Igor Engraver Manual

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APPENDIX A 324 Lines In the Lines pane, the line settings can be altered. The different settings of the Lines pane are used in the following manner: Tremolo slash thickness: This textbox determines the thickness of tremolo slashes. Hairpin line thickness: This textbox determines the thickness of hairpin lines. Tuplet bracket thickness: This textbox determines the thickness of tuplet brackets. Repeat section line thickness: This textbox determines the thickness of repeat section lines.
325 APPENDIX A Brackets & Braces In the Brackets & Braces pane, bracket settings and brace settings can be altered. The different settings of the Brackets & Braces pane are used in the following manner: Vertical bar thickness: This textbox determines the thickness of vertical bars. Straight bracket thickness: This textbox determines the thickness of straight brackets. Curved bracket thickness: This textbox determines the thickness of curved brackets. Bracket extension: This textbox determines how much a bracket is to extend beyond the bottom and top of the staves they enclose. Bar and Bracket separation: This textbox determines the amount of vertical separation between the bars or brackets and the staves they enclose. Brace separation: This textbox determines the amount of vertical separation between the braces and the staves they enclose.
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 9 The Contextual Menus 148
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CHAPTER 9 The Contextual Menus 150
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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Page 284 and 285: CHAPTER 17 E-Commerce 17.1 The Igor
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Page 294 and 295: APPENDIX A Settings As mentioned ea
Page 296 and 297: APPENDIX A 292 Dedication: If the p
Page 298 and 299: APPENDIX A 294 cians included in th
Page 300 and 301: APPENDIX A 296 Score names, First s
Page 302 and 303: APPENDIX A 298 Break double barline
Page 304 and 305: APPENDIX A 300 Text Fonts 1 In the
Page 310 and 311: APPENDIX A 306 Allotment Table Defa
Page 312 and 313: APPENDIX A 308 Basic Spacing In the
Page 314 and 315: APPENDIX A 310 Staff & Leger Lines
Page 316 and 317: APPENDIX A 312 Space between accide
Page 318 and 319: APPENDIX A 314 The different settin
Page 320 and 321: APPENDIX A 316 Max after dampening:
Page 322 and 323: APPENDIX A 318 Beamed grace notes,
Page 324 and 325: APPENDIX A 320 Horizontal offset: T
Page 330 and 331: APPENDIX A 326 Lyrics In the Lyrics
Page 332 and 333: APPENDIX A 328 Rhythmic grouping: I
Page 334 and 335: APPENDIX A 330 Initial vertical off
Page 338 and 339: APPENDIX A 334 Bar Numbers In the B
Page 340 and 341: APPENDIX A 336 Rehearsal Marks dire
Page 342 and 343: APPENDIX A 338 • The radius speci
Page 344 and 345: APPENDIX A 340 Jazz Chords In the J
Page 346 and 347: APPENDIX A 342 Centered tab frets:
Page 348 and 349: APPENDIX A 344 MIDI Input In the MI
Page 350 and 351: APPENDIX A 346 MIDI Quantisation In
Page 354 and 355: APPENDIX A 350 Publishing Info In t
Page 356 and 357: APPENDIX A 352 Measurements units:
Page 358 and 359: APPENDIX A 354 Brace together ident
Page 360 and 361: APPENDIX A 356 Instrument Names Pag
Page 362 and 363: APPENDIX A 358 Bar Numbers The diff
Page 364 and 365: APPENDIX A 360 Bar Grouping In the
Page 366 and 367: APPENDIX A 362 Name: Here, the name
Page 368 and 369: APPENDIX A 364 Since the number in
Page 370 and 371: APPENDIX A 366 one piece, it is eas
Page 372 and 373: APPENDIX B Reference Chart On the n
Page 374 and 375: Trills, Tremolandos, and Tremolos A
Page 376 and 377: Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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