Igor Engraver Manual

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CHAPTER 16 MIDI and NIFF 274 The Expert Settings Pane Finally, there is an Expert settings pane for detailed settings for the music that is to be imported. In this pane, you have more control over quantisation; among other things the quantisation of tuplets can be altered here. The Dynamics section lets you define when a note is to be considered as marcato, marcatissimo, or sforzando. Turn to the balloon help to read more about these settings. Changes to the Imported MIDI File When a MIDI file has been imported, you may find there are many things that need to be changed to the file. This is especially true when importing non-quantised files from sequencers and the like. Consequently, you may need to do some clean-up to the resulting music. However, Igor Engraver has helped you in many ways in order to let you work as little as possible. For example, the chords in the imported files have been analysed, so that the right accidentals are used. A common problem when importing MIDI files into any software is that the length size of the notes is not accurate. If you experience this problem, consider changing the quantisation settings.
275 CHAPTER 16 MIDI and NIFF Also, you may experience that the wrong instrument is used in the Piece window. If so, simply delete the unwanted instrument (not the musician) and replace it with the right instrument by dragging the desired instrument from the Instrument library to the musician. 16.3.2 The Export MIDI Window If you choose Export, the Export to MIDI file settings window will appear. In this window, you find two scroll menus. The first of these menus are used for defining how the music is going to be applied to different tracks. This may be done in the following ways: • Type 0: Single track – All of the notes will share one track. In other words, all music will merge onto one staff. • Type 1: Multiple channel tracks – The music of every MIDI channel gets one individual track. In addition, two extra tracks will be created, for additional MIDI information concerning playback. • Type 2: Multiple instruments tracks – Every instrument gets one individual track. In addition, two extra tracks will be created, for additional MIDI information concerning playback. The second menu lets you define what device the MIDI file is going to be imported to. If you do not choose a particular name, such as “Nanosynth”, you will lose some of Igor Engraver’s unique playback information. Therefore, if you know what device you are going to use, and that device is supported by Igor Engraver, you should use that option. Otherwise, to ensure playback compability, you should better use General MIDI. A final note about MIDI:
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Igor Engraver 1.6 Manual NoteHeads
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Brief Table of Contents Thanks, Con
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Detailed Table of Contents Thanks,
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15.2.1 Piece Setting the Template a
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Thanks, Congratulations, and Welcom
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microtones accurately, and plays st
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CHAPTER 1 Installation and Setup In
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CHAPTER 1 Installation and Setup 20
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CHAPTER 2 “espressivo” 48 Since
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CHAPTER 2 “espressivo” 54 • I
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CHAPTER 2 “espressivo” 62 palet
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CHAPTER 2 “espressivo” 66 until
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CHAPTER 2 “espressivo” 68 Key(s
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CHAPTER 3 Purcell In this tutorial,
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CHAPTER 3 Purcell 74 In the Default
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CHAPTER 3 Purcell 76 The first few
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CHAPTER 3 Purcell 78 3.4 Adding Lyr
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CHAPTER 3 Purcell 80 3.5 Cosmetics
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CHAPTER 3 Purcell 82 changed. (Due
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CHAPTER 4 “impressivo” Now that
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CHAPTER 4 “impressivo” 86 which
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CHAPTER 4 “impressivo” 88 Liste
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CHAPTER 5 The Piece Window and the
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CHAPTER 6 The Layout Window In cont
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CHAPTER 6 The Layout Window 104 6.1
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CHAPTER 6 The Layout Window 106 6.3
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CHAPTER 6 The Layout Window 108 The
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CHAPTER 7 Input Mode Now that you a
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CHAPTER 7 Input Mode 112 the sectio
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CHAPTER 7 Input Mode 114 7.3.1 Movi
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CHAPTER 7 Input Mode 116 Key(s): Ac
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CHAPTER 7 Input Mode 118 Hiding one
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CHAPTER 7 Input Mode 120 N Change n
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CHAPTER 7 Input Mode 122 7.3.4 Dyna
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CHAPTER 7 Input Mode 124 Finally, a
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CHAPTER 7 Input Mode 126 Trills and
