There are also two textboxes, Include bars from and Include bars to, that specify the range of the MIDI information that is to be imported. In other words: if you are to import a piece of considerable size, you can try to import a portion of the piece first to see what the result may look like. The Quantisation Pane There is also a Quantisation pane, which has two quantising settings. The Shortest quant is used for specifying the length of the shortest resulting entries. The Duration quant is used for specifying how much the entries are to be “rounded off”. If this textbox is set to 1/32, entries such as a crotchet tied to a hemidemisemiquaver will not be allowed.
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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Page 246 and 247: CHAPTER 14 Printing and Exporting 1
Page 252 and 253: CHAPTER 15 Settings Windows and Hou
Page 268 and 269: CHAPTER 16 MIDI and NIFF MIDI (Musi
Page 270 and 271: CHAPTER 16 MIDI and NIFF 266 The re
Page 272 and 273: CHAPTER 16 MIDI and NIFF 268 layout
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Page 294 and 295: APPENDIX A Settings As mentioned ea
Page 296 and 297: APPENDIX A 292 Dedication: If the p
Page 298 and 299: APPENDIX A 294 cians included in th
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Page 302 and 303: APPENDIX A 298 Break double barline
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Page 312 and 313: APPENDIX A 308 Basic Spacing In the
Page 314 and 315: APPENDIX A 310 Staff & Leger Lines
Page 316 and 317: APPENDIX A 312 Space between accide
Page 318 and 319: APPENDIX A 314 The different settin
Page 320 and 321: APPENDIX A 316 Max after dampening:
Page 322 and 323: APPENDIX A 318 Beamed grace notes,
Page 324 and 325: APPENDIX A 320 Horizontal offset: T
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APPENDIX A 322 The different settin
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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