Igor Engraver Manual

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CHAPTER 7 Input Mode 128 Once inserted, the attachments can get extension lines, just like the trills, as explained above. 7.3.10 Chord Names and Guitar Diagrams Chord names and guitar diagrams are entered by selecting the entries (shift and arrows) and then pressing A or Shift-A, respectively. Igor Engraver then creates the appropriate symbol automatically, as shown below. (If there is only one note in the “chord”, no chord symbol will be applied.) Every time you press A or Shift- A the spelling of the symbol changes. If you play a chord on a MIDI keyboard, you can see its associated chord symbol directly by pressing the A key (without having to enter the chord in the score). In other words, place the input caret after the note you want to attach the chord to. Now, while holding down the keys of the chord on your MIDI device, press A. Both types of objects can be removed by choosing Delete chord name or Delete guitar diagram from the contextual menu that appears when the objects are Control or Right-clicked, or by selecting them and pressing Backspace. Key(s): Chord diagram: A Guitar diagram: CA Action: Add chord analysis (selected chord or MIDI input) (C, Caug, C+, C-5, C6, C7, C7#9, C9, Cmaj9, Csus, C7sus, Cmaj7, C7b5, Cm, Cmaug, Cm+, Cm-5, Cm6 Cm7, CmMaj7, Cm7b5, Cdim, C69, C13, CMaj13 and their transpositions) Add guitar diagram (C, Cm, C7, Cm7, C6, Cmaj7, Cdim, C7b9, C7b5, C+, Caug, Csus, Cm6 and their transpositions) Remember that you can also use regular textboxes to insert chord names. This is convenient at times when you want to insert a chord name at a place where there
129 CHAPTER 7 Input Mode is no chord written in the score, such as when you want to attach chord names to a solo voice staff. 7.3.11 Text There are several kinds of text in Igor Engraver. Lyrics and markings such as pizz. can be applied directly in Input mode. Although lyrics will not be covered until another chapter, the basic lyrics commands will be shown here, for future reference. Naturally, any text can be typed into the textboxes, but some terms also have intelligent playback behaviour. These terms are listed in “Entry Expressions” on page 197. Rehearsal marks use textboxes that are enclosed by frames. The rehearsal marks can be toggled on and off by typing the combination shown below. Once the textbox has been inserted, it is possible to change the size of the text as well as the text font. This is done in the Font menu (which appears when an existing textbox is clicked once). Macintosh: Action: Windows: Lyrics: CSpace Enter lyrics mode CSpace - Add a hyphen (in lyrics - mode) Space Move to next entry (in Space lyrics mode) _ Add an extension line _ (in lyrics mode) BSpace Add a non-breaking Alt Space space Textboxes: : Create an entry-associated : textbox (entry expressions) DBCAR Toggle rehearsal mark C Ctrl M
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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Page 130 and 131: CHAPTER 7 Input Mode 126 Trills and
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Page 156 and 157: CHAPTER 10 More About Music Input a
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 192 • In th
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 11 Text Entry 196 11.2.1 Pa
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CHAPTER 11 Text Entry 198 11.2.5 Re
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 216 13.2 The E
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CHAPTER 13 The Menus 218 section of
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CHAPTER 13 The Menus 220 13.2.6 MID
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CHAPTER 13 The Menus 222 nesting va
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CHAPTER 13 The Menus 224 is to be u
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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