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CHAPTER 7 Input Mode 128 Once inser
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CHAPTER 7 Input Mode 130 7.3.12 Bar
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CHAPTER 8 The Palettes In Igor Engr
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CHAPTER 8 The Palettes 134 The two
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CHAPTER 8 The Palettes 136 8.1.3 Dy
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CHAPTER 8 The Palettes 138 8.1.7 Th
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CHAPTER 8 The Palettes 140 (picture
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CHAPTER 8 The Palettes 142 By dragg
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CHAPTER 8 The Palettes 144 8.2 The
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CHAPTER 9 The Contextual Menus Rega
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CHAPTER 10 More About Music Input a
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CHAPTER 11 Text Entry There are sev
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CHAPTER 11 Text Entry 188 A-ve Ma-r
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CHAPTER 11 Text Entry 190 To make t
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CHAPTER 11 Text Entry 194 (As shown
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CHAPTER 12 Guitar Fingering & Tabla
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CHAPTER 13 The Menus 13.1 The File
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Page 246 and 247: CHAPTER 14 Printing and Exporting 1
Page 252 and 253: CHAPTER 15 Settings Windows and Hou
Page 268 and 269: CHAPTER 16 MIDI and NIFF MIDI (Musi
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Page 294 and 295: APPENDIX A Settings As mentioned ea
Page 296 and 297: APPENDIX A 292 Dedication: If the p
Page 298 and 299: APPENDIX A 294 cians included in th
Page 300 and 301: APPENDIX A 296 Score names, First s
Page 302 and 303: APPENDIX A 298 Break double barline
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Page 310 and 311: APPENDIX A 306 Allotment Table Defa
Page 312 and 313: APPENDIX A 308 Basic Spacing In the
Page 314 and 315: APPENDIX A 310 Staff & Leger Lines
Page 316 and 317: APPENDIX A 312 Space between accide
Page 318 and 319: APPENDIX A 314 The different settin
Page 320 and 321: APPENDIX A 316 Max after dampening:
Page 322 and 323: APPENDIX A 318 Beamed grace notes,
Page 324 and 325: APPENDIX A 320 Horizontal offset: T
Page 326 and 327: APPENDIX A 322 The different settin
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APPENDIX A 324 Lines In the Lines p
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APPENDIX A 326 Lyrics In the Lyrics
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APPENDIX A 328 Rhythmic grouping: I
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APPENDIX A 330 Initial vertical off
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APPENDIX A 332 The different settin
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APPENDIX A 334 Bar Numbers In the B
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APPENDIX A 336 Rehearsal Marks dire
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APPENDIX A 338 • The radius speci
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APPENDIX A 340 Jazz Chords In the J
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APPENDIX A 342 Centered tab frets:
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APPENDIX A 344 MIDI Input In the MI
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APPENDIX A 346 MIDI Quantisation In
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APPENDIX A 348 The different settin
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APPENDIX A 350 Publishing Info In t
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APPENDIX A 352 Measurements units:
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APPENDIX A 354 Brace together ident
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APPENDIX A 356 Instrument Names Pag
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APPENDIX A 358 Bar Numbers The diff
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APPENDIX A 360 Bar Grouping In the
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APPENDIX A 362 Name: Here, the name
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APPENDIX A 364 Since the number in
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APPENDIX A 366 one piece, it is eas
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APPENDIX B Reference Chart On the n
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Trills, Tremolandos, and Tremolos A
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Igor Engraver Reference Chart Macin
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Stems and beams: CF Flip stem BF Fr
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377 APPENDIX C Exact tempo indicati
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379 APPENDIX C
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381 APPENDIX D Questions I can’t
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383 APPENDIX D Questions My Roland
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385 APPENDIX D Questions I am exper
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387 APPENDIX E
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389 basic spacing 308-309 beam 315-
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391 flipping slur Input mode 123, 1
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393 key signature changing 75, 164,
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395 ordering of instruments 95, 365
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397 format, default 293 icon 45, 58
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399 hiding 165 reservation of space
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