Igor Engraver Manual

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CHAPTER 8 The Palettes In Igor Engraver, two palettes are available: the Tools palette and the Play & Record palette (pictured below), covering both some of the basic and some of the complex features of the program. The Tools palette includes a number of pop-up style palettes. Macintosh: These are indicated by the blue triangles in the bottom right corners of the palette’s icons. Windows: If a tool is clicked, a palette will appear below with additional options. The different palettes are further examined in the following sections. 8.1 The Tools Palette Most of the icons of the Tools palette are used for inserting different sorts of objects into the layouts. Nonetheless, they all have unique properties and will therefore be examined in more detail.
133 CHAPTER 8 The Palettes 8.1.1 The Magnifier Tool, the Hand Tool, and the Arrow Tool Three tools that are found also in other sorts of software are the Magnifier tool, the Hand tool, and the Arrow tool. However, in Igor Engraver these tools have some special features that are worth mentioning. The Magnifier Tool is used to zoom in on the spot you are clicking. Every time you click in a layout, the value of the zoom percentage becomes doubled (for example, 100% becomes 200%). B-clicking for Macintosh or Alt-clicking for Windows zooms out at the same rate. If you click-drag the layout, a rectangle appears. The centre of the rectangle becomes the centre of the magnified area. On the other hand, if the layout is Right-clicked (Windows) or Control-clicked (Macintosh), a crossed rectangle appears (see below left). The middle of the cross – that is, the point where the layout was clicked – will become centered (see below right). The size of the rectangle also determines the zooming factor: the smaller the rectangle, the larger the zoom percentage increment. Note that the zoom percentage number of the zoom area is updated.
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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Page 108 and 109: CHAPTER 6 The Layout Window 104 6.1
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Page 114 and 115: CHAPTER 7 Input Mode Now that you a
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Page 118 and 119: CHAPTER 7 Input Mode 114 7.3.1 Movi
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Page 126 and 127: CHAPTER 7 Input Mode 122 7.3.4 Dyna
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Page 130 and 131: CHAPTER 7 Input Mode 126 Trills and
Page 132 and 133: CHAPTER 7 Input Mode 128 Once inser
Page 134 and 135: CHAPTER 7 Input Mode 130 7.3.12 Bar
Page 138 and 139: CHAPTER 8 The Palettes 134 The two
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Page 150 and 151: CHAPTER 9 The Contextual Menus Rega
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Page 156 and 157: CHAPTER 10 More About Music Input a
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CHAPTER 10 More About Music Input a
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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