Postgraduate Prospectus
Postgraduate Prospectus
Postgraduate Prospectus
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www.east15.ac.uk | Acting<br />
MA/MFA Acting (International)<br />
We have designed this unique course<br />
for our international students, to offer the<br />
traditional acting skills, including voice,<br />
movement and singing, and approaches<br />
to rehearsal and public performances. You<br />
will draw upon existing practice but this is<br />
supplemented with specific teaching that<br />
will help international students. We also<br />
include advanced practical acting skills<br />
and the study of Shakespeare and other<br />
classical traditions.<br />
Our MA Acting (International) runs for<br />
twelve months and our MFA Acting<br />
(International) for 24 months. If you have<br />
English as your first language (USA,<br />
Canada, Australia etc) then you concentrate<br />
on accent/dialect and RP. If English is not<br />
your first language, then you focus on<br />
accent, rhythm, stress and diction. Our<br />
MFA students take a second year to work<br />
within a repertory company on fully-staged<br />
productions written and performed in<br />
English. We also run a field study option for<br />
our MFA students at GITIS in Moscow and<br />
at ISI in Bali. Our graduates receive a<br />
comprehensive training, so can pursue<br />
careers in theatre and related professions<br />
in this increasingly global industry.<br />
MA Filmmaking<br />
We introduced MA Filmmaking for the<br />
new generation of filmmakers who<br />
write, shoot, edit and distribute their films<br />
themselves. We offer a comprehensive<br />
introduction to film and the international<br />
context of filmmaking, with hands-on<br />
skills development in all areas of practice<br />
Taught course modules<br />
MA Acting<br />
Advanced Acting<br />
Methodology and Textual<br />
Studies and Acting for Media<br />
Researched Performance<br />
Project<br />
Studio Theatre Production<br />
Voice<br />
Movement<br />
Music/Singing<br />
Contextual Studies<br />
Either Dissertation or<br />
Performance Project<br />
MA Acting (International)<br />
Acting Technique<br />
Character and Scene Work<br />
Shakespeare<br />
Contemporary UK Texts<br />
Either MA Dissertation or<br />
MA Practical Project<br />
MFA Acting (International)<br />
Year one<br />
Acting Technique<br />
Character and Scene Work<br />
Shakespeare<br />
Contemporary UK Texts<br />
Year two<br />
Theatre Performance 1<br />
Either Independent Study or<br />
Field Study<br />
Theatre Performance 2<br />
Theatre Performance 3<br />
Either MFA Dissertation or<br />
MFA Practical Project<br />
MA Filmmaking<br />
Digital and Video Filmmaking<br />
Practical Filmmaking (Camera,<br />
Sound, Lights)<br />
Scriptwriting and Treatment<br />
Editing Practice<br />
Either MA Written Dissertation<br />
or MA Dissertation by<br />
Practical Project<br />
MA Theatre Directing<br />
Four taught modules selected<br />
from list<br />
Either MA Theatre Directing<br />
Dissertation or MA<br />
Dissertation by Director’s<br />
Production Workbook<br />
MFA Theatre Directing<br />
Year one<br />
Four taught modules selected<br />
from list<br />
Year two<br />
Four taught modules selected<br />
from list<br />
Either MFA Written<br />
Dissertation or MFA<br />
Dissertation by Director’s<br />
Production Workbook or<br />
MFA Dissertation by<br />
Practical Project<br />
MA/MFA Theatre<br />
Directing modules<br />
Attachment (Assistant<br />
Director/Directing in Drama<br />
Schools)<br />
Brecht and his Influences<br />
Collaboration with Designers<br />
Comedy and Farce<br />
Commedia dell’Arte and<br />
Working with Masks<br />
Contemporary British Drama<br />
Contemporary Irish Theatre<br />
Improvisation and Devising<br />
Techniques<br />
Independent Directing Project<br />
Introduction to Directing Film<br />
Methodology (GITIS: Russian<br />
Academy of Theatre Arts,<br />
field study)<br />
Meyerhold and Biomechanics<br />
(GITIS: Russian Academy<br />
of Theatre Arts, field study)<br />
Music Theatre<br />
Physical Theatre<br />
Rehearsal Processes and<br />
Workshops<br />
Shakespeare<br />
Stanislavskian Acting<br />
The Artistic Director<br />
Theatre of the East (field<br />
study)<br />
The Techniques of Adaptation<br />
World Theatre (field study)<br />
This information is a guide to course<br />
content and is subject to change on<br />
an annual basis.<br />
<strong>Postgraduate</strong> <strong>Prospectus</strong> 2012 | 53