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Postgraduate Prospectus

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www.essex.ac.uk/arthistory | Art History<br />

Why study art history<br />

at Essex?<br />

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Internationally renowned for our<br />

strengths in art history and theory<br />

Strong postgraduate community,<br />

attracting students from both<br />

home and abroad<br />

Long established and excellent<br />

record of winning external<br />

research funding<br />

Well established and highly<br />

regarded courses offered within<br />

our Centre for Curatorial Studies<br />

World-class research undertaken<br />

in the field of Latin American art<br />

Career prospects<br />

Former students go on to work in<br />

museums and galleries in London<br />

and throughout the world; other<br />

employment sectors include<br />

publishing and advertising, or<br />

senior management positions<br />

in a wide range of businesses.<br />

Many of our students have also<br />

progressed successfully to further<br />

research and an academic career.<br />

About our School<br />

We provide an excellent environment for<br />

the pursuit of both teaching and research,<br />

and have repeatedly been awarded top<br />

grades in national assessments of<br />

teaching quality and research standing.<br />

We have an unequalled track record<br />

in attracting external research funding.<br />

Over the past decade we have been<br />

home to no fewer than five major Arts<br />

and Humanities Research Council<br />

(AHRC)-funded research projects including<br />

the Centre for Studies of Surrealism’s<br />

Legacies and a project on The Moral<br />

Nature of the Image in the Renaissance<br />

(a three-year examination of the modes<br />

of reception of religious and secular art<br />

in the Renaissance); UECLAA online,<br />

a three-year project to create a digital<br />

catalogue of our exceptional collection<br />

of Latin American art; Meeting Margins:<br />

Transnational Art in Latin America<br />

and Europe 1950-78, a three-year<br />

AHRC-funded study in collaboration<br />

with the University of the Arts, London;<br />

and Aesthetics after Photography, a<br />

three-year research project in collaboration<br />

with the University of Warwick.<br />

Current research interests of individual<br />

members of staff include: modern art in<br />

France, especially Cubism and interwar<br />

Surrealism (Professor Neil Cox); the<br />

cultural significance of the museum,<br />

museum architecture, and photography<br />

and the Paris commune (Dr Michaela<br />

Giebelhausen); the art, architecture and<br />

urbanism of the Italian Renaissance<br />

(Dr Caspar Pearson); and Rodin and<br />

contemporary science (Dr Natasha<br />

Ruiz-Gómez). Our research culture is<br />

frequently enriched by research visitors;<br />

during 2010-11, for example, we<br />

welcomed the University’s first ever<br />

Fulbright Scholar, Jann Marson, working on<br />

Belgian Surrealism, as well as postdoctoral<br />

researcher, Julia Pine, working on late Dalí.<br />

We are also home to the Centre for<br />

Curatorial Studies (led by director, Matthew<br />

Poole), which brings together research in<br />

the field of museology, exhibition studies<br />

and curatorial practice, and also delivers<br />

our postgraduate courses in each of<br />

these areas.<br />

We provide good facilities for study,<br />

with access to a range of resources and<br />

support mechanisms to foster progression.<br />

Our students in our Centre for Curatorial<br />

Studies have a dedicated office on our<br />

Colchester Campus, which is used as<br />

a study area, a production office for<br />

exhibitions, a meeting room and a<br />

workshop. It has its own telephone line,<br />

fully networked computing facilities,<br />

printers, a range of materials and a library<br />

of our graduates’ portfolios, which<br />

document their exhibitions.<br />

We also have a large well-equipped<br />

room for our research students. There are<br />

desks and computers, a state-of-the-art<br />

printer/fax machine and comfortable<br />

seating, so you can use this room for<br />

meetings and reading groups, as well as<br />

private study.<br />

Taught courses<br />

Teaching, particularly at postgraduate<br />

level, is bound up with all our activities<br />

and research interests, creating a sense<br />

of urgency and dynamism that focuses<br />

our students' minds.<br />

MA Art History and Theory•<br />

This flexible course is suitable if you are<br />

seeking employment in the art world or<br />

elsewhere, or are interested in further<br />

research and an academic career. With<br />

options covering European and Latin<br />

American art, architecture from the<br />

Renaissance to the present day, museology,<br />

contemporary art, and photography, you<br />

can pursue your own interests in choosing<br />

modules that appeal to you.<br />

MA Art History and Theory contains<br />

a strong research element, normally<br />

culminating in a 20,000 word dissertation<br />

on a topic of your choice.<br />

MA Critical Management and Curating•<br />

This course will equip you for a career in<br />

visual arts management, critical curating,<br />

<strong>Postgraduate</strong> <strong>Prospectus</strong> 2012 | 61

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