Igor Engraver Manual

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CHAPTER 7 Input Mode 114 7.3.1 Moving and Selecting Understanding how to move the input caret and how to select notes and rests is essential in <strong>Igor</strong> <strong>Engraver</strong>. As you have seen, there is a logical connection between notes and rests, and taken together they are referred to as “entries”. The following commands are used for moving the input caret and selecting entries in general or notes in particular. Macintosh: Action: Windows: Moving: U Move the input caret to U the right T Move the input caret to T the left AU Move the input caret to Control U the next bar AT Move the input caret to Control T the beginning of the bar or to the previous bar V Move the input caret’s V insertion point or a note selection a diatonic step up W Move the input caret’s W insertion point or a note selection a diatonic step down BV Go to the staff above Alt V BW Go to the staff below Alt W Selecting: BU Select the next entry Alt U BT Select the previous entry Alt T CU Extend/shrink the selection CU with the next entry or chord CT Extend/shrink the selection CT with the previous entry or chord BCU Extend/shrink the selection with the next entry CAlt U
115 CHAPTER 7 Input Mode Macintosh: Action: Windows: BCT Extend/shrink the selection CAlt T with the previous entry CAU Extend/shrink the selection CCtrl Alt U with the next entries of a bar CAT Extend/shrink the selection CCtrl Alt T with the previous entries of a bar Choosing layers: DV Increment layer CtrlV DW Decrement layer CtrlW D1 Set layer 1 CAlt 1 D2 Set layer 2 CAlt 2 … … ... D9 Set layer 9 CAlt 9 7.3.2 Durations To enter notes or rests in Input mode, it is necessary to decide what duration the note or rest is going to have. As stated before, this is a simple procedure: just press the appropriate number key on the computer keyboard. Probably, most notes are semiquavers/sixteenth, quavers/eighth, crotchets/quarter, and minims/ half notes. Therefore, a right-handed person would find the placement of the keys comfortable: a good way to use the computer keyboard for entering durations is to put the index finger on the 4 key of the numeric keypad to input quavers/eighth notes. Then, the middle finger could rest on 5 to input crotchets/ quarter notes, the fourth finger on 6 to input minims/half notes (the ring finger could then also be used for the 3 key to input semiquavers/sixteenth notes) and the little finger on Enter to execute the insertion of a note. The thumb can then be used on the spacebar for rests. All of the default keys used for setting the wanted duration are listed below. Key(s): Action: 0 Set duration to one semihemidemisemiquaver (1/128) 1 Set duration to one hemidemisemiquaver (1/64) 2 Set duration to one demisemiquaver (1/32)
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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