Igor Engraver Manual

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CHAPTER 10 More About Music Input and Editing 176 music. Now you have a score or part consisting of some musicans, with drums playing back correctly. To speed up Igor Engraver, you can delete the part layouts of the original drum instruments (as the music resides within the musicians – not in the layouts). Also, if you are creating a pop piece, you might want to change the order of the the layout’s musicians, as shown in the left pane below. (The layouts update automatically if you change the order of the msuicians.) This is part of the resulting file - the kick drum and the snare drum have their stems downward (they are in layer 2) and the hi-hats have modified noteheads. Observe that the key signature has been hidden. (It is of course also possible to
177 CHAPTER 10 More About Music Input and Editing delete the key signature markings completely, but then they will reappear in new or altered layouts.) As drum parts can consist of many instruments, it can prove useful to colour certain noteheads, or entire layers. Observe that there are many other ways to use Igor Engraver for drum notation, including using several staves, adding articulation symbols and much more. 10.14 Changing Music Fonts It is easy to change the default music font – Igor Engraver Classic – to a music font created by third parties, provided these fonts are supported by Igor Engraver. If you have them installed in your Fonts folder, their names will appear in the Template/Piece settings window’s Music fonts pane. If you change the settings in the Music fonts pane, the layout becomes updated on the fly. Igor will instantly remap the music symbols and recalculate the spacing and things like slurs and beams for you. This gives you an opportunity to have different looks of one piece, e.g., for delivering the piece to a publisher using one format, when preferring another font yourself. The feature may also be useful if you want to add a Jazz-look to your piece. Igor Engraver currently supports: • Igor Engraver Plate • Igor Engraver Classic
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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5.1.3 Working With More Musicians .
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10.3.1 Normal Tweaking ............
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12.2.5 Out-of-limit highlighting ..
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15.2.1 Piece Setting the Template a
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Basic Spacing .....................
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” The obje
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CHAPTER 2 “espressivo” 46 “Bo
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 50 Now p
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CHAPTER 2 “espressivo” 52 click
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 56 Now i
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CHAPTER 2 “espressivo” 58 2.4 T
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CHAPTER 2 “espressivo” 60 You h
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 64 Perha
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 2 “espressivo” 70 the f
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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92 CHAPTER 5 The Piece Window and t
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98 CHAPTER 5 The Piece Window and t
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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Page 134 and 135: CHAPTER 7 Input Mode 130 7.3.12 Bar
Page 136 and 137: CHAPTER 8 The Palettes In Igor Engr
Page 138 and 139: CHAPTER 8 The Palettes 134 The two
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Page 190 and 191: CHAPTER 11 Text Entry There are sev
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Page 198 and 199: CHAPTER 11 Text Entry 194 (As shown
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Page 204 and 205: CHAPTER 12 Guitar Fingering & Tabla
Page 216 and 217: CHAPTER 13 The Menus 13.1 The File
Page 218 and 219: CHAPTER 13 The Menus 214 If Igor En
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CHAPTER 13 The Menus 226 13.2.8 Ant
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CHAPTER 13 The Menus 228 13.2.12 Ap
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CHAPTER 13 The Menus 230 appear or
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CHAPTER 13 The Menus 232 In the abo
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CHAPTER 13 The Menus 234 The Show/H
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CHAPTER 13 The Menus 236 • adapts
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CHAPTER 13 The Menus 238 13.4 The W
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CHAPTER 13 The Menus 240 13.6 The F
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CHAPTER 14 Printing and Exporting 1
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CHAPTER 15 Settings Windows and Hou
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CHAPTER 16 MIDI and NIFF MIDI (Musi
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CHAPTER 16 MIDI and NIFF 266 The re
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CHAPTER 16 MIDI and NIFF 268 layout
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CHAPTER 16 MIDI and NIFF 270 Note v
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CHAPTER 16 MIDI and NIFF 272 In the
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CHAPTER 16 MIDI and NIFF 274 The Ex
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CHAPTER 16 MIDI and NIFF 276 16.4 N
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CHAPTER 16 MIDI and NIFF 278 Now, c
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CHAPTER 17 E-Commerce 17.1 The Igor
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CHAPTER 17 E-Commerce 282 If you mo
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CHAPTER 17 E-Commerce 284 in a pre-
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CHAPTER 17 E-Commerce 286 again. Th
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CHAPTER 17 E-Commerce 288 17.5 Gene
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APPENDIX A Settings As mentioned ea
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APPENDIX A 292 Dedication: If the p
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APPENDIX A 294 cians included in th
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APPENDIX A 296 Score names, First s
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APPENDIX A 298 Break double barline
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APPENDIX A 300 Text Fonts 1 In the
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APPENDIX A 306 Allotment Table Defa
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APPENDIX A 308 Basic Spacing In the
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APPENDIX A 310 Staff & Leger Lines
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APPENDIX A 312 Space between accide
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APPENDIX A 314 The different settin
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APPENDIX A 316 Max after dampening:
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APPENDIX A 318 Beamed grace notes,
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APPENDIX A 320 Horizontal offset: T
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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